Bass Arpeggiation
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Bass Arpeggiation
In Schenkerian analysis, the bass arpeggiation (german: Bassbrechung) is the bass pattern forming the deep background of tonal musical works. It consists in scale steps (de: ''Stufen'') I-V-I, each of which may span hundreds of measures of music in the foreground. The bass pattern is an arpeggiation in the sense that its middle note (V) first arises as the fifth of the elaborated chord (I), of which it is the upper-fifth divider. It is only when it meets with the passing note of the fundamental line In Schenkerian analysis, the fundamental structure (german: Ursatz) describes the structure of a tonal work as it occurs at the most remote (or "background") level and in the most abstract form. A basic elaboration of the tonic triad, it cons ... that V becomes an independent chord within the first one.Schenker (1979), ยง 23. See also Schenkerian analysis, The arpeggiation of the bass and the divider at the fifth. The bass arpeggiation properly speaking consists in the thr ...
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Ursatz 321IVI Revised
In Schenkerian analysis, the fundamental structure (german: Ursatz) describes the structure of a tonal work as it occurs at the most remote (or " background") level and in the most abstract form. A basic elaboration of the tonic triad, it consists of the fundamental line accompanied by the bass arpeggiation. Hence the fundamental structure, like the fundamental line itself, takes one of three forms, according to which tonic triad pitch is the primary tone. The example hereby shows a fundamental structure in C major, with the fundamental line descending from scale degree : The Urlinie offers the unfurling (''Auswicklung'') of a basic triad, it presents tonality on horizontal paths. The tonal system, too, flows into these as well, a system intended to bring purposeful order into the world of chords through its selection of the harmonic degrees. The mediator between the horizontal formulation of tonality presented by the Urlinie and the vertical formulation presented by the harm ...
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