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Ballet (music)
Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a “classical” form. In ballet, the terms ‘classical’ and ‘romantic’ are chronologically reversed from musical usage. Thus, the 19th century Classical period in ballet coincided with the 19th century Romantic era in music. Ballet music composers from the 17th–20th centuries, including the likes of Jean-Baptiste Lully, Pyotr Ilyich Tchaikovsky, Igor Stravinsky, and Sergei Prokofiev, were predominantly in France and Russia. Yet with the increased international notoriety seen in Tchaikovsky's and Stravinsky's lifetime, ballet music composition and ballet in general spread across the western world. History Until about the second half of the 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous ''comédie-ballets'', including ''L'Amour médecin'', ''George Dandin ou le Mari confondu'', ''Monsieur de Pourceaugnac'', ''Psyché'' and his best known work, ''Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Franciscan friar ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Of The Hours
''Dance of the Hours'' (Italian: ') is a short ballet and is the act 3 finale of the opera '' La Gioconda'' composed by Amilcare Ponchielli. It depicts the hours of the day through solo and ensemble dances. The opera was first performed in 1876 and was revised in 1880. Later performed on its own, the ''Dance of the Hours'' was at one time one of the best known and most frequently performed ballets. It became even more widely known after its inclusion in the 1940 Walt Disney animated film ''Fantasia'' where it is depicted as a comic ballet featuring ostriches, hippopotamuses, elephants and alligators. Description The ballet, accompanied by an orchestra, appears at the end of the third act of the opera, in which the character Alvise, who heads the Inquisition, receives his guests in a large and elegant ballroom adjoining the death chamber. The music and choreography represent the hours of dawn, day (morning), twilight and night. Costume changes and lighting effects reinforce the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottorino Respighi
Ottorino Respighi ( , , ; 9 July 187918 April 1936) was an Italian composer, violinist, teacher, and musicologist and one of the leading Italian composers of the early 20th century. List of compositions by Ottorino Respighi, His compositions range over List of operas by Ottorino Respighi, operas, ballets, orchestral suites, choral songs, chamber music, and transcriptions of Italian compositions of the 16th–18th centuries, but his best known and most performed works are his three orchestral tone poems which brought him international fame: ''Fountains of Rome (poem), Fountains of Rome'' (1916), ''Pines of Rome'' (1924), and ''Feste romane, Roman Festivals'' (1928). Respighi was born in Bologna to a musical and artistic family. He was encouraged by his father to pursue music at a young age, and took formal tuition in the violin and piano. In 1891, he enrolled at the Conservatorio Giovanni Battista Martini, Liceo Musicale di Bologna, where he studied the violin, viola, and compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harriet Hoctor
Harriet Hoctor (September 25, 1905 – June 9, 1977) was a ballerina, dancer, actress and instructor. Composer George Gershwin composed a symphonic orchestral piece (Hoctor's Ballet) specifically for Hoctor in the film '' Shall We Dance'' (1937). Biography Harriet Hoctor was born in Hoosick Falls, New York, to Timothy Hoctor and Elizabeth Kearny Hoctor. She was one of four children, the others being Martin Francis ("Frank"), John, and Eloise. Harriet Hoctor never married. Early training Hoctor's maternal aunt, Annie Kearney, was a social secretary to a wealthy woman in Hoosick Falls who took an interest in young Harriet. At the age of twelve she was sent to New York City and placed under the tutelage of Russian ballet master Louis Harvy Chalif of the Normal School of Dancing. Stage By the time she was sixteen, Hoctor was touring in vaudeville on the same bill as the Duncan Sisters. She was asked to join their act and became a key player in their Topsy and Eva show presente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoctor's Ballet
''Hoctor's Ballet'' is a composition by George Gershwin for full orchestra written in 1937, originally from the score for '' Shall We Dance''. Performance time runs about 10 minutes. Composed by Gershwin specifically for the ballerina Harriet Hoctor, the piece features string glissandos, rapid shifts in key, and the most extensive parts are written for the harp. It consists of a dramatic introduction followed by a fast waltz, a stately procession, an extended pas de deux, and a climactic reprise (also noted in some books as a separate "Shall We Dance", "Masks" or "Finale and Coda" scene.) This is the only published music from the ''Shall We Dance'' score available besides the ''Walking the Dog'' sequence, and is significant as the last long composition written by Gershwin for the symphony orchestra. The premiere live concert performance of ''Hoctor's Ballet'' took place on July 28, 2007 at the Severance Hall Pavilion in Cleveland, Ohio, with Loras John Schissel conducting th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shall We Dance (1937 Film)
