Apochromatic Lens
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Apochromatic Lens
An apochromat, or apochromatic lens (apo), is a Photographic lens, photographic or other Lens (optics), lens that has better correction of chromatic aberration, chromatic and spherical aberration than the much more common achromat lenses. Explanation Chromatic aberration is the phenomenon of different colors focusing at different distances from a lens. In photography, chromatic aberration produces soft overall images, and color fringing at high-contrast edges, like an edge between black and white. Astronomers face similar problems, particularly with telescopes that use lenses rather than mirrors. ''Achromatic'' lenses are corrected to bring ''two'' wavelengths into focus (optics), focus in the same plane – typically red (~0.590 micrometre, µm) and blue (~0.495 micrometre, µm). ''Apo''chromatic lenses are designed to bring ''three'' colors into focus in the same plane – typically red (~0.620 micrometre, µm), green (~0.530 micrometre, µm), and blue (~0.465 ...
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Chromatic Aberration Lens Diagram
Diatonic and chromatic are terms in music theory that are most often used to characterize Scale (music), scales, and are also applied to musical instruments, Interval (music), intervals, Chord (music), chords, Musical note, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the Common practice period, common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to ...
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Visible Spectrum
The visible spectrum is the portion of the electromagnetic spectrum that is visual perception, visible to the human eye. Electromagnetic radiation in this range of wavelengths is called ''visible light'' or simply light. A typical human eye will respond to wavelengths from about 380 to about 750 nanometers. In terms of frequency, this corresponds to a band in the vicinity of 400–790 Terahertz (unit), terahertz. These boundaries are not sharply defined and may vary per individual. Under optimal conditions these limits of human perception can extend to 310 nm (ultraviolet) and 1100 nm (near infrared). The optical spectrum is sometimes considered to be the same as the visible spectrum, but some authors define the term more broadly, to include the ultraviolet and infrared parts of the electromagnetic spectrum as well. The spectrum does not contain all the colors that the human visual system can distinguish. ''Excitation purity, Unsaturated colors'' such as pink, or ...
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Fluorite Lens
Fluorite (also called fluorspar) is the mineral form of calcium fluoride, CaF2. It belongs to the halide minerals. It crystallizes in isometric cubic habit, although octahedral and more complex isometric forms are not uncommon. The Mohs scale of mineral hardness, based on scratch hardness comparison, defines value 4 as fluorite. Pure fluorite is colourless and transparent, both in visible and ultraviolet light, but impurities usually make it a colorful mineral and the stone has ornamental and lapidary uses. Industrially, fluorite is used as a flux for smelting, and in the production of certain glasses and enamels. The purest grades of fluorite are a source of fluoride for hydrofluoric acid manufacture, which is the intermediate source of most fluorine-containing fine chemicals. Optically clear transparent fluorite lenses have low dispersion, so lenses made from it exhibit less chromatic aberration, making them valuable in microscopes and telescopes. Fluorite optics are also ...
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Superachromat
The superachromat or superachromatic lens was first conceived and developed by Maximilian Herzberger as the ultimate well-corrected lens. The color shift curve of a superachromat is a quartic, meaning that in theory four separate colors can be brought to focus in the same plane, while simultaneously correcting spherical aberration and field aberrations. This near-perfect correction of chromatic aberration is highly beneficial in film and digital multi-spectral photography, as a superachromat can focus near-infrared energy in the 0.7 to 1.0 micrometer wavelength band in the same focal plane as visible light, eliminating the need for refocusing. Unfortunately, due to the limited selection of optical glasses and partial dispersion properties, superachromats must be manufactured with costly fluorite glasses and to very tight tolerances. {{clear, left See also *Photographic lens *Achromat *Apochromat An apochromat, or apochromatic lens (apo), is a photographic or other lens that ...
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Zoom Lens
A zoom lens is a mechanical assembly of lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens (see prime lens). A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. Most consumer zoom lenses do not maintain perfect focus, but are still parfocal designs. Most camera phones that are advertised as having optical zoom actually use a few cameras of different but fixed focal length, combined with digital zoom to make a hybrid system. The convenience of variable focal length comes at the cost of complexity – and some compromises on image quality, weight, dimensions, aperture, autofocus performance, and cost. For example, all zoom lenses suffer from at least slight, if not considerable, loss of image resolution at their maximum aperture, especially at the extremes of their focal length range. This effect is evident in the corners of the image, when displa ...
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Prime Lens
In film and photography, a prime lens is a fixed focal length photographic lens (as opposed to a zoom lens), typically with a maximum aperture from f2.8 to f1.2. The term can also mean the primary lens in a combination lens system. Confusion between these two meanings can occur without clarifying context. Alternate terms, such as ''primary focal length'', ''fixed focal length'', or ''FFL'' are sometimes used to avoid ambiguity. As alternative to zoom lens The term ''prime'' has come to mean the opposite of ''zoom''—a fixed-focal-length, or unifocal lens. While a prime lens of a given focal length is less versatile than a zoom lens, it is often of superior optical quality, wider maximum aperture, lighter weight, and smaller size. These advantages stem from having fewer moving parts, optical elements optimized for one particular focal length, and a less complicated lens formula that creates fewer optical aberration issues. Larger maximum aperture (smaller f-number) facilitate ...
