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Boogaloo
Boogaloo or bugalú (also: shing-a-ling, Latin boogaloo, Latin R&B) is a genre of Latin music and dance which was popular in the United States in the 1960s. Boogaloo originated in New York City mainly among teenage African Americans and Latinos. The style was a fusion of popular African American rhythm and blues (R&B) and soul music with mambo and son montuno, with songs in both English and Spanish. The '' American Bandstand'' television program introduced the dance and the music to the mainstream American audience. Pete Rodríguez's " I Like It like That" was a famous boogaloo song. Except for the name, the dance is unrelated to the Boogaloo street dance from Oakland, California and the electric boogaloo, a style of dance which developed decades later under the influence of funk music and hip-hop dance. History In the 1950s and 1960s, African Americans in the United States listened to various styles of music, including jump blues, R&B and doo-wop. Latinos in New York ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogaloo (freestyle Dance)
Boogaloo is a freestyle, improvisational street dance movement of soulful steps and robotic movements which make up the foundations of popping dance and turfing; boogaloo can incorporate illusions, restriction of muscles, stops, robot and/or wiggling. The style also incorporates foundational popping techniques, which were initially referred to as "Posing Hard".Fuhrer, M. (2014) American Dance: The Complete Illustrated History. Voyaguer Press It is related to the later electric boogaloo dance.Guzman-Sanchez, T. (2012) "Oakland Funk Boogaloo to Popping". Underground Dance Masters: Final History of a Forgotten Era. Social dance Chicago Record Hops The Boogaloo was initially a social dance within the African American community in Chicago that had crossover appeal to white teenagers. Between 1965 and 1966, it was described as "a total new look compared to previous (social) dances...the entire body moved in a pulsating motion from side to side. The rhythmic impulse seemed to have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Boogaloo (dance)
Electric boogaloo (sometimes referred to as electric boogie on the East Coast) is a dance style closely related to the earlier Boogaloo street dance performed in Oakland and popping; it combines modern popping techniques and earlier boogaloo forms. It became the signature style of the mid-1970s dance group, the Electric Boogaloos and also performed by the bush. Along with electric boogaloo, they also popularized popping and many of its related styles. It is characterized as a fluid leg-oriented style danced to funk music, utilizing rolls of the hips, knees, legs, and head, which was later combined with popping. Dance steps ;Creepin : A foundational step of Boogaloo done in Oakland inspired by cartoons Goofy, typically done as an entry and exit step with arms out, legs extended. Sometimes the Creep can be combined with a physical pointing hand gesture to challenge an opponent. ;Crazy legs :A footwalk that was created by Poppin Pete. He invented "Crazy Legs" by watching a boy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip-hop Dance
Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show ''Soul Train'' and the 1980s films '' Breakin''', '' Beat Street'', and ''Wild Style'' showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure. The dance industry responded with a commercial, studio-based version of hip-hop—sometimes called "new style"—and a hip-hop influenced style of jazz dance called "jazz-funk". Classically trained dancers developed these studio styles in order to create choreography from the hip-hop dances that were performed on the street. Because of this development, hip-hop dance is practiced in both dance studios and outdoor spaces. The commercialization of hip-hop dance continued into the 1990s and 2000s with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Music
Latin music (Portuguese language, Portuguese and es, música latina) is a term used by the music industry as a catch-all category for various styles of music from Ibero-America (including Music of Spain, Spain and Portuguese music, Portugal) and Latin American music in the United States, the Latino United States inspired by Music of Latin America, Latin American, Spanish and Portuguese music genres, as well as music that is sung in either Spanish language, Spanish and/or Portuguese language, Portuguese. Terminology and categorization Because the majority of Latino immigrants living in New York City in the 1950s were of Puerto Rican or Cuban descent, "Latin music" had been stereotyped as music simply originating from the Spanish Caribbean. The popularization of bossa nova and Herb Alpert's Mexican-influenced sounds in the 1960s did little to change the perceived image of Latin music. Since then, the music industry classifies all music sung in Spanish or Portuguese as Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Cuba
Joe Cuba (April 22, 1931 – February 15, 2009), was an American conga drummer of Puerto Rican descent widely regarded as the "Father of Latin Boogaloo". Early years Joe Cuba (birth name: Gilberto Miguel Calderón) was born in Harlem, New York, United States. Cuba's parents moved from Puerto Rico to New York City in the late 1920s, and settled in Spanish Harlem, a Latino community located in Manhattan. Cuba was raised in an apartment building, where his father had become the owner of a candy store, located on the ground floor (street level floor). His father had organized a stickball club called the Young Devils. Stickball was the main sport activity of the neighborhood. After Cuba broke a leg he took up playing the conga and continued to practice with the conga between school and his free time. Eventually, he graduated from high school and joined a band. Musical career In 1950, when he was 19 years old, he played for Joe Panama and also for a group called La Alfarona X. The gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Like It Like That (Pete Rodriguez Song)
