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Ballet D'action
Ballet d'action is a hybrid genre of expressive and symbolic ballet that emerged during the 18th century. One of its chief aims was to liberate the conveyance of a story via spoken or sung words, relying simply on quality of movement to communicate actions, motives, and emotions. The expression of dancers was highlighted in many of the influential works as a vital aspect of the ballet d'action. To become an embodiment of emotion or passion through free expression, movement, and realistic choreography was one chief aim of this dance. Thus, the mimetic aspect of dance was used to convey what the lack of dialogue could not. Certainly, there may have been codified gestures; however, a main tenant of the ballet d'action was to free dance from unrealistic symbolism, so this remains an elusive question. Often, props and costume object were involved in the performance to help clarify character interaction and passions. An example would be the scarf from ''La Fille mal gardée'', which represe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille Mal Gardée
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French People
The French people (french: Français) are an ethnic group and nation primarily located in Western Europe that share a common French culture, history, and language, identified with the country of France. The French people, especially the native speakers of langues d'oïl from northern and central France, are primarily the descendants of Gauls (including the Belgae) and Romans (or Gallo-Romans, western European Celtic and Italic peoples), as well as Germanic peoples such as the Franks, the Visigoths, the Suebi and the Burgundians who settled in Gaul from east of the Rhine after the fall of the Roman Empire, as well as various later waves of lower-level irregular migration that have continued to the present day. The Norse also settled in Normandy in the 10th century and contributed significantly to the ancestry of the Normans. Furthermore, regional ethnic minorities also exist within France that have distinct lineages, languages and cultures such as Bretons in Brittany, Occi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreography
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Georges Noverre
Jean-Georges Noverre (29 April 1727 19 October 1810) was a French dancer and balletmaster, and is generally considered the creator of ''ballet d'action'', a precursor of the narrative ballets of the 19th century. His birthday is now observed as International Dance Day. His first professional appearances occurred as a youth in Paris at the Opéra-Comique, at Fontainebleau, in Berlin before Frederick II and his brother Prince Henry of Prussia, in Dresden and Strasburg. In 1747 he moved to Strasbourg, where he remained until 1750 before moving to Lyon. In 1751, he composed his first great work, '' Les Fêtes Chinoises'' for Marseilles. The work was revived in Paris in 1754 to great acclaim. In 1755, he was invited by Garrick to London, where he remained for two years. Between 1758 and 1760 he produced several ballets at Lyon, and published his '. It is from this period that the revolution in the art of the ballet for which Noverre was responsible can be dated. Prior to Noverre, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque Dance
Grotesque dance (French: ''danse grotesque''; Italian: ''ballo grottesco'' or ''danza grottesca'') is a category of theatrical dance that became more clearly differentiated in the 18th century and was incorporated into ballet, although it had its roots in earlier centuries. As opposed to the ''danse noble'' or "noble dance" performed in royal courts which emphasized beauty of movement and noble themes, grotesque dances were comic or lighthearted and created for buffoons and ''commedia dell'arte'' characters to amuse and entertain spectators or patrons. In 16th and 17th centuries grotesque dances were often presented as an anti-masque, performed between the acts of more serious courtly entertainments. Likewise, the 17th century entrée de ballet (a series of loosely connected tableaux rather than a continuous dramatic narrative) sometimes contained grotesque sequences, most notably those devised by the Duke of Nemours for the court of Louis XIII. Some of the grotesque performers w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Weaver (dancer)
