|
Bisj Pole
A Bisj, mbis or Bis pole is a ritual Artifact (archaeology), artifact created and used by the Asmat people of Western New Guinea, south-western New Guinea, Indonesia. Bisj poles can be erected as an act of revenge, to pay homage to the ancestors, to calm the spirits of the deceased and to bring harmony and spiritual strength to the community. Bisj poles are a type of wooden ancestor pole among the Asmat people, Asmat of the province of Papua (province), Papua, Indonesia. Figures of the dead are stacked along the pole, and a phallic symbol of fertility and power is included. The poles were carved to accompany the feast after a headhunting raid. Objects similar to Bisj poles are found among many peoples of the Pacific Islands, South Pacific islands, such as peoples from New Zealand and Vanuatu. Design Carved out of a single piece of a wild mangrove tree, Bisj poles can reach heights of up to 25 feet (7.62 m). Their carvings depict human figures standing on top of each other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dendroglyph
Arborglyphs, dendroglyphs, silvaglyphs, or modified cultural trees are carvings of shapes and symbols into the bark of living trees. Although most often referring to ancient cultural practices, the term also refers to modern tree-carving. Love carvings Carving names and initials into trees is a common practice among lovers; the carvings can last for decades, as a symbol of the permanence of the couple's love. This practice would appear to date back up to the classical era, with Callimachus writing in his ''Aetia'', "But graven on your bark may ye bear such writing as shall declare 'Cydippe beautiful'" (fragment 73). It also appears in the ''Eclogues'' of Virgil: "Resolved am I in the woods, rather, with wild beasts to couch, and bear my doom, and character my love upon the tender tree-trunks: they will grow, and you, my love, grow with them." This carving was also practised in Renaissance England, as evidenced by the writings of William Shakespeare (in ''As You Like It'', 159 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poles In Mythology
A ceremonial pole is a stake or post utilised or venerated as part of a ceremony or religious ritual. Ceremonial poles may symbolize a variety of concepts in different ceremonies and rituals practiced by a variety of cultures around the world. In many cultures, ceremonial poles represent memorials and gravemarkers. In ''The Evolution of the Idea of God'', Grant Allen notes that Samoyeds of Siberia, and Damara of South Africa plant stakes at the graves of ancestors. Ceremonial poles may also be raised during celebrations and festivals, as with Gudi Padwa in South Asia and the maypole dance in Europe. In some cultures they may represent sacred trees or tools wielded by deities. They may also symbolise the axis mundi or world tree. In religious ceremonies, they may be venerated as idols or representations of tutelary deities. Asia Middle East Levant An Asherah pole is a sacred tree or pole that stood near Canaanite religious locations to honor the Ugaritic mothe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picture Stone
A picture stone, image stone or figure stone is an ornate slab of stone, usually limestone, which was raised in Germanic Iron Age or Viking Age Scandinavia, and in the greatest number on Gotland.The article ''Bildstenar'' in ''Nationalencyklopedin'' (1990).Hadenius, Stig; Nilsson, Torbjörn; Åselius, Gunnar (1996) ''Sveriges historia: vad varje svensk bör veta''. Bonnier Alba, Borås. p. 28. More than four hundred picture stones are known today.A presentation at the County Museum of Gotland. All of the stones were probably erected as memorial stones, but only rarely beside graves. Some of them have been positioned where many people could see them at bridges and on roads. They mainly differ from |
Madia Gond
Madia Gonds or Madia or Maria are one of the endogamous Gond tribes living in Chandrapur District and Gadchiroli District of Maharashtra State, and Bastar division of Chhattisgad State India. They have been granted the status of a Primitive tribal group by the Government of India under its affirmative action or reservation programme. The Madia Gonds are strongly affected by Naxal activities. The Madia Gond use the self designation Madia, and call the area where they live Madia Desh. They speak the Madia dialect of Gondi. The shifting agriculture of madia is known as jhoom. A study mentions living megalithic practices amongst the Madia Gonds. One of the findings of The Bench Mark Survey done in 1997–1998: 91.08 percent of Madia Gond families lived Below Poverty Line. Tradition and culture Madias today are doctors, teachers, government employees and naxalites. Performance of school going Madia children is on par with other children of Maharashtra state, a Madia girl stude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moai
Moai or moʻai ( ; es, moái; rap, moʻai, , statue) are monolithic human figures carved by the Rapa Nui people on Easter Island, Rapa Nui in eastern Polynesia between the years 1250 and 1500. Nearly half are still at Rano Raraku, the main moai quarry, but hundreds were transported from there and set on stone platforms called Ahu (Easter Island), ahu around the island's perimeter. Almost all moai have overly large heads, which comprise three-eighths the size of the whole statue - which has no legs. The moai are chiefly the living faces (''aringa ora'') of deified ancestors (''aringa ora ata tepuna''). The statues still gazed inland across their clan lands History of Easter Island#European contacts, when Europeans first visited the island in 1722, but all of them had fallen by the latter part of the 19th century. The moai were toppled in the late 18th and early 19th centuries, possibly as a result of European contact or endemic warfare, internecine tribal wars. The production a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Menhir
