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Bathos
Bathos ( ;''Oxford English Dictionary'', 1st ed. "bathos, ''n.'' Oxford University Press (Oxford), 1885. grc-gre, , "depth") is a literary term, first used in this sense in Alexander Pope's 1727 essay " Peri Bathous", to describe an amusingly failed attempt at presenting artistic greatness. Today, ''bathos'' refers to rhetorical anticlimax, an abrupt transition from a lofty style or grand topic to a common or vulgar one, occurring either accidentally (through artistic ineptitude) or intentionally (for comic effect). Intentional bathos appears in satirical genres such as burlesque and mock epic. "Bathos" or "bathetic" is also used for similar effects in other branches of the arts, such as musical passages marked '' ridicolosamente''. In film, bathos may appear in a contrast cut intended for comic relief or be produced by an accidental jump cut. Alexander Pope's definition ''The Art of Sinking in Poetry'' As a term for the combination of the very high with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Terms
This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms. A B C D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peri Bathous, Or The Art Of Sinking In Poetry
"Peri Bathous, Or the Art of Sinking in Poetry" is a short essay by Alexander Pope published in 1728. The aim of the essay is to ridicule contemporary poets. Content "Peri Bathous" is a blow Pope struck in an ongoing struggle against the "dunces". It is a prose parody of Longinus' ''Peri Hupsous'' (''On the Sublime''), in that he imitates Longinus' system for the purpose of ridiculing contemporary poets. According to John Upton, the title reflects an actual phrase in Longinus' treatise, εἰ ἔστιν ὕψους τις ἢ βάθους τέχνη, in which "βάθους" is a scribal error for "πάθους". With the essay, Pope introduced the use of the term "bathos" (Greek βάθος, ''depth'', the antonym to ὕψος (hupsos), ''height'') to mean a failed attempt at sublimity, a ridiculous failure to sustain it, or, more generally, an anticlimax. Although Pope's manual of bad verse offers numerous methods for writing poorly, of all these ways to "sink", the method t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pathos
Pathos (, ; plural: ''pathea'' or ''pathê''; , for "suffering" or "experience") appeals to the emotions and ideals of the audience and elicits feelings that already reside in them. Pathos is a term used most often in rhetoric (in which it is considered one of the three modes of persuasion, alongside ethos and logos), as well as in literature, film and other narrative art. Methods Emotional appeal can be accomplished in many ways, such as the following: * by a metaphor or storytelling, commonly known as a hook; * by passion in the delivery of the speech or writing, as determined by the audience; * by personal anecdote. appealing to an ideal can also be handled in various ways, such as the following: * by understanding the reason for their position * avoiding attacks against a person or audience's personally * use the attributes of the ideal to reinforce the message Pathos tends to use "loaded" words that will get some sort of reaction. Examples could include "victim," in a n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figures Of Speech
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from ordinary language use in order to produce a rhetorical effect. Figures of speech are traditionally classified into '' schemes,'' which vary the ordinary sequence of words, and '' tropes,'' where words carry a meaning other than what they ordinarily signify. An example of a scheme is a polysyndeton: the repetition of a conjunction before every element in a list, whereas the conjunction typically would appear only before the last element, as in "Lions and tigers and bears, oh my!"—emphasizing the danger and number of animals more than the prosaic wording with only the second "and". An example of a trope is the metaphor, describing one thing as something that it clearly is not in order to lead the mind to compare them, in "All the world's a stage." Four rhetorical operations Classical rhetoricians classified figures of speech into four categories or :Jansen, Jeroen (2008) Imitatio'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trope (literature)
A literary trope is the use of figurative language, via word, phrase or an image, for artistic effect such as using a figure of speech. Keith and Lundburg describe a trope as, "a substitution of a word or phrase by a less literal word or phrase." The word ''trope'' has also come to be used for describing commonly recurring or overused literary and rhetorical devices, motifs or clichés in creative works. Literary tropes span almost every category of writing, such as poetry, film, plays, and video games. Origins The term ''trope'' derives from the Greek (''tropos''), "turn, direction, way", derived from the verb τρέπειν (''trepein''), "to turn, to direct, to alter, to change". Tropes and their classification were an important field in classical rhetoric. The study of tropes has been taken up again in modern criticism, especially in deconstruction. Tropological criticism (not to be confused with tropological reading, a type of biblical exegesis) is the historical study of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hierarchy Of Genres
