Atonement (2007 Film)
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Atonement (2007 Film)
''Atonement'' is a 2007 romantic war drama film directed by Joe Wright and starring James McAvoy, Keira Knightley, Romola Garai, Saoirse Ronan, and Vanessa Redgrave. It is based on the 2001 novel of the same name by Ian McEwan. The film chronicles a crime and its consequences over the course of six decades, beginning in the 1930s. It was produced for StudioCanal and filmed in England. Distributed in most of the world by Universal Studios, it was released theatrically in the United Kingdom on 7 September 2007 and in North America on 7 December 2007. ''Atonement'' opened both the 2007 Vancouver International Film Festival and the 64th Venice International Film Festival, making Wright, at age 35, the youngest director ever to open the latter event. The film was a commercial success and earned a worldwide gross of approximately $129 million against a budget of $30 million. It received rave reviews, with critics praising its acting, emotional depth, Wright's direction, Dario Maria ...
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Joe Wright
Joseph Wright (born 25 August 1972) is an English film director residing in Somerset, England. His motion pictures include the literary adaptations '' Pride & Prejudice'' (2005), ''Atonement'' (2007), ''Anna Karenina'' (2012), and ''Cyrano'' (2021), the action thriller '' Hanna'' (2011), Peter Pan origin story '' Pan'' (2015), and '' Darkest Hour'' (2017), a political drama following Winston Churchill during World War II nominated for Best Picture. Early life and career Wright always had an interest in the arts, especially painting. He would also make films on his Super 8 camera as well as spend time in the evenings acting in a drama club. Wright is dyslexic. He went to Islington Green Secondary School, but left without any GCSEs. He began his career working at his parents' puppet theatre, the Little Angel Theatre in Islington. He also took classes at the Anna Scher Theatre School and acted professionally on stage and camera. He spent an art foundation year at Camberwell Co ...
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Working Title Films
Working Title Films is a British film studio that produces motion pictures and television programs and is a subsidiary of Universal Pictures, a division of NBCUniversal, which is itself a division of Comcast. The company was founded by Tim Bevan and Sarah Radclyffe in 1983. It produces feature films and several television productions. Bevan and Eric Fellner are now the co-chairmen of the company. Company Working Title Films was co founded by producers Tim Bevan and Sarah Radclyffe in 1983. Radclyffe left in 1992, PolyGram became the company's corporate backer, and Eric Fellner, a fellow independent film producer, joined the company. The company produced a variety of films for PolyGram's London based production company, PolyGram Filmed Entertainment. An Anglo-Dutch film studio, PolyGram Films became a major Hollywood competitor. In 1998, Seagram sold the bulk of its library of PolyGram films released up until 31 March 1996 to Metro-Goldwyn-Mayer. In 1999, PolyGram was sold to ...
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80th Academy Awards
The 80th Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best films of 2007. The award ceremony took place on February 24, 2008, at the Kodak Theatre in Hollywood, Los Angeles. During the ceremony, AMPAS presented Academy Awards (commonly referred to as Oscars) in 24 categories. The ceremony was televised in the United States by ABC, and produced by Gil Cates and directed by Louis J. Horvitz. Comedian Jon Stewart hosted the show for the second time, having previously presided over the 78th ceremony held in 2006. On February 9, at the Beverly Wilshire Hotel in Beverly Hills, the Academy Awards for Technical Achievement were presented by host Jessica Alba. ''No Country for Old Men'' won four awards, including Best Picture. Other winners included '' The Bourne Ultimatum'' with three awards, ''La Vie en Rose'' and ''There Will Be Blood'' with two, and ''Atonement'', '' The Counterfeiters'', '' Elizabeth: The Golden Age'', ...