A menhir (from Brittonic languages: ''maen'' or ''men'', "stone" and ''hir'' or ''hîr'', "long"), standing stone, orthostat, or lith is a large human-made upright stone, typically dating from the European middle Bronze Age. They can be found individually as monoliths, or as part of a group of similar stones. Menhirs' size can vary considerably, but they often taper toward the top. They are widely distributed across Europe, Africa and Asia, but are most numerous in Western Europe; particularly in Ireland, Great Britain, and Brittany, where there are about 50,000 examples, and northwestern France, where there are some 1,200 further examples. Standing stones are usually difficult to date. They were constructed during many different periods across pre-history as part of the larger megalithic cultures in Europe and near areas. Some menhirs stand next to buildings that have an early or current religious significance. One example is the South Zeal Menhir in Devon, which formed th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memento Mori
''Memento mori'' (Latin for 'remember that you ave todie'Literally 'remember (that you have) to die' , Third Edition, June 2001.) is an artistic or symbolic acting as a reminder of the inevitability of . The concept has its roots in the philosophers of |
Megalith
A megalith is a large stone that has been used to construct a prehistoric structure or monument, either alone or together with other stones. There are over 35,000 in Europe alone, located widely from Sweden to the Mediterranean sea. The word was first used in 1849 by the British antiquarian Algernon Herbert in reference to Stonehenge and derives from the Ancient Greek words "mega" for great and " lithos" for stone. Most extant megaliths were erected between the Neolithic period (although earlier Mesolithic examples are known) through the Chalcolithic period and into the Bronze Age. At that time, the beliefs that developed were dynamism and animism, because Indonesia experienced the megalithic age or the great stone age in 2100 to 4000 BC. So that humans ancient tribe worship certain objects that are considered to have supernatural powers. Some relics of the megalithic era are menhirs (stone monuments) and dolmens (stone tables). Types and definitions While "megalith" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lingam
A lingam ( sa, लिङ्ग , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary ''murti'' or devotional image in Hindu temples dedicated to Shiva, also found in smaller shrines, or as self-manifested natural objects. It is often represented within a disc-shaped platform, the ''yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence. The original meaning of ''lingam'' as "sign" is used in Shvetashvatara Upanishad, which says "Shiva, the Supreme Lord, has no liūga", liuga ( sa, लिऊग ) meaning he is transcen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khachkar
A ''khachkar'', also known as a ''khatchkar'' or Armenian cross-stone ( hy, խաչքար, , խաչ xačʿ "cross" + քար kʿar "stone") is a carved, memorial stele bearing a cross, and often with additional motifs such as rosettes, interlaces, and botanical motifs. ''Khachkars'' are characteristic of medieval Christian Armenian art.The Grove Encyclopedia of Medieval Art and Architecture. — Oxford University Press, 2012. — Vol. 2. — P. 222.''"'Khatck'ar' rmen.:'cross-stone'Typical Armenian stone monument, comprising an upright slab (h. c. 1—3 m) carved with a cross design, usually set on a plinth or rectangular base. "'' Since 2010, khachkars, their symbolism and craftsmanship are inscribed in the UNESCO list of Intangible Cultural Heritage. Description The most common ''khachkar'' feature is a cross surmounting a rosette or a solar disc. The remainder of the stone face is typically filled with elaborate patterns of leaves, grapes, pomegranates, and bands o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jangseung
A ''jangseung'' or village guardian is a Korean totem pole usually made of wood. Jangseungs were traditionally placed at the edges of villages to mark village boundaries and frighten away demons. They were also worshipped as village tutelary deities. In the southern regions of Jeolla, Chungcheong, and Gyeongsang, jangseungs are also referred to as ''beopsu'' or ''beoksu'', a variation of ''boksa'' (복사/卜師), meaning a male shaman. In the Jeolla region, jangseungs are often made of stone bearing some resemblance to the dolhareubangs of Jeju Island. In Seoul, 18th century Joseon Dynasty King Jeongjo ordered jangseungs erected in the area near Sangdo to ward off evil spirits when he made a royal procession to Suwon, where his father's tomb was located. Since then, the district has been called Jangseungbaegi and has given its name to the Jangseungbaegi Station on the Seoul Metropolitan Subway's Line 7. Jangseungs are usually adorned with inscriptions describing the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.JPG "Click for more on -> Picture Stone")
