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Balzo Headdress
The Balzo was a headdress worn by noblewomen of Italy in the 1530s. It was donut-shaped but appeared turban-like from the front, though it was generally worn further back from the forehead exposing the hair, unlike a period turban A turban (from Persian دولبند‌, ''dulband''; via Middle French ''turbant'') is a type of headwear based on cloth winding. Featuring many variations, it is worn as customary headwear by people of various cultures. Communities with promine .... It is assumed as a fashion invention by Isabella d'Este, first documented in letters in 1509 and 1512 and well copied in later years. The headdress was a throwback to a larger rounded headdress from the 15th century in Italy that covered the hair of the wearer.Balzo
on clothing website Then the hairline was often plucked. Though mostly known as a woman's headdress, there ...
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Parmigianino - La Schiava Turca
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected ...
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Turban
A turban (from Persian دولبند‌, ''dulband''; via Middle French ''turbant'') is a type of headwear based on cloth winding. Featuring many variations, it is worn as customary headwear by people of various cultures. Communities with prominent turban-wearing traditions can be found in the Indian subcontinent, Southeast Asia, the Arabian Peninsula, the Middle East, the Balkans, the Caucasus, Central Asia, North Africa, West Africa, East Africa, and amongst some Turkic peoples in Russia as well as Ashkenazi Jews. A keski is a type of turban, a long piece of cloth roughly half the length of a traditional "single turban", but not cut and sewn to make a double-width "Double Turban" (or Double Patti). Wearing turbans is common among Sikh men, and infrequently women. They are also worn by Hindu monks. The headgear also serves as a religious observance, including among Shia Muslims, who regard turban-wearing as ''Sunnah mu’akkadah'' (confirmed tradition). The turban is also the tr ...
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Isabella D'Este
Isabella d'Este (19 May 1474 – 13 February 1539) was Marchioness of Mantua and one of the leading women of the Italian Renaissance as a major cultural and political figure. She was a patron of the arts as well as a leader of fashion, whose innovative style of dressing was copied by numerous women. The poet Ariosto labeled her as the "liberal and magnanimous Isabella", while author Matteo Bandello described her as having been "supreme among women". Diplomat Niccolò da Correggio went even further by hailing her as "The First Lady of the world". She served as the regent of Mantua during the absence of her husband Francesco II Gonzaga and during the minority of her son Federico. She was a prolific letter-writer and maintained a lifelong correspondence with her sister-in-law Elisabetta Gonzaga. Isabella grew up in a cultured family in the city-state of Ferrara. She received a fine classical education and as a girl met many famous humanist scholars and artists. Due to the vast ...
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Profile Portrait Of A Lady
''Profile Portrait of a Lady'' is oil on panel painting by an unknown Franco-Flemish artist, dated to about 1410. It is housed in the National Gallery of Art, Washington. The woman is wearing an early form balzo headdress over her hair, which has been plucked above her forehead to the point at which the balzo rests. References Notes Sources Bibliography * Hand, John Oliver and Martha Wolff. ''Early Netherlandish Painting''. The Collections of the National Gallery of Art Systematic Catalogue. Washington, 1986: 90–97, repro. 91. * Panofsky Erwin. ''Early Netherlandish Painting: Its Origins and Character''. 2 vols. Cambridge, Mass., 1953: 1:82, 171, 392 note 2; 2: pl. 43, fig. 92. * Sterling, Charles. ''La peinture de portrait à la cour de Bourgogne au début du XVe siècle.'' Critica d'Arte 6, 1959: 289, 299, 304,306, 308, 312, fig 193. * ''Virtue and Beauty: Leonardo's Ginevra de' Benci and Renaissance Portraits of Women''. Exh. cat. National Gallery of Art, Washington, 20 ...
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Francesco Francia
__NOTOC__ Francesco Francia, whose real name was Francesco Raibolini (1447 – 5 January 1517) was an Italian painter, goldsmith, and medallist from Bologna, who was also director of the city mint.Levinson:492 He may have trained with Marco Zoppo and was first mentioned as a painter in 1486. His earliest known work is the ''Felicini Madonna'', which is signed and dated 1494. He worked in partnership with Lorenzo Costa, and was influenced by Ercole de' Roberti's and Costa's style. After 1505 he was influenced more by Perugino and Raphael. He had a large workshop and trained Marcantonio Raimondi, Ludovico Marmitta, and several other artists; he produced niellos, in which Raimondi first learnt to engrave, soon excelling his master, according to Vasari. Raphael's ''Santa Cecilia'' is supposed to have produced such a feeling of inferiority in Francia that it caused him to die of depression. However, as his friendship with Raphael is now well-known, this story has been discredited. ...
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History Of Clothing (Western Fashion)
The study of the history of clothing and textiles traces the development, use, and availability of clothing and textiles over human history. Clothing and textiles reflect the materials and technologies available in different civilizations at different times. The variety and distribution of clothing and textiles within a society reveal social customs and culture. The wearing of clothing is exclusively a human characteristic and is a feature of most human societies. There has always been some disagreement among scientists on when humans began wearing clothes, but studies involving the evolution of body lice suggest it started sometime around 170,000 years ago. Anthropologists believe that animal skins and vegetation were adapted into coverings as protection from cold, heat, and rain, especially as humans migrated to new climates. Textile history is almost as old as human civilization, and as time has passed, the history of textile has been more enriched. Silk weaving was introd ...
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Headgear
Headgear, headwear, or headdress is the name given to any element of clothing which is worn on one's head, including hats, helmets, turbans and many other types. Headgear is worn for many purposes, including protection against the elements, decoration, or for religious or cultural reasons, including social conventions. Purposes Protection or defence Headgear may be worn for protection against cold (such as the Canadian tuque), heat, rain and other precipitation, glare, sunburn, sunstroke, dust, contaminants, etc. Helmets are worn for protection in battle or against impact, for instance when riding bicycles or motor vehicles. There are also hats that are worn for protection from the cold. Fashion Headgear can be an article of fashion, usually hats, caps or hoods. The formal man's black silk top hat was formerly an indispensable portion of the suit, and women's hats have, over the years, attained a fantastic number of shapes ranging from immense confections to no more than a f ...
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