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Index Of Refraction
In optics, the refractive index (or refraction index) of an optical medium is a dimensionless number that gives the indication of the light bending ability of that medium. The refractive index determines how much the path of light is bent, or refracted, when entering a material. This is described by Snell's law of refraction, , where ''θ''1 and ''θ''2 are the angle of incidence and angle of refraction, respectively, of a ray crossing the interface between two media with refractive indices ''n''1 and ''n''2. The refractive indices also determine the amount of light that is reflected when reaching the interface, as well as the critical angle for total internal reflection, their intensity ( Fresnel's equations) and Brewster's angle. The refractive index can be seen as the factor by which the speed and the wavelength of the radiation are reduced with respect to their vacuum values: the speed of light in a medium is , and similarly the wavelength in that medium is , where ''λ' ...
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Flint Glass
Flint glass is optical glass that has relatively high refractive index and low Abbe number (high Dispersion (optics), dispersion). Flint glasses are arbitrarily defined as having an Abbe number of 50 to 55 or less. The currently known flint glasses have refractive indices ranging between 1.45 and 2.00. A Lens (optics)#Types of simple lenses, concave lens of flint glass is commonly combined with a Lens (optics)#Types of simple lenses, convex lens of Crown glass (optics), crown glass to produce an achromatic doublet lens because of their compensating optical properties, which reduces chromatic aberration (colour defects). With respect to glass, the term ''flint'' derives from the flint nodules found in the chalk deposits of southeast England that were used as a source of high purity silica by George Ravenscroft, c. 1662, to produce a potash lead glass that was the precursor to English lead crystal. Traditionally, flint glasses were lead glasses containing around 4–60% lead(II) ...
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Crown Glass (optics)
Crown glass is a type of optical glass used in lenses and other optical components. It has relatively low refractive index (≈1.52) and low dispersion (with Abbe numbers around 60). Crown glass is produced from alkali-lime silicates containing approximately 10% potassium oxide and is one of the earliest low dispersion glasses. As well as the specific material named ''crown glass'', there are other optical glasses with similar properties that are also called crown glasses. Generally, this is any glass with Abbe numbers in the range 50 to 85. For example, the borosilicate glass Schott BK7 (Schott designates it as 517642. The first three digits tell you its refractive index (1.517) and the last three tell you its Abbé number (64.2))The crown/flint distinction is so important to optical glass technology that many glass names, notably Schott glasses, incorporate it. A ''K'' in a Schott name indicates a crown glass (''Krone'' in German — Schott is a German company). The ''B'' in ...
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Dispersion (optics)
In optics, and by analogy other branches of physics dealing with wave propagation, dispersion is the phenomenon in which the phase velocity of a wave depends on its frequency; sometimes the term chromatic dispersion is used for specificity to optics in particular. A medium having this common property may be termed a dispersive medium (plural ''dispersive media''). Although the term is used in the field of optics to describe light and other electromagnetic waves, dispersion in the same sense can apply to any sort of wave motion such as acoustic dispersion in the case of sound and seismic waves, and in gravity waves (ocean waves). Within optics, dispersion is a property of telecommunication signals along transmission lines (such as microwaves in coaxial cable) or the pulses of light in optical fiber. Physically, dispersion translates in a loss of kinetic energy through absorption. In optics, one important and familiar consequence of dispersion is the change in the angle of refra ...
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Apochromat
An apochromat, or apochromatic lens (apo), is a photographic or other lens that has better correction of chromatic and spherical aberration than the much more common achromat lenses. Explanation Chromatic aberration is the phenomenon of different colors focusing at different distances from a lens. In photography, chromatic aberration produces soft overall images, and color fringing at high-contrast edges, like an edge between black and white. Astronomers face similar problems, particularly with telescopes that use lenses rather than mirrors. ''Achromatic'' lenses are corrected to bring ''two'' wavelengths into focus in the same plane – typically red (~0.590  µm) and blue (~0.495  µm). ''Apo''chromatic lenses are designed to bring ''three'' colors into focus in the same plane – typically red (~0.620  µm), green (~0.530  µm), and blue (~0.465  µm). The residual color error (secondary spectrum) can be up to an order of magnitude less than for an achro ...
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Graphic Arts
A category of fine art, graphic art covers a broad range of visual artistic expression, typically two-dimensional, i.e. produced on a flat surface.Graphic art
" ''Encyclopædia Britannica''. Britannica.com. Retrieved 21 February 2016.
The term usually refers to the arts that rely more on line, color or tone, especially drawing and the various forms of ;"Graphic art." ''The Oxford Dictionary of Art''. 3rd ed. Ed. Ian Chilvers. Oxford: Oxford University Press, 2004. p. 309. it is sometimes understood to refer specifically to processes, such as ...
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