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Academy Award For Best Original Score
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer. Some pre-existing music is allowed, though, but a contending film must include a minimum of original music. This minimum since 2021 is established in 35% of the music, which is raised to 80% for sequels and franchise films. Fifteen scores are shortlisted before nominations are announced. History The Academy began awarding movies for their scores in 1935. The category was originally called Best Scoring. At the time, winners and nominees were a mix of original scores and adaptations of pre-existing material. Following the controversial win of Charles Previn for ''One Hundred Men and a Girl'' in 1938, a film without a credited composer that featured pre-existing classical music, the Academy added a Best Original Sc ...
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Academy Awards
The Academy Awards, better known as the Oscars, are awards for artistic and technical merit for the American and international film industry. The awards are regarded by many as the most prestigious, significant awards in the entertainment industry worldwide. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements, as assessed by the Academy's voting membership. The various category winners are awarded a copy of a golden statuette as a trophy, officially called the "Academy Award of Merit", although more commonly referred to by its nickname, the "Oscar". The statuette, depicting a knight rendered in the Art Deco style, was originally sculpted by Los Angeles artist George Stanley from a design sketch by art director Cedric Gibbons. The 1st Academy Awards were held in 1929 at a private dinner hosted by Douglas Fairbanks in The Hollywood Roosevelt Hotel. The Academy Awards cerem ...
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Vancouver International Film Festival
The Vancouver International Film Festival (VIFF) is an annual film festival held in Vancouver, British Columbia, Canada, for two weeks in late September and early October. The festival is operated by the Greater Vancouver International Film Festival Society, a provincially-registered non-profit and federally-registered charitable organization, which also runs the year-round programming of the Vancity Theatre and Studio Theatre at the VIFF Centre. Both in terms of admissions and number of films screened (133,000 and 324 respectively in 2016), VIFF is among the five largest film festivals in North America. The festival screens films annually from approximately 73 countries on 10 screens. The festival has three main programming platforms: East Asian film, Canadian film, and nonfiction films. Besides films from around the world, VIFF also includes talks, workshops, performances, and other special events related to cinema. History The festival was first launched in 1958; however, f ...
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Drama (film And Television)
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, dra ...
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War Film
War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subject is the Second World War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film. Nations such as China, Indonesia, Japan, and Russia have their own traditions of war film, centred on their own revolutionary wars but taking varied forms, from action and historical drama to wartime romance. Subgenres, not necessarily distinct, includ ...
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Romance Film
Romance films or movies involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight young and mature love, unrequited love, obsession, sentimental love, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial love, explosive and destructive love, a ...
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Lumiere (database)
The European Audiovisual Observatory (french: italic=no, Observatoire européen de l’audiovisuel, german: italic=no, Europäische Audiovisuelle Informationsstelle) is a public service organisation, part of the Council of Europe set up in 1992. The observatory collects and analyses data about the audiovisual industry in Europe, such as cinema, television, radio, video, Video On Demand and Catch-up TV. The observatory's headquarters are located in the Villa Schutzenberger in Strasbourg. Lumiere (database) Lumiere (stylized as LUMIERE) is an online database of ticket sales for films released in 27 European territories, created in cooperation with national information sources and the MEDIA Programme of the European Union The European Union (EU) is a supranational political and economic union of member states that are located primarily in Europe. The union has a total area of and an estimated total population of about 447million. The EU has often been des .... Refe ...
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British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ...
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British Board Of Film Classification
The British Board of Film Classification (BBFC, previously the British Board of Film Censors) is a non-governmental organisation founded by the British film industry in 1912 and responsible for the national classification and censorship of films exhibited at cinemas and video works (such as television programmes, trailers, adverts, public information/campaigning films, menus, bonus content, etc.) released on physical media within the United Kingdom. It has a statutory requirement to classify all video works released on VHS, DVD, Blu-ray (including 3D and 4K UHD formats), and, to a lesser extent, some video games under the Video Recordings Act 1984. The BBFC was also the designated regulator for the UK age-verification scheme which was abandoned before being implemented. History and overview The BBFC was established in 1912 as the British Board of Film Censors by members of the film industry, who preferred to manage their own censorship than to have national or local gove ...
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