Baldachin
A baldachin, or baldaquin (from ), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent Architecture, architectural feature, particularly over Altar, high altars in cathedrals, where such a structure is more correctly called a Ciborium (architecture), ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall. A cloth of honour or cloth of estate is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth. "''Baldachin''" was originally a luxurious type of cloth from Baghdad, from which name the word is ultimat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ciborium (architecture)
In Church architecture, ecclesiastical architecture, a ciborium (Greek language, Greek: κιβώριον; ) is a canopy or covering supported by columns, freestanding in the sanctuary, that stands over and covers the altar in a church architecture, church. It may also be known by the more general term of baldachin, though ''ciborium'' is often considered more correct for examples in churches. A baldachin (originally an exotic type of silk from Baghdad) should have a textile covering, or, as at St. Peter’s Basilica, Saint Peter’s in Rome, imitate one. There are exceptions; St. Peter's Baldachin, Bernini's structure in Saint Peter's, Rome is always called the baldachin. Early ciboria had curtains hanging from rods between the columns, so that the altar could be concealed from the congregation at points in the liturgy. Smaller examples may cover other objects in a church. In a very large church, a ciborium is an effective way of visually highlighting the altar, and emphasizin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Throne
A throne is the seat of state of a potentate or dignitary, especially the seat occupied by a sovereign (or viceroy A viceroy () is an official who reigns over a polity in the name of and as the representative of the monarch of the territory. The term derives from the Latin prefix ''vice-'', meaning "in the place of" and the Anglo-Norman ''roy'' (Old Frenc ...) on state occasions; or the seat occupied by a pope or bishop on ceremonial occasions. "Throne" in an abstract sense can also refer to the monarchy itself, an instance of metonymy, and is also used in many expressions such as "power behind the throne, the power behind the throne". A throne is a symbol of divine and secular rule and the establishment of a throne as a defining sign of the claim to power and authority. It can be with a high backrest and feature heraldic animals or other decorations as adornment and as a sign of power and strength. A throne can be placed underneath a canopy or baldachin. The throne can s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Altar
An altar is a table or platform for the presentation of religion, religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, Church (building), churches, and other places of worship. They are used particularly in Christianity, Buddhism, Hinduism, and modern paganism. Many historical-medieval faiths also made use of them, including the Religion in ancient Rome, Roman, Religion in ancient Greece, Greek, and Norse paganism, Norse religions. Etymology The modern English language, English word ''wikt:altar#English, altar'' was derived from Middle English ''wikt:alter#Latin, altar'', from Old English ''wikt:alter, alter'', taken from Latin ''wikt:altare#Latin, altare'' ("altar"), probably related to ''wikt:adolere#Etymology 2, adolere'' ("burn"); thus "burning place", influenced by ''wikt:altus#Latin, altus'' ("high"). It displaced the native Old English word ''wikt:weofod#Old English, wēofod''. Altars in antiquity In antiquity, alta ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dais 2 (PSF)
A dais or daïs ( or , American English also but sometimes considered nonstandard)dais in the Random House Dictionarydais in Oxford Dictionaries Online in the American Heritage Dictionary is a raised platform at the front of a room or hall, usually for one or more speakers or honored guests. Historically, the dais was a part of the floor at the end of a medieval Great hall, hall, raised a step above the rest of the room. On this, the master of the household or assembly (e.g. the lord of the manor) dined with his sen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lit De Justice
In France under the Ancien Régime, the ''lit de justice'' (, "bed of justice") was a particular formal session of the Parlement of Paris, under the presidency of the King of France, for the compulsory registration of the royal edicts and to impose his sovereignty. It was named thus because the king would sit on a throne, under a baldachin. In the Middle Ages, not every appearance of the King of France in ''parlement'' occasioned a formal ''lit de justice''. Description A ''lit de justice'' in Paris was normally held in the ''Grand'Chambre du Parlement'' of the royal palace on the Île de la Cité, which remains the Palais de Justice even today. The king, fresh from his devotions in Sainte-Chapelle, would enter, accompanied by his chancellor, the '' princes du sang'', dukes and peers, cardinals and marshals, and take his place upon the cushions on a dais under a canopy of estate (the ''lit'') in a corner of the chamber. The records of a ''lit de justice'' of Charles V, May 2 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tapestry
Tapestry is a form of Textile arts, textile art which was traditionally Weaving, woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen, or cotton. The warp and weft, weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives. In Late Middle Ages, late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two dimensions, and despite the rapid rise in importance of painting it retained this position in the eyes of many Renaissance patrons until at least the end of the 16th century, if not beyond. Th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jean Wauquelin Presenting His 'Chroniques De Hainaut' To Philip The Good
''Jean Wauquelin presenting his 'Chroniques de Hainaut' to Philip the Good'' is a presentation miniature believed to have been painted by the Early Netherlandish artist Rogier van der Weyden (or if not actually from his hand then certainly by his workshop to his designs). It decorates the Frontispiece (architecture), frontispiece to the ''Chronicles of Hainaut, Chroniques de Hainaut'', MS KBR.9242, Jean Wauquelin's French translation of a three-volume history of the County of Hainaut originally written in Latin by the 14th-century Franciscans, Franciscan historian Jacques de Guyse. The majority, if not all, of the figures (described in the text as "Knight, Chevaliers, Adviser, conseillers, et Chamberlain (office), chambellans") are portraits of historical figures. The decorative border of the presentation miniature includes the arms of the various territories ruled by Philip, which he had considerably expanded, interspersed with his personal emblem of sparks being struck from a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Presentation Miniature
A presentation miniature or dedication miniature is a miniature painting often found in illuminated manuscripts, in which the patron or donor is presented with a book, normally to be interpreted as the book containing the miniature itself.Brown, 102 The miniature is thus symbolic, and presumably represents an event in the future. Usually it is found at the start of the volume, as a frontispiece before the main text, but may also be placed at the end, as in the Vivian Bible, or at the start of a particular text in a collection. In earlier manuscripts the recipient of the book may be a dead saint, the founder of a monastery or monastic order, for example, and the person handing over the book the abbot, or sometimes the scribe of the book. The genre is an extension of other forms of dedication portraits, for example wall-paintings or mosaics in churches showing the person who commissioned the church holding a model of it. Ultimately they stretch back to scenes where classica ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brocade
Brocade () is a class of richly decorative shuttle (weaving), shuttle-woven fabrics, often made in coloured silks and sometimes with gold and silver threads. The name, related to the same root as the word "broccoli", comes from Italian language, Italian meaning 'embossed cloth', originally past participle of the verb 'to stud, set with nails', from , 'small nail', from Latin , 'projecting, pointed'. Brocade is typically woven on a draw loom. It is a supplementary weft technique; that is, the ornamental brocading is produced by a supplementary, non-structural, weft in addition to the standard weft that holds the warp (weaving), warp threads together. The purpose of this is to give the appearance that the weave was actually embroidered on. In Guatemala, brocade is the most popular technique used to decorate fabric woven by Maya peoples, Maya weavers on backstrap looms. Ornamental features in brocade are emphasised and wrought as additions to the main fabric, sometimes stiffe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |