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Bass Trap
Bass traps are acoustic energy absorbers which are designed to damp low frequency sound energy with the goal of attaining a flatter low frequency (LF) room response by reducing LF resonances in rooms. They are commonly used in recording studios, mastering rooms, home theatres and other rooms built to provide a critical listening environment. Like all acoustically absorptive devices, they function by turning sound energy into heat through friction. General description—types There are generally two types of bass traps: resonant absorbers and porous absorbers. Resonant absorbers are further divided into panel absorbers and Helmholtz resonators. Both types are effective, but whereas a resonant absorber needs to be mechanically tuned to resonate in sympathy with the frequencies being absorbed, a porous absorber does not resonate and need not be tuned. Porous absorbers tend to be smaller in size and are easier to design and build, as well as less expensive overall than resonant ...
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Bass Trap
Bass traps are acoustic energy absorbers which are designed to damp low frequency sound energy with the goal of attaining a flatter low frequency (LF) room response by reducing LF resonances in rooms. They are commonly used in recording studios, mastering rooms, home theatres and other rooms built to provide a critical listening environment. Like all acoustically absorptive devices, they function by turning sound energy into heat through friction. General description—types There are generally two types of bass traps: resonant absorbers and porous absorbers. Resonant absorbers are further divided into panel absorbers and Helmholtz resonators. Both types are effective, but whereas a resonant absorber needs to be mechanically tuned to resonate in sympathy with the frequencies being absorbed, a porous absorber does not resonate and need not be tuned. Porous absorbers tend to be smaller in size and are easier to design and build, as well as less expensive overall than resonant ...
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Sound
In physics, sound is a vibration that propagates as an acoustic wave, through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges. Acoustics Acoustics is the interdisciplinary science that deals with the study of mechanical waves in gasses, liquids, and solids including vibration, sound, ultrasound, and infrasound. A scientist who works in the field of acoustics is an ''acoustician'', while someone working in the field of acoustica ...
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Recording Studios
A recording studio is a specialized facility for sound recording, mixing, and audio production of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring (listening and mixing) spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties (acoustic isolation or diffusion or absorption of reflected sound echoes that could otherwise interfere with the sound heard by the listener). Recording studios may be used to record singers, instrumental musicians (e.g., electric guitar, piano, saxophone, or ensembles such as orchestras), voice-over artists for advertisements or dialogue replacement in film, television, or animation, foley, or to record their accompanying musical soundtracks. The typical ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Home Cinema
Home cinema, also called home theaters or theater rooms, are home entertainment audio-visual systems that seek to reproduce a movie theater experience and mood using consumer electronics-grade video and audio equipment that is set up in a room or backyard of a private home. Some studies show films are rated better and generate more intense emotions when watched in a movie theater, however, convenience is a major appeal for home cinemas. In the 1980s, home cinemas typically consisted of a movie pre-recorded on a LaserDisc or VHS tape; a LaserDisc Player or VCR; and a heavy, bulky large-screen cathode ray tube TV set, although sometimes CRT projectors were used instead. In the 2000s, technological innovations in sound systems, video player equipment and TV screens and video projectors have changed the equipment used in home cinema set-ups and enabled home users to experience a higher-resolution screen image, improved sound quality and components that offer users more options (e ...
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Helmholtz Resonator
Helmholtz resonance or wind throb is the phenomenon of air resonance in a cavity, such as when one blows across the top of an empty bottle. The name comes from a device created in the 1850s by Hermann von Helmholtz, the ''Helmholtz resonator'', which he used to identify the various frequencies or musical pitches present in music and other complex sounds.Helmholtz, Hermann von (1885), ''On the sensations of tone as a physiological basis for the theory of music''
Second English Edition, translated by Alexander J. Ellis. London: Longman ...
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Fiberglass
Fiberglass (American English) or fibreglass (Commonwealth English) is a common type of fiber-reinforced plastic using glass fiber. The fibers may be randomly arranged, flattened into a sheet called a chopped strand mat, or woven into glass cloth. The plastic matrix may be a thermoset polymer matrix—most often based on thermosetting polymers such as epoxy, polyester resin, or vinyl ester resin—or a thermoplastic. Cheaper and more flexible than carbon fiber, it is stronger than many metals by weight, non- magnetic, non-conductive, transparent to electromagnetic radiation, can be molded into complex shapes, and is chemically inert under many circumstances. Applications include aircraft, boats, automobiles, bath tubs and enclosures, swimming pools, hot tubs, septic tanks, water tanks, roofing, pipes, cladding, orthopedic casts, surfboards, and external door skins. Other common names for fiberglass are glass-reinforced plastic (GRP), glass-fiber reinforced plastic (GFRP) or GF ...
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Mineral Wool
Mineral wool is any fibrous material formed by spinning or drawing molten mineral or rock materials such as slag and ceramics. Applications of mineral wool include thermal insulation (as both structural insulation and pipe insulation), filtration, soundproofing, and hydroponic growth medium. Naming Mineral wool is also known as ''mineral fiber'', ''mineral cotton'', ''mineral fibre'', ''man-made mineral fibre'' (MMMF), and ''man-made vitreous fiber'' (MMVF). Specific mineral wool products are ''stone wool'' and ''slag wool''. Europe also includes glass wool which, together with ceramic fiber, are entirely artificial fibers that can be made into different shapes and are spiky to touch. History Slag wool was first made in 1840 in Wales by Edward Parry, "but no effort appears to have been made to confine the wool after production; consequently it floated about the works with the slightest breeze, and became so injurious to the men that the process had to be abandoned". ...
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Room Modes
Room modes are the collection of resonances that exist in a room when the room is excited by an acoustic source such as a loudspeaker. Most rooms have their fundamental resonances in the 20  Hz to 200 Hz region, each frequency being related to one or more of the room's dimensions or a divisor thereof. These resonances affect the low-frequency low-mid-frequency response of a sound system in the room and are one of the biggest obstacles to accurate sound reproduction. Mechanism of room resonances The input of acoustic energy to the room at the modal frequencies and multiples thereof causes standing waves. The nodes and antinodes of these standing waves result in the loudness of the particular resonant frequency being different at different locations of the room. These standing waves can be considered a temporary storage of acoustic energy as they take a finite time to build up and a finite time to dissipate once the sound energy source has been removed. Minimizing ...
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Room Modes
Room modes are the collection of resonances that exist in a room when the room is excited by an acoustic source such as a loudspeaker. Most rooms have their fundamental resonances in the 20  Hz to 200 Hz region, each frequency being related to one or more of the room's dimensions or a divisor thereof. These resonances affect the low-frequency low-mid-frequency response of a sound system in the room and are one of the biggest obstacles to accurate sound reproduction. Mechanism of room resonances The input of acoustic energy to the room at the modal frequencies and multiples thereof causes standing waves. The nodes and antinodes of these standing waves result in the loudness of the particular resonant frequency being different at different locations of the room. These standing waves can be considered a temporary storage of acoustic energy as they take a finite time to build up and a finite time to dissipate once the sound energy source has been removed. Minimizing ...
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