A hierarchy of genres is any formalization which ranks different genres in an art form in terms of their prestige and cultural value. In literature, the epic was considered the highest form, for the reason expressed by Samuel Johnson in his ''Life of John Milton'': "By the general consent of criticks, the first praise of genius is due to the writer of an epick poem, as it requires an assemblage of all the powers which are singly sufficient for other compositions." Below that came lyric poetry, and comic poetry, with a similar ranking for drama. The novel took a long time to establish a firm place in the hierarchy, doing so only as belief in any systematic hierarchy of forms expired in the 19th century. In music, settings of words were accorded a higher status than merely instrumental works, at least until the Baroque period, and opera retained a superior status for much longer. The status of works also varies with the number of players and singers involved, with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Philosophical Enquiry Into The Origin Of Our Ideas Of The Sublime And Beautiful
''A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful'' is a 1757 treatise on aesthetics written by Edmund Burke. It was the first complete philosophical exposition for separating the beautiful and the sublime into their own respective rational categories. It attracted the attention of prominent thinkers such as Denis Diderot and Immanuel Kant. Summary According to Burke, ''the Beautiful'' is that which is well-formed and aesthetically pleasing, whereas ''the Sublime'' is that which has the power to compel and destroy us. The preference for the Sublime over the Beautiful was to mark the transition from the Neoclassical to the Romantic era. The origins of our ideas of the beautiful and the sublime, for Burke, can be understood by means of their causal structures. According to Aristotelian physics and metaphysics, causation can be divided into formal, material, efficient and final causes. The formal cause of beauty is the passion of love; the mater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Burke
Edmund Burke (; 12 January NS.html"_;"title="New_Style.html"_;"title="/nowiki>New_Style">NS">New_Style.html"_;"title="/nowiki>New_Style">NS/nowiki>_1729_–_9_July_1797)_was_an_ NS.html"_;"title="New_Style.html"_;"title="/nowiki>New_Style">NS">New_Style.html"_;"title="/nowiki>New_Style">NS/nowiki>_1729_–_9_July_1797)_was_an_Anglo-Irish_people">Anglo-Irish_Politician.html" ;"title="Anglo-Irish_people.html" ;"title="New_Style">NS.html" ;"title="New_Style.html" ;"title="/nowiki>New Style">NS">New_Style.html" ;"title="/nowiki>New Style">NS/nowiki> 1729 – 9 July 1797) was an Anglo-Irish people">Anglo-Irish Politician">statesman, economist, and philosopher. Born in Dublin, Burke served as a member of Parliament (MP) between 1766 and 1794 in the House of Commons of Great Britain with the Whig Party. Burke was a proponent of underpinning virtues with manners in society and of the importance of religious institutions for the moral stability and good of the state. These views wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrose Philips
Ambrose Philips (167418 June 1749) was an English poet and politician. He feuded with other poets of his time, resulting in Henry Carey bestowing the nickname "Namby-Pamby" upon him, which came to mean affected, weak, and maudlin speech or verse. Life He was born in Shropshire of a Leicestershire family. He was educated at Shrewsbury School and St John's College, Cambridge, of which he became a fellow in 1699. He seems to have lived chiefly at Cambridge until he resigned his fellowship in 1708, and his pastorals were probably written in this period. He worked for Jacob Tonson the bookseller, and his ''Pastorals'' opened the sixth volume of Tonson's ''Miscellanies'' (1709), which also contained the pastorals of Alexander Pope. Philips was a staunch Whig, and a friend of Richard Steele and Joseph Addison. In Nos. 22, 23, 30 and 32 (1713) of ''The Guardian'' he was rashly praised as the only worthy successor to Edmund Spenser. The writer, probably Thomas Tickell, pointedly ignored ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Arbuthnot
John Arbuthnot FRS (''baptised'' 29 April 1667 – 27 February 1735), often known simply as Dr Arbuthnot, was a Scottish physician, satirist and polymath in London. He is best remembered for his contributions to mathematics, his membership in the Scriblerus Club (where he inspired both Jonathan Swift's ''Gulliver's Travels'' book III and Alexander Pope's ''Peri Bathous, Or the Art of Sinking in Poetry'', ''Memoirs of Martin Scriblerus,'' and possibly ''The Dunciad''), and for inventing the figure of John Bull. Biography In his mid-life, Arbuthnot, complaining of the work of Edmund Curll, among others, who commissioned and invented a biography as soon as an author died, said, "Biography is one of the new terrors of death," and so a biography of Arbuthnot is made difficult by his own reluctance to leave records. Alexander Pope noted to Joseph Spence that Arbuthnot allowed his infant children to play with, and even burn, his writings. Throughout his professional life, Arbu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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