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Baroco
In Aristotelian logic, baroco is a mnemonic word used to memorize a syllogism. Specifically, it has the first proposition universal and affirmative, but the second and third particular and negative, and the middle term the attribute in the two first. For example, :Every virtue is attended with discretion. :Some kinds of zeal are not attended with discretion. :Therefore, some kinds of zeal are not virtues. In the terminology of Aristotelian logic, a Baroco is one of the four syllogisms of the second figure of the nineteen modes (or one of the six syllogisms of the second figure of the twenty-four modes if the weakened modes are included). It includes: a relation to a syllogism (Barbara) of the first figure of type B; major premise of type A; a minor premise of type O; the minor premise of the second figure (minor term/copula/middle term) of type C; a conclusion of type O; that is to say a universal major affirmative, a particular minor negative, and a particular negative conclusion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modus Baroco
Modus may refer to: * Modus, the Latin name for grammatical mood, in linguistics * Modus, the Latin name for mode (statistics) * Modus (company), an Alberta-based company * Modus (medieval music), a term used in several different technical meanings in medieval music theory * The Renault Modus, a small car * Modus (band), a pop music band in former Czechoslovakia ** ''Modus'' (album), 1979, or the title track * Short for ''modus decimandi'', a type of payment made in lieu of a tithe * Modus FX, a visual effects company based in Sainte-Thérèse, Quebec, Canada * ''Modus'' (TV series), a Swedish television series, 2015 * "Modus", a song by Joji from his 2020 album ''Nectar'' See also * ''Modus operandi'' * Modus operandi (other) * ''Modus vivendi ''Modus vivendi'' (plural ''modi vivendi'') is a Latin phrase that means "mode of living" or " way of life". It often is used to mean an arrangement or agreement that allows conflicting parties to coexist in peace. In science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercure De France
The was originally a French gazette and literary magazine first published in the 17th century, but after several incarnations has evolved as a publisher, and is now part of the Éditions Gallimard publishing group. The gazette was published from 1672 to 1724 (with an interruption in 1674–1677) under the title (sometimes spelled ; 1672–1674) and (1677–1724). The title was changed to in 1724. The gazette was briefly suppressed (under Napoleon) from 1811 to 1815 and ceased publication in 1825. The name was revived in 1890 for both a literary review and (in 1894) a publishing house initially linked with the symbolist movement. Since 1995 has been part of the Éditions Gallimard publishing group. should not be confused with another literary magazine, the (1823–1830). The original ''Mercure galant'' and ''Mercure de France'' The ''Mercure galant'' was founded by the writer Jean Donneau de Visé in 1672. The name refers to the god Mercury, the messenger of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Term Logic
In philosophy, term logic, also known as traditional logic, syllogistic logic or Aristotelian logic, is a loose name for an approach to formal logic that began with Aristotle and was developed further in ancient history mostly by his followers, the Peripatetics. It was revived after the third century CE by Porphyry's Isagoge. Term logic revived in medieval times, first in Islamic logic by Alpharabius in the tenth century, and later in Christian Europe in the twelfth century with the advent of new logic, remaining dominant until the advent of predicate logic in the late nineteenth century. However, even if eclipsed by newer logical systems, term logic still plays a significant role in the study of logic. Rather than radically breaking with term logic, modern logics typically expand it, so to understand the newer systems, one must be acquainted with the earlier one. Aristotle's system Aristotle's logical work is collected in the six texts that are collectively known as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Diderot
Denis Diderot (; ; 5 October 171331 July 1784) was a French philosopher, art critic, and writer, best known for serving as co-founder, chief editor, and contributor to the ''Encyclopédie'' along with Jean le Rond d'Alembert. He was a prominent figure during the Age of Enlightenment. Diderot initially studied philosophy at a Jesuit college, then considered working in the church clergy before briefly studying law. When he decided to become a writer in 1734, his father disowned him. He lived a bohemian existence for the next decade. In the 1740s he wrote many of his best-known works in both fiction and non-fiction, including the 1748 novel ''The Indiscreet Jewels''. In 1751, Diderot co-created the ''Encyclopédie'' with Jean le Rond d'Alembert. It was the first encyclopedia to include contributions from many named contributors and the first to describe the mechanical arts. Its secular tone, which included articles skeptical about Biblical miracles, angered both religious and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopédie
''Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers'' (English: ''Encyclopedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts''), better known as ''Encyclopédie'', was a general encyclopedia published in France between 1751 and 1772, with later supplements, revised editions, and translations. It had many writers, known as the Encyclopédistes. It was edited by Denis Diderot and, until 1759, co-edited by Jean le Rond d'Alembert. The ''Encyclopédie'' is most famous for representing the thought of the Enlightenment. According to Denis Diderot in the article "Encyclopédie", the ''Encyclopédies aim was "to change the way people think" and for people (bourgeoisie) to be able to inform themselves and to know things. He and the other contributors advocated for the secularization of learning away from the Jesuits. Diderot wanted to incorporate all of the world's knowledge into the ''Encyclopédie'' and hoped that the text could dissemina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Rousseau
Jean-Jacques Rousseau (, ; 28 June 1712 – 2 July 1778) was a Genevan philosopher, writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought. His ''Discourse on Inequality'' and ''The Social Contract'' are cornerstones in modern political and social thought. Rousseau's sentimental novel ''Julie, or the New Heloise'' (1761) was important to the development of preromanticism and romanticism in fiction. His ''Emile, or On Education'' (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published '' Confessions'' (composed in 1769), which initiated the modern autobiography, and the unfinished '' Reveries of the Solitary Walker'' (composed 1776–1778)—exemplified the late 18th-century " Age of Sensibility", and featured an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (professor Of Music)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his career. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolyte Et Aricie
('' Hippolytus and Aricia'') was the first opera by Jean-Philippe Rameau. It was premiered to great controversy by the Académie Royale de Musique at its theatre in the Palais-Royal in Paris on October 1, 1733. The French libretto, by Abbé Simon-Joseph Pellegrin, is based on Racine's tragedy ''Phèdre''. The opera takes the traditional form of a with an allegorical prologue followed by five acts. Early audiences found little else conventional about the work. Background Rameau was almost 50 when he wrote ''Hippolyte et Aricie'' and there was little in his life to suggest he was about to embark on a major new career as an opera composer. He was famous for his works on music theory as well as books of harpsichord pieces. The closest he had come to writing dramatic music was composing a few secular cantatas and some popular pieces for the Paris fairs for his friend Alexis Piron. Yet Rameau's eagerness to write an opera is shown by a letter he wrote in October 1727 to Antoine Houd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristotelian Logic
In philosophy, term logic, also known as traditional logic, syllogistic logic or Aristotelian logic, is a loose name for an approach to formal logic that began with Aristotle and was developed further in ancient history mostly by his followers, the Peripatetics. It was revived after the third century CE by Porphyry's Isagoge. Term logic revived in medieval times, first in Islamic logic by Alpharabius in the tenth century, and later in Christian Europe in the twelfth century with the advent of new logic, remaining dominant until the advent of predicate logic in the late nineteenth century. However, even if eclipsed by newer logical systems, term logic still plays a significant role in the study of logic. Rather than radically breaking with term logic, modern logics typically expand it, so to understand the newer systems, one must be acquainted with the earlier one. Aristotle's system Aristotle's logical work is collected in the six texts that are collectively known as the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Language Quarterly
Modern Language Quarterly (MLQ), established in 1940, is a quarterly, literary history journal, produced (housed) at the University of Washington and published by Duke University Press. The current editor is Jeffrey Todd Knight. Marshall Brown (University of Washington) was the editor from 1993 to 2021. The first issue of a ''Modern Language Quarterly'' appeared in 1897 but in 1905 this journal became ''The Modern Language Review''. Scope The focus of MLQ is all topics in literary history, which includes all genres, and all time periods. Theory and argument are presented with a chronological organizational structure. Literary works are considered in the context of their time. The focus encompasses papers on literary change in literary practice and the profession of literature. Topical coverage includes how literary change, or literary history, relates to feminism, ethnic studies, cultural materialism, discourse analysis, and cultural critiques. Literature as it occurs in his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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