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Bass Music
Bass music is a term used to describe several genres of electronic dance music and hip hop music arising from the 1980s on, focusing on a prominent bass drum and/or bassline sound. As one source notes, there are "many different types of bass music to fall into, each putting a different spin on one of music's loudest elements". Typically, the bass sound is created using synthesizers and drum machines like, for example, the influential Roland TR-808. Electronic dance music genres of this type may include: * Bass house * Bassline * Drum and bass * Dubstep * Footwork * Future bass * Glitch hop * Midtempo bass * Moombahton * Trap (EDM) * UK bass * UK garage * Wave * Wonky Hip hop genres of this type may include: * Miami bass See also * Booty bass The term booty bass can refer to several different, loosely related genres of music: * Miami bass – largely based in Miami, but also found throughout Florida and elsewhere in the south. It is essentially the second form of hip hop to ...
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Glitch Hop
Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors. Sometimes devices that were already broken are used, and sometimes devices are broken expressly for this purpose. In '' Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, and ambient) that ha ...
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Booty Bass
The term booty bass can refer to several different, loosely related genres of music: *Miami bass – largely based in Miami, but also found throughout Florida and elsewhere in the south. It is essentially the second form of hip hop to come into existence, but was relatively unknown until the 1990s, when the music had become stigmatized because of its explicit lyrics; notable acts include 2 Live Crew *Ghetto house – refers to later period Dance Mania Records recording artists. This is a brand of new school house music performers who loop often X-rated lyrics over house beats. Chicago ghetto house and Juke Music have started becoming very popular in other parts of the world. *Baltimore club – Also known as Baltimore breaks, this genre is popular mostly in Maryland, and sounds somewhat similar to Chicago ghetto house, with the exception of being based on breakbeats instead of house music. The tempos are far faster than either genre, and it maintains the repetitive nature of modern ...
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Miami Bass
Miami bass (booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. The use of drums from the Roland TR-808, sustained kick drum, heavy bass, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop-start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City, Goulds and Overtown". Despite Miami bass never having consistent mainstream acceptance, early national media attention in the 1980s resulted in a profound impact on the development of hip hop, dance music, and pop. History 1980s (origins) During the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Sight Record ...
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Wonky (genre)
Wonky (also known as purple sound or aquacrunk) is a subgenre of electronic music known primarily for its off-kilter or “unstable” beats, as well as its eclectic, colorful blend of genres including hip-hop, electro-funk, 8-bit, jazz fusion, glitch, and crunk. Artists associated with the style include Joker, Rustie, Hudson Mohawke, Zomby, and Flying Lotus. History Wonky initially emerged in 2008 as a colorful, exuberant style drawing on hip hop, synth-funk, glitchy electronica, and more eclectic influences, in contrast with the austere sound of the UK's ongoing dubstep and grime scenes. Other influences included American hip hop producers J Dilla and Madlib, with some artists drawing more explicitly on an instrumental hip-hop sound rather than dubstep. The term "wonky" has been rejected by various artists associated with the style. Characteristics Wonky is known for its off-kilter rhythms and typically features garish synthesizer tones, melodies, and effects. The "unstabl ...
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UK Garage
UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by garage house, but also incorporates elements from dance-pop, R&B, and jungle. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular " 2-step" rhythms. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM. UK garage encompassed subgenres such as speed garage and 2-step, and was then largely subsumed into other styles of music and production in the mid-2000s, including bassline, grime, and dubstep. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related. Origins The evolution of house music in the United Kingdom in the early to mid-1990s led to t ...
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UK Bass
UK bass, also called bass music, is club music that emerged in the United Kingdom during the mid-2000s under the influence of diverse genres such as house, grime, dubstep, UK garage, R&B, and UK funky. The term "UK bass" came into use as artists began ambiguously blending the sounds of these defined genres while maintaining an emphasis on percussive, bass-led rhythm. UK bass is sometimes conflated with bassline or post-dubstep. It is not to be confused with the hip hop and electro-based genre Miami bass, which is sometimes called "bass music" as well. Origins The breadth of styles that have come to be associated with the term preclude it from being a specific musical genre. ''Pitchfork'' writer Martin Clark has suggested that "well-meaning attempts to loosely define the ground we're covering here are somewhat futile and almost certainly flawed. This is not one genre. However, given the links, interaction, and free-flowing ideas ... you can't dismiss all these acts as u ...