''Shall We Dance'', released in 1937, is the seventh of the ten Fred Astaire-Ginger Rogers musical comedy films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art. George Gershwin wrote the symphonic underscore and Ira Gershwin the lyrics, for their second Hollywood musical. Plot Peter P. Peters (Fred Astaire) is an amiable American ballet dancer billed as "Petrov", who cultivates a public image of being a serious, demanding and temperamental Russian, though his employer knows the truth. Peters dances for a ballet company in Paris owned by the bumbling Jeffrey Baird ( Edward Everett Horton), and secretly never wants to blend classical ballet with modern jazz dancing because they think it does not look very professional. When Peters sees a photo of famous tap dancer Linda Keene (Ginger Rogers), he falls in love with her. He contrives to meet her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Dance
Jazz dance is a performance dance and style that arose in the United States in the mid 20th century. Jazz dance may allude to vernacular jazz about to Broadway or dramatic jazz. The two types expand on African American vernacular styles of dance that arose with jazz music. Vernacular jazz dance incorporates ragtime moves, Charleston, Lindy hop and mambo. Popular vernacular jazz dance performers include The Whitman Sisters, Florence Mills, Ethel Waters, Al Minns and Leon James, Frankie Manning, Norma Miller, Dawn Hampton, and Katherine Dunham. Dramatic jazz dance performed on the show stage was promoted by Jack Cole, Bob Fosse, Eugene Louis Faccuito, and Gus Giordano. The term 'jazz dance' has been used in ways that have little or nothing to do with jazz music. Since the 1940s, Hollywood movies and Broadway shows have used the term to describe the choreographies of Bob Fosse and Jerome Robbins. In the 1990s, colleges and universities applied to the term to classes offered by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Dance
Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors. In the late 19th century, modern dance artists such as Isadora Duncan, Maud Allan, and Loie Fuller were pioneering new forms and practices in what is now called aesthetic or free dance. These dancers disregarded ballet's strict movement vocabulary (the particular, limited set of movements that were considered proper to ballet) and stopped wearing corsets and pointe shoes in the search for greater freedom of movement. Throughout the 20th century, sociopolitical concerns, major historical events, and the development of other art forms contributed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Mécanique
''Ballet Mécanique'' (1923–24) is a Dadaist post-Cubist art film conceived, written, and co-directed by the artist Fernand Léger in collaboration with the filmmaker Dudley Murphy (with cinematographic input from Man Ray).Chilvers, Ian & Glaves-Smith, John eds., Dictionary of Modern and Contemporary Art, Oxford: Oxford University Press, 2009. p. 400 It has a musical score by the American composer George Antheil. However, the film premiered in a silent version on 24 September 1924 at the Internationale Ausstellung neuer Theatertechnik (International Exposition for New Theater Technique) in Vienna presented by Frederick Kiesler. It is considered one of the masterpieces of early experimental filmmaking. Film credit and history In her book ''Dudley Murphy: Hollywood Wild Card'', film historian Susan Delson argues that Murphy was the film's driving force but that Léger was more successful at promoting the film as his own creation. However, after fighting at the front in World War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Antheil
George Johann Carl Antheil (; July 8, 1900 – February 12, 1959) was an American avant-garde composer, pianist, author, and inventor whose modernist musical compositions explored the modern sounds – musical, industrial, and mechanical – of the early 20th century. Spending much of the 1920s in Europe, Antheil returned to the United States in the 1930s, and thereafter spent much of his time composing music for films, and eventually, television. As a result of this work, his style became more tonal. A man of diverse interests and talents, Antheil was constantly reinventing himself. He wrote magazine articles (one accurately predicted the development and outcome of World War II), an autobiography, a mystery novel, and newspaper and music columns. In 1941, Antheil and the actress Hedy Lamarr developed a radio guidance system for Allied torpedoes that used a code (stored on a punched paper tape) to synchronise random frequencies, referred to as frequency hopping, between a receiver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Champs-Élysées
The Théâtre des Champs-Élysées () is an entertainment venue standing at 15 avenue Montaigne in Paris. It is situated near Avenue des Champs-Élysées, from which it takes its name. Its eponymous main hall may seat up to 1,905 people, while the smaller Comédie and Studio des Champs-Élysées above the latter may seat 601 and 230 people respectively. Commissioned by impresario Gabriel Astruc, the theatre was built from 1911 to 1913 upon the designs of brothers Auguste Perret and Gustave Perret following a scheme by Henry van de Velde, and became the first example of Art Deco architecture in the city. Less than two months after its inauguration, the Théâtre hosted the world premiere of the Ballets Russes' '' Rite of Spring'', which provoked one of the most famous classical music riots. At present, the theatre shows about three staged opera productions a year, mostly baroque or chamber works more suited to the modest size of its stage and orchestra pit. It also houses an imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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