John Weaver (baptised 21 July 1673 – 24 September 1760) was an English dancer, dancing master and choreographer, and producer of a number of works on dancing. He is often regarded as the father of English ballet and of English pantomime. Early life Weaver was born in Shrewsbury where he was baptised on 21 July 1673 at the parish church of Holy Cross ie Shrewsbury Abbey Church, son of John Weaver, a dance teacher. He was educated at the local Free School.Article by William George Dimock Fletcher. His father suggested he go to London and become a ballet master. Weaver seems to have left Shrewsbury in 1696 or 1697, although his first recorded performance in London was not until the summer of 1700. Weaver soon became a specialist in comic roles and created the burlesque ''Tavern Bilkers'' (1702). By the early 1700s, Weaver was part of a circle of dancing masters who were eager to promote the new French system of dance notation. Weaver translated Feuillet’s ''Choregraphie'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Sallé
Marie Sallé (1707–1756) was a French dancer and choreographer in the 18th century known for her expressive, dramatic performances rather than a series of "leaps and frolics" typical of ballet of her time. Biography Marie Sallé was a prominent dancer and choreographer in early 18th-century dance. She helped to create ''ballet d'action'' (a form continued by her student, Jean-Georges Noverre); she challenged the male-dominated theatrical world; she reformed traditional "feminine" costumes. Born to fairground performers and tumblers in 1707, Marie grew up performing around France with her family. She made her first public performance with her brother, Francis, at London’s Lincoln's Inn Fields Theatre in 1716. They made their Paris debut at the Saint Laurent fair in 1718 performing ''La Princesse Charisme'', created by Véronique Lesage. In 1725, their family returned to England, but they stayed. The pair is said to have studied with Claude Balon, star of the Paris Opéra, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gasparo Angiolini
Gasparo Angiolini (7 February 1731 – 6 February 1803), real name Domenico Maria Gasparo, son of Francesco Angiolini and Maria Maddalena Torzi, was an Italian dancer, choreographer and composer. He was born in Florence and died in Milan. He is known thanks to the polemics with the French ballet master Jean-Georges Noverre. Gasparo Angiolini directed the ballet at the Imperial Theatre in Vienna, taking over the post in 1758, working closely with Christoph Willibald von Gluck on such works as '' Don Juan ou le Festin de Pierre'' (1761), and the opera ''Orfeo ed Euridice'' (1762). The dancing in both Don Juan and Orpheus were said to have insisted on th"primacy of drama".In addition to collaborating with Gluck, he also composed music for many of his ballets. He later succeeded Franz Hilverding as director of the Imperial Theatre in St. Petersburg, Russia in 1766. Both Hilverding and Angiolini are credited with bringing the pantomime balletArianna Béatrice Fabbricatore, « Gasparo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis De Cahusac
Louis de Cahusac (6 April 1706 – 22 June 1759) was an 18th-century French playwright and librettist, and Freemason, most famous for his work with the composer Jean-Philippe Rameau. He provided the libretti for several of Rameau's operas, namely '' Les fêtes de l'Hymen et de l'Amour'' (1747), ''Zaïs'' (1748), '' Naïs'' (1749), ''Zoroastre'' (1749; revised 1756), '' La naissance d'Osiris'' (1754), and '' Anacréon'' (the first of Rameau's operas by that name, 1754). He is also credited with writing the libretto of Rameau's final work, ''Les Boréades'' (c. 1763). Cahusac contributed to the Encyclopédie and was the lover of Marie Fel.Maurice Cranston. '' Jean-Jacques: The Early Life and Work of Jean-Jacques Rousseau, 1712–1754''. p252 In 1754, he published '' La Danse ancienne et moderne ou Traité historique de la danse'' (The Hague, Jean Neaulme). Among Rameau's librettists, he was the one whose collaboration lasted the longest. Cahusac's one-act comic play ''Zeneïde'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Ballet
Ballet is a formalized form of dance with its origins in the Italian Renaissance courts of 15th and 16th centuries. Ballet spread from Italy to France with the help of Catherine de' Medici, where ballet developed even further under her aristocratic influence. An early example of Catherine's development of ballet is through 'Le Paradis d' Amour', a piece of work presented at the wedding of her daughter Marguerite de Valois to Henry of Navarre. Aristocratic money was responsible for the initial stages of development in 'court ballet', as it was royal money that dictated the ideas, literature and music used in ballets that were created to primarily entertain the aristocrats of the time. The first formal 'court ballet' ever recognized was staged in 1573, 'Ballet des Polonais'. In true form of royal entertainment, 'Ballet des Polonais' was commissioned by Catherine de' Medici to honor the Polish ambassadors who were visiting Paris upon the accession of Henry of Anjou to the throne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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