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Trap Music (EDM)
EDM trap is a fusion genre of hip hop, rave music and EDM, that originated in the early 2010s on peaking popularity of big room house and trap music genres. It blends elements of trap, which is an offshoot of Southern hip hop, with elements of electronic dance music like build-ups, drops, and breakdowns. A variety of artists spurred trap's move into pop and EDM. History In 2012, a style of electronic dance music (EDM) incorporated elements of trap music, creating "dirty, aggressive beats nddark melodies." Electronic music producers, such as TNGHT, Baauer, RL Grime and Flosstradamus expanded the popularity, and brought wider attention to the derivative forms of trap. This genre saw the use of techno, dub, and electro sounds combined with the Roland TR-808 drum samples and vocal samples typical of trap. In the later half of 2012, these various offshoots of trap became increasingly popular and made a noticeable impact on the American electronic dance music scene. The music ...
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Moombahton
Moombahton (, ) is an electronic dance music genre, derived from house music and reggaeton, that was created by American DJ and producer Dave Nada in Washington, D.C., in 2009. Nada coined the name as a portmanteau of "Moombah" (a track by Surinamese house DJ Chuckie and Dutch producer/DJ Silvio Ecomo) and reggaeton (itself a neologism combining reggae with the Spanish suffix ''-ton'', signifying big). Characteristics Identifying characteristics of moombahton include a thick and spread-out bass line, dramatic builds, and a two-step pulse with quick drum fills. Occasionally moombahton includes rave music synthesizers and a cappella rap samples. Musically, moombahton mixes the rhythmic origins of Dutch house or house music, the slow tempo of reggaeton, usually between 100-110bpm, accompanied by bouncy percussions from reggaeton. History Moombahton was created by Dave Nada in late 2009 while DJing his cousin's high school cut party in Washington, D.C. He blended the house a ...
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Midtempo Bass
New beat is a Belgian electronic dance music genre that fuses elements of new wave, hi-NRG,Simon Reynolds: ''Generation Ecstasy: Into the World of Techno and Rave Culture.'' Routledge 1999, , p. 124. EBM and hip hop (e.g. scratching).Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , pp. 102–103. It flourished in Western Europe during the late-1980s. New beat spawned a subgenre called "hard beat" (a blend of EBM, new beat and acid house)Nikki van Lierop: ''Hard Beat 1st Compilation.'', 1989."Hard Beat is the perfect link between Electronic Body Music and New Beat." and became a key influence on the evolution of European electronic dance music styles such as hardcore techno and gabber. History New beat originated in Belgium in 1987, and was popular in several music clubs across Western Europe. Sometimes described as "new wave disco beat"Philipp Anz, Arnold Meyer: ''New Beat.'' In: Philipp ...
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Future Bass
Future bass is a style of electronic dance music which developed in the 2010s that mixes elements of dubstep and trap with warmer, less abrasive rhythms. The genre was pioneered by producers such as Rustie, Hudson Mohawke, Lido, San Holo and Cashmere Cat, and it was popularised in the mid to late-2010s by artists such as Flume, Martin Garrix, Illenium, Louis the Child and Mura Masa. 2016 was seen as the breakout year for the genre. History The genre was pioneered by Scottish producers Rustie and Hudson Mohawke and American producer RL Grime, who began producing future bass tracks in 2010. One of the first popularity-fueling releases in the genre was Rustie's album ''Glass Swords'', released in 2011. Later, in 2013, the Flume remix of Disclosure's song " You & Me" brought the genre into the mainstream, and through the mid-2010s future bass became popular in the United Kingdom, United States, Japan, China, Korea and Australia. Characteristics The sound waves are often modulat ...
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