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Bombard (music)
The bombard (, ) is a contemporary conical-bore double-reed instrument widely used to play traditional Breton music. The bombard is a woodwind instrument, and a member of the shawm family. Like most shawms, it has a broad and very powerful sound, vaguely resembling a trumpet. It is played as other shawms are played, with the double reed placed between the lips. The second octave is 'over-blown'; achieved via increased lip and air pressure or through the use of an octave key. It plays a diatonic scale of up to two octaves, although contemporary instruments frequently have added keywork permitting some degree of chromaticism. A bombard player is known as a ''talabarder'' after 'talabard', the older Breton name for the bombard. The tradition: Sonneurs de Couple Traditional Breton musicians are referred to as ''Sonerien'' (in Breton) or ''Sonneurs'' (in French). Musicians playing in pairs are also referred to as "sonneurs de couple". While 'Soner' originally referred only to the bomba ...
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Aerophone
An aerophone () is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes (which are respectively chordophones and membranophones), and without the vibration of the instrument itself adding considerably to the sound (or idiophones). According to Sachs, These may be lips, a mechanical reed, or a sharp edge. Also, an aerophone may be excited by percussive acts, such as the slapping of the keys of a flute or of any other woodwing. A free aerophone lacks the enclosed column of air yet, "cause a series of condensations and rarefications by various means." Overview Aerophones are one of the four main classes of instruments in the original Hornbostel–Sachs system of musical instrument classification, which further classifies aerophones by whether or not the vibrating air is contained within the instrument. The first class (41) includes instruments which, when played, do ''not'' contain the vibrating air. The ...
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Fest-noz
A Fest Noz (Breton for ''night festival'') is a Breton traditional festival, with dancing in groups and live musicians playing acoustic instruments. Although it is all too easy to write off the ' and ''fêtes folkloriques'' as modern inventions, most of the traditional dances of the Fest Noz are ancient, some dating back to the Middle Ages, providing a way for the community to grasp hold of its past and relish a deep sense of being with ancestors and with place. The plural in Breton is ''festoù-noz'', but the Goadec Sisters (a family of traditional singers) used to say ''festnozoù'', and the French may also say in French ''des fest-noz''. On 5 December 2012 the fest-noz was added by UNESCO to the Representative List of the Intangible Cultural Heritage of Humanity. Fest-noz A fest-noz (plural festoù-noz) is a traditional dance festival in Brittany. Most Breton dances are social dances, in a group. Currently, many festoù-noz are also held outside Brittany within diaspora, ...
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Piston (music)
The piston (Breton: pistoñ, English phonetic "pist-on") is a type of oboe invented by Breton musician, teacher, and luthier Youenn Le Bihan in 1983. The pistoñ is a contemporary development of the hautbois, classical and/or baroque oboe, influenced by the bombard or talabard, the traditional double reed instrument of Brittany. It is typically rooted in the key of D and features post-mounted simple system key-work to expand its range. The tone of the pistoñ stands in a warm and rich middle ground between the trumpet-like tone of the bombard and that of the baroque oboe. The bore is similar to that of a baroque or classical oboe. The pistoñ uses a fairly stiff reed based on cane of an approximate diameter of 12mm, very similar in size to those of the baritone oboe (approximately 9 mm in width at the tip), English horn and baroque oboe. Unlike these other oboes, however, the pistoñ reed's brass staple resembles that of the conservatoire oboe, having a cork outer layer and ...
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Fest Noz
A Fest Noz (Breton for ''night festival'') is a Breton traditional festival, with dancing in groups and live musicians playing acoustic instruments. Although it is all too easy to write off the ' and ''fêtes folkloriques'' as modern inventions, most of the traditional dances of the Fest Noz are ancient, some dating back to the Middle Ages, providing a way for the community to grasp hold of its past and relish a deep sense of being with ancestors and with place. The plural in Breton is ''festoù-noz'', but the Goadec Sisters (a family of traditional singers) used to say ''festnozoù'', and the French may also say in French ''des fest-noz''. On 5 December 2012 the fest-noz was added by UNESCO to the Representative List of the Intangible Cultural Heritage of Humanity. Fest-noz A fest-noz (plural festoù-noz) is a traditional dance festival in Brittany. Most Breton dances are social dances, in a group. Currently, many festoù-noz are also held outside Brittany within diaspora, ...
