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Bağlama
The ''bağlama'' or ''saz'' is a family of plucked string instruments, long-necked lutes used in Ottoman classical music, Turkish folk music, Turkish Arabesque music, Azerbaijani music, Kurdish music, Armenian music and in parts of Syria, Iraq and the Balkan countries. ''Bağlama'' ( tr, bağlama) is Turkish from ''bağlamak'', "to tie". It is . ''Saz'' ( fa, ساز) means "to make; to compose" in Persian. It is . According to ''The New Grove Dictionary of Music and Musicians'', "the terms 'bağlama' and 'saz' are used somewhat interchangeably in Turkey." Like the Western lute and the Middle-Eastern oud, it has a deep round back, but a much longer neck. It can be played with a plectrum or with a fingerpicking style known as ''şelpe''. In the music of Greece the name ''baglamas'' ( el, μπαγλαμάς) is given to a treble bouzouki, a related instrument. The Turkish settlement of Anatolia from the late eleventh century onward saw the introduction of a two-string Turkmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armenian Music
The music of Armenia ( hy, հայկական երաժշտություն ''haykakan yerazhshtut’yun'') has its origins in the Armenian highlands, dating back to the 3rd millennium BCE, and is a long-standing musical tradition that encompasses diverse secular and religious, or sacred, music (such as the ''sharakan'' Armenian chant and ''taghs'', along with the indigenous '' khaz'' musical notation). Folk music was notably collected and transcribed by Komitas Vardapet, a prominent composer and musicologist, in the late nineteenth and early twentieth centuries, who is also considered the founder of the modern Armenian national school of music. Armenian music has been presented internationally by numerous artists, such as composers Aram Khachaturian, Alexander Arutiunian, Arno Babajanian, Haig Gudenian, and Karen Kavaleryan as well as by traditional performers such as duduk player Djivan Gasparyan. Melodic basis Traditional Armenian folk music as well as Armenian church mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bouzouki
The bouzouki (, also ; el, μπουζούκι ; alt. pl. ''bouzoukia'', from Greek ), also spelled buzuki or buzuci, is a musical instrument popular in Greece. It is a member of the long-necked lute family, with a round body with a flat top and a long neck with a fretted fingerboard. It has steel strings and is played with a plectrum producing a sharp metallic sound, reminiscent of a mandolin but pitched lower. There are two main types of bouzouki: the ''trichordo'' (''three-course'') has three pairs of strings (known as courses) and the ''tetrachordo'' (''four-course'') has four pairs of strings. The instrument was brought to Greece in the early 1900s by Greek refugees from Anatolia, and quickly became the central instrument to the rebetiko genre and its music branches. It is now an important element of modern Laïko pop Greek music. Etymology The name ''bouzouki'' comes from the Turkish word , meaning "broken" or "modified", and comes from a particular re-entrant tuning ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buzuq
The ''buzuq'' ( ar, ; also transliterated ''bozuq'', ''bouzouk'', buzuk etc.) is a long-necked fretted lute related to the Greek bouzouki and Turkish saz. It is an essential instrument in the Rahbani repertoire, but it is not classified among the classical instruments of Arab or Turkish music. However, this instrument may be looked upon as a larger and deeper-toned relative of the saz, to which it could be compared in the same way as the viola to the violin in Western music. Before the Rahbanis popularized the use of this instrument, the buzuq had been associated with the music of Lebanon and Syria. Unlike the short-necked unfretted oud, the buzuq has a longer neck, smaller body and frets tied to the neck, which can be moved to produce the microtonal intervals used in the many ''maqamat'' (musical modes). Typically, it is furnished with two courses of metal strings which are played with a plectrum, offering a metallic yet lyrical resonance. Some instruments have three cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plucked String Instrument
Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum. Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches. The zither family (including the Qanún/kanun, autoharp, kantele, gusli, kannel, kankles, kokles, koto, guqin, gu zheng and many others) does not have a neck, and the strings are stretched across the soundboard. In the harp family (including the lyre), the strings are perpendicular to the soundboard and do not run across it. The harpsichord does not fit any of these categories but is also a plucked string instrument, as its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plucked String Instrument
Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum. Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches. The zither family (including the Qanún/kanun, autoharp, kantele, gusli, kannel, kankles, kokles, koto, guqin, gu zheng and many others) does not have a neck, and the strings are stretched across the soundboard. In the harp family (including the lyre), the strings are perpendicular to the soundboard and do not run across it. The harpsichord does not fit any of these categories but is also a plucked string instrument, as its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baglamadaki
The baglamas ( el, μπαγλαμάς) (plural '' baglamades'') or baglamadaki (), a long necked bowl-lute, is a plucked string instrument used in Greek music; it is a smaller version of the bouzouki pitched an octave higher (nominally D-A-D), with unison pairs on the four highest strings and an octave pair on the lower D. Musically, the baglamas is most often found supporting the bouzouki in the Piraeus city style of rebetiko. The body is often hollowed out from a piece of wood (''skaftos'', construction) or else made from a gourd, but there are also baglamades with staved backs. Its small size made it particularly popular with musicians who needed an instrument transportable enough to carry around easily or small enough to shelter under a coat. During parts of the 20th century, players of the bouzouki and baglamas were persecuted by the government, and the instruments were smashed by the police. The name comes from Turkish , a similar instrument. See also * Bouzouki * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambouras
