|
Bassoon Sonata
A bassoon sonata is a larger-scale work for bassoon, usually with keyboard accompaniment. Most bassoon sonatas are substantial, multi-movement works, often based on Classical sonata form. Bassoon sonatinas, by comparison, tend to be shorter works, often in a single movement. Like bassoon concertos, bassoon sonatas were relatively uncommon until the twentieth century, at which point they became plentiful. During the twentieth century, the term ''bassoon sonata'' came to denote a wider range of works, including sonatas for solo bassoon and sonatas for bassoon in various duets with other instruments (such as cello or oboe). Baroque *Giovanni Antonio Bertoli, nine sonatas (1645) * Philipp Friedrich Böddecker, Sonata sopra "La Monica" (1651) *Joseph Bodin de Boismortier, various sonatas (1730s) *Johann Friedrich Fasch, Sonata in C (authorship uncertain) * Johann Ernst Galliard, six sonatas for bassoon or cello (1733) *Luigi Merci, six sonatas for bassoon or cello, Op. 3 () *Georg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodney Bennett
Sir Richard Rodney Bennett (29 March 193624 December 2012) was an English composer of film, TV and concert music, and also a jazz pianist and occasional vocalist. He was based in New York City from 1979 until his death there in 2012.Zachary Woolfe"Richard Rodney Bennett, British Composer, Dies at 76" ''New York Times'', 30 December 2012 Life and career Bennett was born at Broadstairs, Kent, but was raised in Devon during World War II. His mother, Joan Esther, née Spink (1901–1983) was a pianist who had trained with Gustav Holst and sang in the first professional performance of ''The Planets''. His father, Rodney Bennett (1890–1948), was a children's book author, poet and lyricist, who worked with Roger Quilter on his theatre works and provided new words for some of the numbers in the ''Arnold Book of Old Songs''. Bennett was a pupil at Leighton Park School. He later studied at the Royal Academy of Music with Howard Ferguson, Lennox Berkeley and Cornelius Cardew. Ferguson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vyacheslav Artyomov
Vyacheslav Petrovich Artyomov (russian: Вячесла́в Петро́вич Артё́мов, link=no; born on June 29, 1940, in Moscow) is a Russian and Soviet Union, Soviet composer. Biography Artyomov was preparing to become a physicist, studying music at the same time. He finished studying at the musical college affiliated to the Moscow Conservatory (composition class of A. Pirumov), then graduated from the Moscow Conservatory in 1968, where he studied musical composition, composition with Nikolai SidelnikovMcBurney (1992) and piano with Tovi Logovinsky. He became a member of the Union of Soviet Composers and Association for Contemporary Music (ACM). He was active as an editor at the Moscow publishers "Musyka" for several years. In 1975, he joined the improvisation group "Astreya", together with the composers Sofia Gubaidulina and Viktor Suslin. In 1979, he was blacklisted as one of the Khrennikov's Seven at the Sixth Congress of the Union of Soviet Composers for unapprove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violet Archer
Violet Louise Archer (24 April 191321 February 2000) was a Canadian composer, teacher, pianist, organist, and percussionist. Born Violet Balestreri in Montreal, Quebec, in 1913, her family changed their name to Archer in 1940. She died in Ottawa on 21 February 2000. Education and teaching career Archer earned an L MUS from McGill University in 1934, and a B MUS from McGill in 1936 where she studied composition with Douglas Clarke. She travelled to New York City in the summer of 1942 where she studied with Béla Bartók, "who introduced her to Hungarian folk tunes and to variation technique. She taught at the McGill Conservatory from 1944 to 1947. Later in the 1940s she studied with Paul Hindemith at Yale. She earned a B MUS from Yale in 1948, and a M MUS also from Yale in 1949. From 1950 to 1953 Archer was Composer-in-Residence at the University of North Texas. From 1953 through 1961 she taught at the University of Oklahoma. Returning to Canada in 1961 for doctoral study at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Erich Apostel
Hans Erich Apostel (22 January 1901 – 30 November 1972) was a German-born Austrian composer of classical music. From 1916 to 1919 he studied piano, conducting and music theory in Karlsruhe with Alfred Lorenz. In 1920 he was Kapellmeister and Répétiteur at the Badisches Landestheater in Karlsruhe. He studied in Vienna with Arnold Schoenberg from 1921 to 1925, and from 1925 to 1935 with Alban Berg, two prominent members of the Second Viennese School. At the same time, he taught piano, composition and music theory privately. Some of his compositions demonstrate his particular affinity with expressionist painting—he was friends with Emil Nolde, Oskar Kokoschka and Alfred Kubin. During the Nazi period his music was proscribed as "degenerate", but he continued to live in Vienna until his death in 1972. Apostel was active as a pianist, accompanist, and conductor of contemporary music in Austria, Germany, Switzerland and Italy. After the war, he was prominent in the Austrian b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jurriaan Andriessen (composer)