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Alan Stivell
Alan Stivell (; born Alan Cochevelou on 6 January 1944) is a French, Breton and Celtic musician and singer, songwriter, recording artist, and master of the Celtic harp. From the early 1970s, he revived global interest in the Celtic (specifically Breton) harp and Celtic music as part of world music. As a bagpiper and bombard player, he modernized traditional Breton music and singing in the Breton language. A precursor of Celtic rock, he is inspired by the union of the Celtic cultures and is a keeper of the Breton culture. Musical career Early life and career beginnings Alan Stivell was born in the Auvergnat town of Riom. His father, Georges (Jord in Breton) Cochevelou, was a civil servant in the French Ministry of Finance who achieved his dream of recreating a Celtic or Breton harp in the small town of Gourin, BrittanyJT Koch (ed). ''Celtic Culture. A Historical Encyclopaedia'' ABC-CLIO 2006 pp. 1627–1628 and his mother Fanny-Julienne Dobroushkess was of Lithuanian-Jewis ...
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Héritage Des Celtes (album)
''Héritage des Celtes'' is a folk-rock album by Dan Ar Braz and Héritage des Celtes musicians, released in 1994 by Columbia France (Sony Music distribution), catalogue number COL 477763 2. The album was produced by ex-Bothy Band and Moving Hearts leader Dónal Lunny. It was recorded at Windmill Lane Studios, Dublin by Brian Masterson and Alastair McMillan, and mixed by Brian Masterson and Rob Kirwan. The singers are Elaine Morgan from Rose Among Thorns and Karen Matheson of Capercaillie fame. A live version of this material as played by Ar Braz and a large ensemble (recorded in Rennes the following year) appears on the album ''Et les 50 musiciens de l'Héritage des Celtes, En concert''. Track listing #"Borders of Salt" (Traditional; arranged by Ar Braz) #"Spike Island Lasses" (Traditional; arranged by Nollaig Casey and Dónal Lunny) #"Language of the Gaels" ( Murdo Macfarlane) #"Green Lands" (Ar Braz) #"Maro Eo Ma Mestrez" (Traditional; arranged by Ar Braz) #"April The 3rd" ...
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Pipe Band
A pipe band is a musical ensemble consisting of Bagpipes, pipers and drummers. The term pipes and drums, used by military pipe bands is also common. The most common form of pipe band consists of a section of pipers playing the Great Highland bagpipe, a section of snare drummers (often referred to as 'side drummers'), several Scottish tenor drum, tenor drummers and usually one, though occasionally two, bass drummers. The tenor drummers and bass drummer are referred to collectively as the 'bass section' (or in North America as the 'midsection'), and the entire drum section is collectively known as the drum corps. The band follows the direction of the pipe major; when on parade the band may be led by a drum major, who directs the band with a mace. Standard instrumentation for a pipe band involves 6 to 25 pipers, 3 to 10 side drummers, 1 to 6 tenor drummers and 1 bass drummer. Occasionally this instrumentation is augmented to include additional instruments (such as additional percus ...
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Bagad
A bagad (, ) is a Breton band, composed of bagpipes ( br, binioù, french: cornemuse), bombards and drums (including snare, tenor and bass drums). The pipe band tradition in Brittany was inspired by the Scottish example and has developed since the mid-20th century. A bagad plays mainly Breton music, but a bagad's music is evolutionary: new forms and musical ideas are experimented with at each annual national competition. The plural for ''bagad'' is unusual in that many are referred to as ''bagadoù'' but for two, three or any other specified number they are simply referred to as ''bagad'' (following the rules of Breton grammar). Every major town and city in Brittany has at least one ''bagad'' and there are over eighty in total. There are also many ''bagadoù'' outside Brittany, owing to large-scale Breton emigration throughout France. Bagad Lann Bihoue is well known to belong to the French Navy. For competition purposes the ''bagadoù'' are ranked into five categories. Major ...
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MDF 2022, Bretonští Pištci Před Hradem
MDF may refer to: Computing * Master Database File, a Microsoft SQL Server file type * ''MES Development Framework'', a .NET framework for building manufacturing execution system applications * ''Message Development Framework'', a collection of models, methods and tools used by Health Level 7 v3.0 methodology * Media Descriptor File, a proprietary disc image file format developed for Alcohol 120% * Measurement Data Format, one of the data formats defined by the Association for Standardisation of Automation and Measuring Systems (ASAM) * Multiple Domain Facility; see Logical partition Medicine * Map-dot-fingerprint dystrophy, a genetic disease affecting the cornea * ''Mean Diastolic Filling'' of the heart * Myocardial depressant factor, a low-molecular-weight peptide released from the pancreas into the blood in mammals during various shock states Organizations * Hungarian Democratic Forum (Hungarian: ''Magyar Demokrata Fórum''), a political party * Maraland Democratic Front ...
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