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B-boying
Breakdancing, also called breaking or b-boying/b-girling, is an athletic style of street dance originating from the African American and Puerto Rican communities in the United States. While diverse in the amount of variation available in the dance, breakdancing mainly consists of four kinds of movement: toprock, downrock, power moves and freezes. Breakdancing is typically set to songs containing drum breaks, especially in hip-hop, funk, soul music and breakbeat music, although modern trends allow for much wider varieties of music along certain ranges of tempo and beat patterns. The modern dance elements of breakdancing originated among the poor youth of New York during the early 1970s, where it was introduced as breaking. It is closely attributed to the birth of hip-hop, as DJs developed rhythmic breaks for dancers. The dance form has since expanded globally, with an array of organizations and independent competitions supporting its growth. Breaking will now be featured ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Move
Power moves are dance moves which are loosely defined as moves relying on speed, momentum, and acrobatic elements for performance. They are prominent in B-boying, often the centerpieces of routines featuring the other elements (toprock, downrock, and Freeze (b-boy move), freezes) that make up breaking. Power moves are closer to gymnastics than dancing. B-boys who focus heavily on power moves and execute them as a main part of their routines are often called "power heads". Origin B-boy Powerful PEX and the New York City Breakers were credited in 1983 for the B-boy style of combining 2 or 3 difficult moves together. This includes Float (breakdance move), floats, Headmills aka Power Windmill (breakdance move), windmills, and Flare (breakdance move), flares Suicide (breakdance move), suicides. In the 1990s the Breakdancing, B-boys shortened the phrase "powerful moves" down to "power moves" in the 1990s to make it sound more flashy. New generations of Breakdancing, B-boys are executing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crazy Legs (dancer)
Richard Colón (born January 1, 1966), better known by his stage name Crazy Legs, is an American b-boy who was featured in the earliest stories on hip hop dancing to appear in mainstream press, and as president of the Rock Steady Crew brought the form to London and Paris in 1983. Today he is also involved in community outreach, dance instruction, and dance theater productions. His pioneering status is reflected in his appearances in fiction films and documentaries. Crazy Legs is the most well known and commercially successful of the few original members remaining of the Rock Steady Crew, and is its current president. Career Richard "Crazy Legs" Colón grew up in the Inwood section of Manhattan, New York City, where he was introduced to "breaking" by his older brother when he was nine.Alan Feuer"Breaking Out Of the Bronx: A Look Back; A Pioneering Dancer Is the Last of His Breed" ''The New York Times'', August 27, 2002. He was an original member of the Rock Steady Crew after i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toprock
In breakdancing, toprock is foot movement performed while standing, serving as the opening display of style, and as a warm-up for transitions into the more acrobatic maneuvers of downrock. It allows the dancer to demonstrate coordination, flexibility, rhythm and style. Breakers may devote considerable time to developing their toprock, and the style they display is a point of pride. Toprocking is a style of dance in and of itself. However, toprocking is very open to modification for individual style. For this reason, it has come to incorporate elements of salsa, Lindy Hop, Liquid dancing and the Robot. In particular, uprock Uprock, or Rocking, as it was referred to, also known as Rock, Rock Dance, Brooklyn Rock, Burning or Freestyle is a competitive urban street dance, performed to the beats and rhythms of soul, rock and funk music, but was mostly danced to a spe ..., often confused with "toprock," is a competitively-oriented type of dance consisting of foot shuffles, spins, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Downrock
In dance, floorwork refers to movements performed on the floor. Floorwork is used extensively in modern dance, particularly Graham technique and Hawkins technique, as well as in vernacular breakdancing. Some dance training practices, notably Floor-Barre, consist entirely of floorwork. Floorwork changes the body's relationship with gravity, and requires dancers to navigate between higher and lower levels ("going in and out of the floor"). These features are central to the use of floorwork in choreography, and also affect its role in technique classes. Executing floorwork smoothly requires flexible joints, a relaxed body, and attention to the kinesthetic feedback provided by the floor. The "low" or floorwork level is one of three principal spatial levels dancers may occupy, along with the middle or bipedestrian (upright) and the high or aerial (jumping) levels. Concert dance The use of floorwork is one of the major differences between modern dance and previous Western concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip-hop Dance
Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show ''Soul Train'' and the 1980s films '' Breakin''', '' Beat Street'', and ''Wild Style'' showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure. The dance industry responded with a commercial, studio-based version of hip-hop—sometimes called "new style"—and a hip-hop influenced style of jazz dance called "jazz-funk". Classically trained dancers developed these studio styles in order to create choreography from the hip-hop dances that were performed on the street. Because of this development, hip-hop dance is practiced in both dance studios and outdoor spaces. The commercialization of hip-hop dance continued into the 1990s and 2000s with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Daddy Kane
Antonio Hardy (born September 10, 1968), better known by his stage name Big Daddy Kane, is an American rapper who began his career in 1986 as a member of the Juice Crew. He is widely regarded as one of the most influential and skilled MCs in hip hop. ''Rolling Stone'' ranked his song "Ain't No Half-Steppin'" number 25 on its list of ''The 50 Greatest Hip-Hop Songs of All Time'', calling him "a master wordsmith of rap's late-golden age and a huge influence on a generation of MCs". Biography 1980s In 1984, Kane became friends with Biz Markie, and he would co-write some of Biz's best-known lyrics. Both eventually became important members of the Queens-based Juice Crew, a collective headed by renowned producer Marley Marl. Kane signed with Tyrone Williams's (Marl's manager) and Len Fichtelberg's Cold Chillin' Records label in 1987 and debuted the same year with the 12" single "Raw", which was an underground hit. The name Big Daddy Kane came from a variation on Caine, David C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fab 5 Freddy
