|
Baroque Violin
A Baroque violin is a violin set up in the manner of the baroque period of music. The term includes original instruments which have survived unmodified since the Baroque period, as well as later instruments adjusted to the baroque setup, and modern replicas. Baroque violins have become relatively common in recent decades thanks to historically informed performance, with violinists returning to older models of instrument to achieve an authentic sound. The differences between a Baroque violin and a modern instrument include the size and nature of the neck, fingerboard, bridge, bass bar, and tailpiece. Baroque violins are almost always fitted with gut strings, as opposed to the more common metal and synthetic strings on a modern instrument, and played with a bow made on the baroque model rather than the modern Tourte bow. Baroque violins are not fitted with a chin rest and are played without a shoulder rest. Characteristics The development of the violin started in the 16th centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mortise And Tenon
A mortise and tenon (occasionally mortice and tenon) joint connects two pieces of wood or other material. Woodworkers around the world have used it for thousands of years to join pieces of wood, mainly when the adjoining pieces connect at right angles. Mortise and tenon joints are strong and stable joints that can be used in many projects. They furnish a strong outcome and connect by either gluing or locking into place. The mortise and tenon joint also gives an attractive look. One drawback to this joint is the difficulty in making it because of the precise measuring and tight cutting required. In its most basic form, a mortise and tenon joint is both simple and strong. There are many variations of this type of joint, and the basic mortise and tenon has two components: #the mortise hole, and #the tenon tongue. The tenon, formed on the end of a member generally referred to as a rail, fits into a square or rectangular hole cut into the other, corresponding member. The tenon is cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Kreisler
Friedrich "Fritz" Kreisler (February 2, 1875 – January 29, 1962) was an Austrian-born American violinist and composer. One of the most noted violin masters of his day, and regarded as one of the greatest violinists of all time, he was known for his sweet tone and expressive phrasing. Like many great violinists of his generation, he produced a characteristic sound which was immediately recognizable as his own. Although it derived in many respects from the Franco-Belgian school, his style is nonetheless reminiscent of the '' gemütlich'' (cozy) lifestyle of pre-war Vienna. Biography Kreisler was born in Vienna, the son of Anna (née Reches) and Samuel Kreisler, a doctor. Of Jewish heritage, he was however baptised at the age of 12. He studied at the Vienna Conservatory between 1882-1885 under Anton Bruckner, Jakob Dont and Joseph Hellmesberger Jr., and in Paris Conservatory between 1885-1887, where his teachers included Léo Delibes, Lambert Massart and Jules Massenet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterised in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato and tremolo The terms vibrato and tremolo are sometimes incorrectly used interchangeably, although (in the classical world) they are properly defined as separate effects with vibrato defined as a periodic variation in the pitch (frequency) of a musical note, and tremolo as a fast repetition of the same note (usually a semiquaver) in order to produce the audible effect of a longer note, es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have run u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portamento
In music, portamento (plural: ''portamenti'', from old it, portamento, meaning "carriage" or "carrying") is a pitch sliding from one note to another. The term originated from the Italian expression "''portamento della voce''" ("carriage of the voice"), denoting from the beginning of the 17th century its use in vocal performances and emulation by members of the violin family and certain wind instruments, and is sometimes used interchangeably with anticipation. It is also applied to one type of glissando on, e.g., slide trombones, as well as to the "glide" function of steel guitars and synthesizers; in the latter it is often used to add a melancholic effect to the overall melody. Vocal portamento In the first example, Rodolfo's first aria in ''La Sonnambula'' (1831), the portamento is indicated by the slur between the third and fourth notes. The second example, Judit's first line in '' Duke Bluebeard's Castle'' (1912), employs an inclining, wavy line between the fourth and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Tourte
François Xavier Tourte (1747 – 25 April 1835) was a French bow maker who made a number of significant contributions to the development of the bow of stringed instruments, and is considered to be the most important figure in the development of the modern bow. Because of this, he has often been called the Stradivari of the bow. Development of the modern bow Tourte spent 8 years as a watchmaker's apprentice before finally becoming an apprentice to his luthier father, Nicolas Pierre Tourte ''père'' (c.1700 - 1764). After his father's death, Tourte, in collaboration with the violin virtuoso G. B. Viotti, made important changes in the form of the bow in the Classical period between 1785 and 1790. They lengthened them slightly, to 74 – 75 centimetres, and used more wood in the tip and a heavier nut. Tourte's bows are made from pernambuco wood, the most usual form of wood used on professional bows today, bent by being exposed to heat. Tourte's bows tended to be heavier than prev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcangelo Corelli
Arcangelo Corelli (, also , , ; 17 February 1653 – 8 January 1713) was an Italian composer and violinist of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony. He was trained in Bologna and Rome, and in this city he developed most of his career, due also to the protection of great patrons. Even if his entire production is limited to just six collections of published works — five of which composed by Trio Sonatas or solo and one by Concerti grossi — he achieved great fame and success throughout Europe, also crystallizing models of wide influence. His writing was admired for its balance, refinement, sumptuous and original harmonies, for the richness of the textures, for the majestic effect of the theatricality and for its clear, expressive and melodious polyphony, a perfect quality of classical ideals, although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viols
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic ''rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihuela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesalpinia Echinata
''Paubrasilia echinata'' is a species of flowering plant in the legume family, Fabaceae, that is endemic to the Atlantic Forest of Brazil. It is a Brazilian timber tree commonly known as Pernambuco wood or brazilwood ( pt, pau-de-pernambuco, ; Tupi: ) and is the national tree of Brazil. This plant has a dense, orange-red heartwood that takes a high shine, and it is the premier wood used for making bows for stringed instruments. The wood also yields a historically important red dye called brazilin, which oxidizes to brazilein. The name ''pau-brasil'' was applied to certain species of the genus ''Caesalpinia'' in the medieval period, and was given its original scientific name ''Caesalpinia echinata'' in 1785 by Jean-Baptiste Lamarck. More recent taxonomic studies have suggested that it merits recognition as a separate genus, and it was thus renamed ''Paubrasilia echinata'' in 2016. The Latin specific epithet of ''echinata'' refers to hedgehog, from ''echinus'', and describes t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snakewood
Snakewood is a common name of several different plants: * ''Acacia'' species (family Fabaceae) in Australia, '' Acacia eremaea'', '' Acacia intorta'', ''Acacia xiphophylla' * ''Brosimum guianense'' (= ''Piratinera guianensis'') (family Moraceae) (Letterwood, Leopardwood) in South America, an exotic hardwood prized for its highly figured grain * ''Cecropia'' species, from North South America to Middle America, ''Cecropia peltata'', ''Cecropia palmata'' and others * ''Colubrina'' species (family Rhamnaceae) in North America * ''Condalia'' species (family Rhamnaceae) in North and South America * ''Mennegoxylon'' species, an extinct genus of trees * ''Strychnos colubrina'', from Myanmar, Sulawesi, New Guinea * ''Zygia'' species, such as ''Zygia racemosa ''Zygia'' is a genus of flowering plants in the family Fabaceae. It belongs to the mimosoid clade of the subfamily Caesalpinioideae. Selected species * '' Zygia cataractae'' (Kunth) L.Rico * '' Zygia claviflora'' (Spruce ex Benth.) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Arcangelo Corelli")
