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Bellows (photography)
In photography, a bellows is the accordion-like, pleated expandable part of a camera, usually a large or medium format camera, to allow the lens to be moved with respect to the focal plane for focusing. Bellows are also used on enlargers. The bellows provides a flexible, dark extension between the film plane and the lens. In some cameras, the photographer can change the angle of the film plate with respect to the optical axis of the lens, providing alterations of perspective distortion and of the object plane of focus. Bellows may be part of a camera or come as an optional accessory. Types Two kinds of bellows are commonly used on cameras; bag bellows are normally used with a lens of short focal length, and accordion bellows with a much longer range of extension. For large format cameras, “double extension” refers to bellows that extend to a length equal to about twice the focal length of a standard lens, e.g. 300 mm for the 4×5 inch format. “Triple extension” ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bellows Macro
A bellows or pair of bellows is a device constructed to furnish a strong blast of air. The simplest type consists of a flexible bag comprising a pair of rigid boards with handles joined by flexible leather sides enclosing an approximately airtight cavity which can be expanded and contracted by operating the handles, and fitted with a valve allowing air to fill the cavity when expanded, and with a tube through which the air is forced out in a stream when the cavity is compressed. xford English Dictionary, 2nd ed: bellows/ref> It has many applications, in particular blowing on a fire to supply it with air. The term "bellows" is used by extension for a flexible bag whose volume can be changed by compression or expansion, but not used to deliver air. For example, the light-tight (but not airtight) bag allowing the distance between the lens and film of a folding photographic camera to be varied is called a bellows. Etymology "Bellows" is only used in plural. The Old English name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Large Format
Large format refers to any imaging format of or larger. Large format is larger than "medium format", the or size of Hasselblad, Mamiya, Rollei, Kowa, and Pentax cameras (using 120- and 220-roll film), and much larger than the frame of 35 mm format. The main advantage of a large format, film or digital, is a higher resolution at the same pixel pitch, or the same resolution with larger pixels or grains which allows each pixel to capture more light enabling exceptional low-light capture. A 4×5 inch image (12.903 mm²) has about 15 times the area, and thus 15× the total resolution, of a 35 mm frame (864 mm²). Large format cameras were some of the earliest photographic devices, and before enlargers were common, it was normal to just make 1:1 contact prints from a 4×5, 5×7, or 8×10-inch negative. Formats The most common large format is 4×5 inches (10.2x12.7 cm), which was the size used by cameras like the Graflex Speed Graphic and Crown Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medium Format (film)
Medium format has traditionally referred to a film format in photography and the related cameras and equipment that use film. Nowadays, the term applies to film and digital cameras that record images on media larger than the used in 35 mm photography (though not including 127 sizes), but smaller than (which is considered large format photography). In digital photography, medium format refers either to cameras adapted from medium-format film photography uses or to cameras making use of sensors larger than that of a 35 mm film frame. Some of the benefits of using medium-format digital cameras include higher resolution sensors, better low-light capabilities compared to a traditional 35mm DSLR, and a wider dynamic range. Characteristics Medium-format cameras made since the 1950s are generally less automated than smaller cameras made at the same time. For example, autofocus became available in consumer 35 mm cameras in 1977, but did not reach medium format until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camera
A camera is an Optics, optical instrument that can capture an image. Most cameras can capture 2D images, with some more advanced models being able to capture 3D images. At a basic level, most cameras consist of sealed boxes (the camera body), with a small hole (the aperture) that allows light to pass through in order to capture an image on a light-sensitive surface (usually a Image sensor, digital sensor or photographic film). Cameras have various mechanisms to control how the light falls onto the light-sensitive surface. Lenses focus the light entering the camera, and the aperture can be narrowed or widened. A Shutter (photography), shutter mechanism determines the amount of time the photosensitive surface is exposed to the light. The still image camera is the main instrument in the art of photography. Captured images may be reproduced later as part of the process of photography, digital imaging, or photographic printing. Similar artistic fields in the moving-image camera dom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enlarger
An enlarger is a specialized transparency projector used to produce photographic prints from film or glass negatives, or from transparencies. Construction All enlargers consist of a light source, normally an incandescent light bulb shining though a condenser or translucent screen to provide even illumination, a holder for the negative or transparency, and a specialized lens for projection. The light passes through a film holder, which holds the exposed and developed photographic negative or transparency. Prints made with an enlarger are called ''enlargements''. Typically, enlargers are used in a darkroom, an enclosed space from which extraneous light may be excluded; some commercial enlargers have an integral dark box so that they can be used in a light-filled room. History Josef Maria Eder, in his ''History of Photography'' attributes the invention of photographic enlargement to Humphry Davy who realised the idea of using a solar microscope to project images onto sensitis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
View Camera
A view camera is a large-format camera in which the lens forms an inverted image on a ground-glass screen directly at the film plane. The image is viewed and then the glass screen is replaced with the film, and thus the film is exposed to exactly the same image as was seen on the screen. This type of camera was first developed in the era of the daguerreotypeStroebel, L. D. (1986). ''View Camera Technique'', 5th ed., p. 212. Boston: Focal Press. (1840s–1850s) and is still in use today, some with various drive mechanisms for movements (rather than loosen-move-tighten), more scale markings, and/or more spirit levels. It comprises a flexible bellows that forms a light-tight seal between two adjustable ''standards'', one of which holds a lens, and the other a ground glass or a photographic film holder or a digital back.Stroebel (1986). p. 2. There are three general types, the rail camera, the field camera, and others that don't fit into either category. The bellows is a flexi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
View Camera
A view camera is a large-format camera in which the lens forms an inverted image on a ground-glass screen directly at the film plane. The image is viewed and then the glass screen is replaced with the film, and thus the film is exposed to exactly the same image as was seen on the screen. This type of camera was first developed in the era of the daguerreotypeStroebel, L. D. (1986). ''View Camera Technique'', 5th ed., p. 212. Boston: Focal Press. (1840s–1850s) and is still in use today, some with various drive mechanisms for movements (rather than loosen-move-tighten), more scale markings, and/or more spirit levels. It comprises a flexible bellows that forms a light-tight seal between two adjustable ''standards'', one of which holds a lens, and the other a ground glass or a photographic film holder or a digital back.Stroebel (1986). p. 2. There are three general types, the rail camera, the field camera, and others that don't fit into either category. The bellows is a flexi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macro Photography
Macro photography (or photomacrography or macrography, and sometimes macrophotography) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though ''macrophotography'' also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios of at least 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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