Audio Collage
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Audio Collage
In music, montage (literally "putting together") or sound collage ("gluing together") is a technique where newly branded sound objects or Musical composition, compositions, including songs, are created from collage, also known as Photomontage, montage. This is often done through the use of sampling (music), sampling, while some playable sound collages were produced by gluing together sectors of different vinyl records. In any case, it may be achieved through the use of previous sound recordings or musical Sheet music, scores. Like its visual cousin, the collage work may have a completely different effect than that of the component parts, even if the original parts are completely recognizable or from only one source. History The origin of sound collage can be traced back to the works of Heinrich Ignaz Biber, Biber's programmatic sonata ''Battalia'' (1673) and Wolfgang Amadeus Mozart, Mozart's ''Don Giovanni'' (1789), and some critics have described certain passages in Gustav Mahl ...
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Musique Concrète
Musique concrète (; ): "[A] problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout [''In Search of a Concrete Music''] with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''conc ...
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