Fred Brathwaite (born August 31, 1959), more popularly known as Fab 5 Freddy, is an American visual artist, filmmaker, and hip hop pioneer. He is considered one of the architects of the street art movement. Freddy emerged in New York's downtown underground creative scene in the late 1970s as a graffiti artist. He was the bridge between the burgeoning uptown rap scene and the downtown No Wave art scene. He was immortalized in 1981 when Debbie Harry rapped on the Blondie song "Rapture" that "Fab 5 Freddy told me everybody's fly." In the late 1980s, Freddy became the first host of the groundbreaking hip-hop music video show ''Yo! MTV Raps''. Career In the late 1970s, Freddy became a member of the Brooklyn-based graffiti group the Fabulous 5, known for painting the entire side of New York City Subway cars. Along with other Fabulous 5 member Lee Quiñones, under his direction they began to shift from street graffiti to transition into the art world and in 1979 they both exhibited i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Steady Crew
Rock Steady Crew is an American breaking and hip hop group which has become a franchise name for multiple groups in other locations. The group's 1983 international hit song " (Hey You) The Rock Steady Crew" (from the group's first studio album '' Ready for Battle'') peaked at No. 6 on the UK Singles Chart, and reached the top 10 in many European countries. Members of Rock Steady Crew featured in the films '' Flashdance'' and '' Beat Street'', which ignited international interest in the b-boy subculture. History The group was initially formed in The Bronx, New York City in 1977 by b-boys Jimmy Dee and Jimmy Lee. The Manhattan branch was created by Crazy Legs and B-Boy Fresh. ''The New York Times'' called the Rock Steady Crew "the foremost breakdancing group in the world today." Notable members * Crazy Legs * DJ Cucumber Slice * DJ Qbert * Fever One * Madchild * Mr. Wiggles *Q-Unique * Rahzel * Tony Touch Former members * Frosty Freeze * Mix Master Mike *Ken Swift * Rhettma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How To Rap
''How to Rap: The Art & Science of the Hip-Hop MC'' is a book on hip hop music and rapping by Paul Edwards. It is compiled from interviews with 104 notable rappers who provide insights into how they write and perform their lyrics.Edwards, Paul, 2009, ''How to Rap: The Art & Science of the Hip-Hop MC'', Chicago Review Press. ''How to Rap 2: Advanced Flow & Delivery Techniques'' is a sequel to the book, also on hip hop music and rapping by Paul Edwards. It includes more insights from the interviews done from the first book. Publication ''How to Rap: The Art & Science of the Hip-Hop MC'' was published by Chicago Review Press on December 1, 2009 with a foreword by Kool G Rap. Publishers Weekly states that it “goes into everything from why rappers freestyle to the challenges of collaboration in hip-hop”, and Library Journal says, “instruction ranges over selecting topics and form, editing, rhyming techniques, putting words to music, collaborating, vocal techniques, studio ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umbrella Term
In linguistics, semantics, general semantics, and ontologies, hyponymy () is a semantic relation between a hyponym denoting a subtype and a hypernym or hyperonym (sometimes called umbrella term or blanket term) denoting a supertype. In other words, the semantic field of the hyponym is included within that of the hypernym. In simpler terms, a hyponym is in a ''type-of'' relationship with its hypernym. For example, ''pigeon'', ''crow'', ''eagle'', and ''seagull'' are all hyponyms of ''bird'', their hypernym, which itself is a hyponym of ''animal'', its hypernym. Hyponyms and hypernyms Hyponymy shows the relationship between a generic term (hypernym) and a specific instance of it (hyponym). A hyponym is a word or phrase whose semantic field is more specific than its hypernym. The semantic field of a hypernym, also known as a superordinate, is broader than that of a hyponym. An approach to the relationship between hyponyms and hypernyms is to view a hypernym as consisting of hyp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tech N9ne
Aaron Dontez Yates (born November 8, 1971), better known by his stage name Tech N9ne (pronounced "tech nine"), is an American rapper. In 1999, he and business partner Travis O'Guin founded the record label Strange Music. He has sold over two million albums and has had his music featured in film, television, and video games. In 2009, he won the Left Field Woodie award at the mtvU Woodie Awards. His stage name originated from the TEC-9 semi-automatic handgun, a name given to him by rapper Black Walt due to his fast-rhyming chopper style. Yates later applied a deeper meaning to the name, stating that it stands for the complete technique of rhyme, with "tech" meaning technique and "nine" representing the number of completion. Despite minimal mainstream success himself, he has featured many mainstream artists on his albums including E-40, Ice Cube, Three 6 Mafia, B.o.B., Twista, Busta Rhymes, Kendrick Lamar, Lil Wayne, T-Pain, Snoop Dogg, The Game, Wiz Khalifa, CeeLo Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrika Bambaataa
Lance Taylor (born on April 17, 1957), also known as Afrika Bambaataa (), is an American DJ, rapper, and producer from the South Bronx, New York. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing. Through his co-opting of the street gang the Black Spades into the music and culture-oriented Universal Zulu Nation, he has helped spread hip hop culture throughout the world. In May 2016, Bambaataa left his position as head of The Zulu Nation due to multiple allegations of child sexual abuse dating as far back as the 1970s. Early life Born Lance Taylor to Jamaican and Barbadian immigrants, Bambaataa grew up in the Bronx River Projects, with an activist mother and uncle. As a child, he was exposed to the black liberation movement and witnessed debates between his mother and uncle regarding the conflicting ideologies in the moveme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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