Backwards Message
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Backwards Message
Backmasking is a recording technique in which a message is recorded backward onto a track that is meant to be played forward. It is a deliberate process, whereas a message found through phonetic reversal may be unintentional. Artists have since used backmasking for artistic, comedic and satiric effect, on both analogue and digital recordings. It has also been used to censor words or phrases for "clean" releases of explicit songs. In 1969, rumors of a backmasked message in the Beatles song "Revolution 9" sparked the Paul is dead urban legend. Since at least the early 1980s, Christian groups in the United States alleged that backmasking was being used by prominent rock musicians for Satanic purposes, leading to record-burning protests and proposed anti-backmasking legislation by state and federal governments during the 1980s, as part of the Satanic panic movement of the time. Many popular musicians were accused of including backmasked messages in their music. However, appare ...
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Backward Masking
The concept of backward masking originated in psychoacoustics, referring to temporal masking of quiet sounds that occur moments before a louder sound. In cognitive psychology, visual backward masking involves presenting one visual stimulus (a "mask" or "masking stimulus") immediately after a brief (usually 30 ms) "target" visual stimulus resulting in a failure to consciously perceive the first stimulus.Breitmeyer, B.G. and Ogmen, H. (2007''Visual masking'' Scholarpedia, 2(7):3330. It is widely used in psychophysiological studies on fear and phobias that investigate the preattentive nonconscious reactions to fear-relevant stimuli. It is unknown how a later stimulus is able to block an earlier one. However, one theory for this phenomenon, known as the ''dual channel interaction'' theory, proposes that a fast signal created by the second stimulus is able to catch up to and overcome a slower signal sent from the first impulse. A similar phenomenon can occur when a masking stimulus prec ...
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Billboard Magazine
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off into ...
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WNIC
WNIC (100.3 FM) is a commercial radio station licensed to Dearborn, Michigan and serving the Metro Detroit media market. Owned by iHeartMedia, WNIC broadcasts an adult contemporary radio format. Each year, usually on the first Friday of November, WNIC switches its format to all-Christmas music. WNIC's studios and offices are located in Farmington Hills. WNIC's transmitter is located near Schoolcraft Avenue and Turner Street in the City of Detroit on the Near West Side. WNIC broadcasts with an effective radiated power of 32,000 watts from an antenna 600 feet in height. WNIC is licensed for HD Radio operation and features a Soft AC/oldies format on its HD2 channel from iHeartRadio's "Sunny Radio" channel. History WKMH-FM WNIC signed on the air in December 1946 as WKMH-FM, sister station to 1310 WKMH (now WDTW). Both stations were, and still are, licensed to Dearborn. With FM radio still in its early stages, the two stations largely simulcast their programming through the 1 ...
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Controversy
Controversy is a state of prolonged public dispute or debate, usually concerning a matter of conflicting opinion or point of view. The word was coined from the Latin ''controversia'', as a composite of ''controversus'' – "turned in an opposite direction". Legal In the theory of law, a controversy differs from a legal case; while legal cases include all suits, criminal as well as civil, a controversy is a purely civil proceeding. For example, the Case or Controversy Clause of Article Three of the United States Constitution ( Section 2, Clause 1) states that "the judicial Power shall extend ... to Controversies to which the United States shall be a Party". This clause has been deemed to impose a requirement that United States federal courts are not permitted to cases that do not pose an actual controversy—that is, an actual dispute between adverse parties which is capable of being resolved by the ourt In addition to setting out the scope of the jurisdiction of t ...
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Recording Studio As Instrument
In music production, the recording studio is often treated as a musical instrument when it plays a significant role in the composition of music. Sometimes called "playing the studio", the approach is typically embodied by artists or producers who favor the creative use of studio technology in record production, as opposed to simply documenting live performances in studio. Techniques include the incorporation of non-musical sounds, overdubbing, tape edits, sound synthesis, audio signal processing, and combining segmented performances (takes) into a unified whole. Composers have exploited the potential of multitrack recording from the time the technology was first introduced. Before the late 1940s, musical recordings were typically created with the idea of presenting a faithful rendition of a real-life performance. Following the advent of three-track tape recorders in the mid-1950s, recording spaces became more accustomed for in-studio composition. By the late 1960s, in-studio c ...
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Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ...
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