"I Like It Like That" is a song written by Tony Pabon and Manny Rodriguez. It was initially a hit for boogaloo musician Pete Rodriguez in 1967, and was one of the most influential boogaloo songs of the era. Rodriguez released an album in 1967 with the same title. Background Tony Pabon and Manny Rodriguez originally wrote "I Like It Like That" in 1967. Tony Pabon sang the vocals for the song, while the instrumentals were performed by Pete Rodriguez Orchestra. The recording was engineered by Fred Weinberg at National Recording Studios in New York City and produced by Roulette Records producer Morrie Pelsman, also known as Pancho Cristal, for Roulette Records. Part of the recording used many of the musician's kids chanting "Ahh Bibi!" which seemed to add to the excitement of the song. At the request of Pancho Cristal, Weinberg delivered a copy to Roulette Records' owner, Morris Levy. According to Weinberg, "Levy wanted the kids that were singing on the song removed as they sounded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mongo Santamaría
Ramón "Mongo" Santamaría Rodríguez (April 7, 1917 – February 1, 2003) was a Cuban percussionist and bandleader who spent most of his career in the United States. Primarily a conga drummer, Santamaría was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock's " Watermelon Man", which was inducted into the Grammy Hall of Fame in 1998. From the 1970s, he recorded mainly salsa and Latin jazz, before retiring in the late 1990s. Mongo learned to play the congas as an amateur rumba musician in the streets of Havana. He then learned the bongos from Clemente "Chicho" Piquero and toured with various successful bands such as the Lecuona Cuban Boys and Sonora Matancera. In 1950, he moved to New York City, where he became Tito Puente's ''conguero'' and in 1957 he joined Cal Tjader's band. He then formed his own charanga, while at the same time recording some of the first rumba and Santería music albums. By the end ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Rodriguez (Boogaloo)
Pete Rodriguez (born April 16, 1932) is an American pianist and bandleader born in The Bronx, New York, to Puerto Rican parents. Biography Rodriguez's band, Pete Rodríguez y Su Conjunto, specializes in Latin boogaloo. Their most successful song, " I Like It Like That" (1967), made it to the national ''Billboard'' charts and has since been covered several times, including by the Blackout All-Stars for the soundtrack of the 1994 movie '' I Like It Like That''. It received renewed exposure as the soundtrack to the main ident at Odeon Cinemas from 1998–2003. It featured in the soundtrack of the video game Grand Theft Auto: Vice City Stories on the fictitious Latin music radio station "Radio Espantoso". It, along with "Oh, That's Nice!" (1967), was then sampled in the 2018 song " I Like It" recorded by Cardi B, Bad Bunny, and J Balvin. "I Like It Like That" was also used in film Chef A chef is a trained professional cook and tradesman who is proficient in all aspects of fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barretto
Barreto () is a surname of Portuguese origin, also found in the former Portuguese colonies of Brazil, Angola, Mozambique, Timor-Leste and Goa as well as Spain and Latin America. In 1786, the title of '' Conde de Casa Barreto'' was created by King Charles III of Spain and bestowed upon Jacinto Tomás Barreto of Havana, Cuba. Occasionally, the surname has been spelled Barretto in the United States (e.g. Larry Barretto and Ray Barretto). People with the surname Academics * Ada Kouri Barreto (1917-2005), Cuban cardiologist * Fausto Barreto (1852-1915), Brazilian philologist *Jenny Anne Barretto, Filipina geologist and geophysicist *Lourdino Barreto, musicologist * Matt A. Barreto (born 1976), American political scientist *Paulo S. L. M. Barreto (born 1965), Brazilian cryptographer Artists and writers * Alexandra Barreto (born 1975), American actress *Bruno Barreto (born 1955) Brazilian film director * Chiquita Barreto (born 1947), Paraguayan writer *Claudine Barreto (born 1979), Filip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaracha
The guaracha () is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word had been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in musical theatres and in low-class dance salons. They became an integral part of bufo comic theatre in the mid-19th century. During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands. Early uses of the word Though the word may be historically of Spanish origin, its use in this context is of indigenous Cuban origin. These are excerpts from reference sources, in date order: A Latin American carol "Convidando esta la noche" dates from at least the mid 17th century and both mentions and is a guaracha. It was composed or collected by Juan Garcia de Zespedes, 1620-1678, Puebla, Mexico. This i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guajira (music)
Guajira is a music genre derived from the punto cubano. According to some specialists, the punto cubano was known in Spain since the 18th century, where it was called "punto de La Habana", and by the second half of the 19th century it was adopted by the incipient Spanish Flamenco style, which included it within its "palos" with the name of guajira.Manuel, Peter: The guajira between Cuba and Spain: A study in continuity and change. Latin American Music Review, volume 25, No. 2, Fall/Winter, 2004. Guajira was utilized by Spanish Zarzuela composers, such as Ruperto Chapí, who included it in his well known play "La Revoltosa", from 1897. Two years later, in 1899, the Cuban composer Jorge Anckermann inaugurated a new genre with his song "El arroyo que murmura", the first Cuban guajira. This song became a model that was adopted by many other Cuban composers at a later time, and was frequently included in the Cuban Zarzuela and vernacular theater. The Cuban guajira preserved the chara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaguancó
Guaguancó () is a subgenre of Cuban rumba, combining percussion, voices, and dance. There are two main styles: Havana and Matanzas. Percussion * battery of three conga drummers: the ''tumba'' (lowest), ''tres dos'' (middle, playing a counter-clave), and ''quinto'' (highest, and lead drum). These parts may also be played on cajones, wooden boxes. * claves usually played by a singer * guagua (aka Catà) (hollowed piece of bamboo) * maraca and/or a chekeré playing the main beats Other instruments may be used on occasion, for example spoons, palitos (wooden sticks striking the side of the drum), and tables and walls played like drums. Clave Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. Triple-pulse strokes can be substituted for duple-pulse strokes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