Jurriaan Hendrik Andriessen (15 November 1925, Haarlem - 23 August 1996, The Hague) was a Dutch composer. Andriessen studied composition with his father Hendrik at the Utrecht Conservatory before moving to Paris where he studied with Olivier Messiaen. His brother Louis Andriessen (1939-2021) was also a composer and pianist, as well as his uncle Willem (1887-1964). Career The bulk of Andriessen's output is for the stage; his study in Paris was primarily in writing film music. He had a variety of musical influences which he drew upon, including American film music, Aaron Copland's ballets, folk music of various cultures, neoclassicism, and serialism; this eclecticism combined with his compositional skill made his writing well-suited to scoring dramatic works. His first stage composition was incidental music for "The Miraculous Hour", a play premiered at the celebration of the 50th year of Queen Wilhelmina's reign, in 1948. In 1954 the Haagse Comedie (now the Nationaal Toneel, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Schreck
Gustav Ernst Schreck (born 8 September 1849 in Zeulenroda; died 22 January 1918 in Leipzig) was a German music teacher, composer and choirmaster of St. Thomas School, Thomasschule zu Leipzig, in Leipzig from 1893 to 1918. Life Schreck was born in 1849, the son of a hosier, which was at that time a usual profession in the region of Vogtland where his family lived. The children were required to actively contribute to the maintenance of the family household. The monotonous activity was interspersed with singing while performing works in the Schreck home. The musical abilities of the young Gustav were encouraged by early piano lessons. From 1863 to 1867 he attended the teacher training college in Greiz and was a member of the student choir. Upon completion of training, he worked temporarily as a village schoolmaster in Gommla and Remptendorf, Germany. In 1868 he moved to Leipzig to study music and other subjects at the Conservatory in that city with the Thomas cantor Ernst Friedrich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassoon Sonata (Saint-Saëns)
The Bassoon Sonata in G major, Op. 168, was written by Camille Saint-Saëns in 1921 as one of his last works. This bassoon sonata is the last of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Oboe Sonata (Op. 166) and the Clarinet Sonata (Op. 167), written the same year. These works were part of Saint-Saëns's efforts to expand the repertoire for instruments for which hardly any solo parts were written, as he confided to his friend Jean Chantavoine Jean Chantavoine (17 May 1877 – 16 July 1952) was a French musicologist and biographer and the secretary general for the Conservatoire national supérieur de musique. Chantavoine was born in Paris. He published numerous books and articles ... in a letter dated to 15 April 1921: "At the moment I am concentrating my last reserves on giving rarely considered instruments the chance to be heard." Structure The work consists of three movements. A performance takes approximately 13 minu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Röntgen
Julius Engelbert Röntgen (9 May 1855 – 13 September 1932) was a German-Dutch composer of classical music. He was a friend of Liszt, Brahms and Grieg. Life Julius Röntgen was born in Leipzig, Germany, to a family of musicians. His father, the Dutch born Engelbert Röntgen, was first violinist in the Leipzig Gewandhaus Orchestra, Gewandhaus orchestra in Leipzig; his mother, Pauline Klengel, was a pianist, an aunt of the renowned cellist Julius Klengel, born in 1859. Julius was a gifted child. Neither he nor his sisters attended school; he was taught music by his parents and grandparents, and other subjects by private tutors. His first piano teacher was Carl Reinecke, the director of the Gewandhaus orchestra, while his early compositions were influenced by Reinecke, but also by Robert Schumann, Franz Liszt and Johannes Brahms. In 1870, at the age of 14, Julius Röntgen visited Franz Liszt in Weimar; after playing piano for him he was invited to a soiree at Liszt's house. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassoon Sonata (Hurlstone)
The Sonata in F major is a bassoon sonata with piano accompaniment written by William Hurlstone in 1904, two years before his death. It was first published by Avision in 1907, and was later re-issued by Emerson in 1976. Movements and Analysis The piece is divided into four movements: # ''Vivace'' # Ballade: ''Moderato, ma sempre a piacere'' # ''Allegretto - Poco maestoso - Tempo I - Più lento'' # ''Moderato - Animato - Vivace'' I. Vivace The first movement is divided into six sections. It opens in 6/8 with a forte statement of the theme on the bassoon. After 40 measures, the second section begins. It is in 2/4, and modulates from F to C. The tempo remains the same, but it is marked ''ma più lente''. The piano has the first statement of the second theme, which is more legato then the first theme. After a series of minor thirds descending chromatically, the second section ends. The third section is once more in 6/8, but is still has the key signature of C major. The key chang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