The tambouras ( el, ταμπουράς ) is a Greek traditional string instrument of Byzantine origin. It has existed since at least the 10th century, when it was known in Assyria and Egypt. At that time, it might have between two and six strings, but Arabs adopted it, and called it a Tanbur. The characteristic long neck bears two strings, tuned five notes apart. It also similar to the Turkish ''tambur'' and each of them have same origin. Tanbur, a Persian word, according to some scholars taken from Sumerian ‘Pan Tur, meaning “Little bow”. History Origins It is considered that the ''tambouras ancestor is the ancient Greek ''pandouris'', also known as ''pandoura'', ''pandouros'' or ''pandourida'' (πανδουρίς, πανδούρα, πάνδουρος), from which the word is derived. The ''tambouras'' is mentioned in the Byzantine epic of Digenis Akritas, when the hero plays his θαμπούριν, ''thambourin'' (medieval form of ''tambouras''): Name The name rese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Folk Music
Turkish folk music (''Türk Halk Müziği'') is the traditional music of Turkish people living in Turkey influenced by the cultures of Anatolia and former territories in Europe and Asia. Its unique structure includes regional differences under one umbrella. It includes popular music from the Ottoman Empire era. After the foundation of the Turkish Republic in 1923, Turkish President Mustafa Kemal Atatürk ordered a wide-scale classification and archiving of samples of Turkish folk music from around the country, which, from 1924 to 1953 collected around 10,000 folk songs. Traditional folk music was combined with Western harmony and musical notation to create a more modern style of popular Turkish music. History and development Western music had begun to influence Ottoman music from before the early Tanzimat period. According to Degirmenci "the first westernization movement in music happened in the Army; in 1826 Giuseppe Donizetti, brother of the famous opera composer Gaetano, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambur
The ''tambur'' (spelled in keeping with TDK conventions) is a fretted string instrument of Turkey and the former lands of the Ottoman Empire. Like the ney, the armudi (lit. pear-shaped) kemençe and the kudüm, it constitutes one of the four instruments of the basic quartet of Turkish classical music. Of the two variants, one is played with a plectrum (''mızraplı tambur'') and the other with a bow ('' yaylı tambur''). The player is called a ''tamburî''.Tambur Republic of Turkey - Ministry of Culture and Tourism History and development There are several hypotheses as to the origin of the instrument. One suggests that it descended from the , a string instrument still in use among the Turkic peoples of Central A ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutar
The ''dutar'' (also ''dotar''; fa, دوتار, dutâr; russian: Дутар; tg, дутор; ug, دۇتار, ucy=Дутар, Dutar; uz, dutor; ; dng, Дутар) is a traditional Iranian long-necked two-stringed lute found in Iran and Central Asia. Its name comes from the Persian word for "two strings", دوتار ''do tār'' (< دو ''do'' "two",تار ''tār'' "string"), although the i dutar of has fourteen strings. Dutar is very popular in Tajikistan and Khorasan province of Iran. When played, the strings are usually plucked by the of Western China and strummed and plucked by the |
Cura (instrument)
The cura () is a plucked string folk instrument from Turkey. It is the smallest and highest pitched member of the bağlama family of instruments. It is found in nearly every region of the country with varying exact dimensions, tunings, playing techniques, and names including ''dede sazi, parmak cura, üç telli cura, baglama curasi, and tanbura curasi''. The two other members of the bağlama family are the larger tambura and the largest divan sazi, which are one and two octaves lower than the cura, respectively. The instrument has three main parts, the bowl (''tekne''), the sound board (''göğüs''), and the neck (''sap''). The bowl is made from mulberry wood, juniper, beech, spruce, or walnut, the sound board made of spruce, and the neck is made of beech or juniper. The tuning pegs (''burgu'' literally screw). Frets are tied to the neck with fishing line, which allows them to be adjusted. The cura is usually played with a ''mızrap'' or ''tezene'', a plectrum made from cherrywo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Setar
A setar ( fa, سهتار, ) is a stringed instrument, a type of lute used in Persian traditional music, played solo or accompanying voice. It is a member of the tanbur family of long-necked lutes with a range of more than two and a half octaves. Originally a three stringed instrument, a fourth string was added by the mid 19th century. It is played with the index finger of the right hand. It has been speculated that the setar originated in Persia by the 9th century C.E. A more conservative estimate says "it originated in the 15th century, or even earlier." Although related to the tanbur, in recent centuries, the setar has evolved so that, musically, it more closely resembles the Tar (string instrument), tar, both in Musical tuning, tuning and playing style. Etymology According to Curt Sachs, Persians chose to name their lutes around the word ''tar'', meaning string, combined with a word for the number of strings. Du + tar is the 2-stringed dutar, dutār, se + tar is the 3-str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
