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Answer Print
An answer print is the first version of a given motion picture that is printed to film after color correction on an interpositive. It is also the first version of the movie printed to film with the sound properly synced to the picture. Answer prints are created during the post-production process after editing, dubbing and other related audio work and special effects sequences have been finished or completed to a degree satisfactory for pre-release viewing. They are used by the filmmaker and studio to ensure that the work going into the film during the post-production process is cohesive with the final goals for the project. In effect, it is a post-edit editing where the filmmaker can observe and direct the course of the film's final look and feel as it pertains to color correction, sound and special effects elements and overall pacing. Pre-release screenings for test audiences are often run from late answer print copies of the film, because often the filmmaker is using the screeni ...
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Motion Picture
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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Color Correction
Color correction is a process used in stage lighting, photography, television, cinematography, and other disciplines, which uses color gels, or filters, to alter the overall color of the light. Typically the light color is measured on a scale known as color temperature, as well as along a green–magenta axis orthogonal to the color temperature axis. Without color correction gels, a scene may have a mix of various colors. Applying color correction gels in front of light sources can alter the color of the various light sources to match. Mixed lighting can produce an undesirable aesthetic when displayed on a television or in a theatre. Conversely, gels may also be used to make a scene ''appear'' more natural by simulating the mix of color temperatures that occur naturally. This application is useful, especially where ''motivated lighting'' (lending the impression that it is diegetic) is the goal. Color gels may also be used to tint lights for artistic effect. Correlated color ...
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Interpositive
An interpositive, intermediate positive, IP or master positive is an orange-based motion picture film with a positive image made from the edited camera negative. The orange base provides special color characteristics that allow more accurate color reproduction than if the IP had a clear base like an exhibition positive. Description From a traditional photographic perspective, an interpositive (short for ''intermediate positive'') is the negative image of the original camera negative, which is an intermediate step towards creating the positive (exhibition) print. The camera negative is projected onto negative film stock in a liquid environment - termed a wet gate - where the film stock is exposed using a contact process, so creating a like image (in effect, retaining the image in its negative -- i.e. "reversed" -- form) on negative film stock, as an intermediate step. The interpositive historically had only one purpose, namely to be the element which is used to make the interneg ...
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Post-production
Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after principal photography or recording individual program segments. The first part of the post-production process is the traditional non-linear (analog) film editing at the outset of post-production has mostly been replaced by digital or video editing software that operates as a non-linear editing (NLE) system. The advantage of being able to have this non-linear capacity is in the flexibility for editing scenes out of order, making creative changes at will, carefully shaping the film in a thoughtful, meaningful way for emotional effect. Once the production team is satisfied with the picture editing, the picture editing is said to be "locked." At this point begins the turnover process, where the picture is prepared for lab and color finishing and the sound is "spotted" and turnover to the composer and sound ...
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Editing
Editing is the process of selecting and preparing written, photographic, visual, audible, or cinematic material used by a person or an entity to convey a message or information. The editing process can involve correction, condensation, organisation, and many other modifications performed with an intention of producing a correct, consistent, accurate and complete piece of work. The editing process often begins with the author's idea for the work itself, continuing as a collaboration between the author and the editor as the work is created. Editing can involve creative skills, human relations and a precise set of methods. There are various editorial positions in publishing. Typically, one finds editorial assistants reporting to the senior-level editorial staff and directors who report to senior executive editors. Senior executive editors are responsible for developing a product for its final release. The smaller the publication, the more these roles overlap. The top edit ...
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Dubbing (filmmaking)
Dubbing (re-recording and mixing) is a post-production process used in filmmaking and video production, often in concert with sound design, in which additional or supplementary recordings are lip-synced and "mixed" with original production sound to create the finished soundtrack. The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks—dialogue, automated dialogue replacement (ADR), effects, Foley, and music—the dubbing mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADR, also known as "additional dialogue replacement", "automated dialogue recording" and "looping", in which the original actors re-record and synchronize audio segments. Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry. The t ...
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Special Effect
Special effects (often abbreviated as SFX, F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the imagined events in a story or virtual world. Special effects are traditionally divided into the categories of mechanical effects and optical effects. With the emergence of digital film-making a distinction between special effects and visual effects has grown, with the latter referring to digital post-production and optical effects, while "special effects" refers to mechanical effects. Mechanical effects (also called practical or physical effects) are usually accomplished during the live-action shooting. This includes the use of mechanized props, scenery, scale models, animatronics, pyrotechnics and atmospheric effects: creating physical wind, rain, fog, snow, clouds, making a car appear to drive by itself and blowing up a building, etc. Mechanical effects are also often incor ...
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Internegative
An internegative is a motion picture film duplicate. It is the color counterpart to an interpositive, in which a low-contrast color image is used as the positive between an original camera negative and a duplicate negative. After a film is shot, the original negatives—taken directly from the camera equipment—are edited into correct sequence and printed onto fresh stock as a cohesive film, creating an interpositive print used for color timing. From the interpositive, answer prints, which include the color-corrected imagery and a properly synced sound track, are made. Once approved by the studio, the final answer print is made into an internegative used for striking copies that will be delivered to theaters for viewing. Overview Internegatives are the workhorses of the film industry. They are made on exactly the same stock as interpositives. The film processes usually go from one polarity to another, that is: # The camera operator shoots a positive image and the film end ...
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Release Print
A release print is a copy of a film that is provided to a movie theater for exhibition. Definitions Release prints are not to be confused with other types of prints used in the photochemical post-production process: * Rush prints, or dailies, are one-light, contact-printed copies made from an unedited roll of original camera negative immediately after processing and screened to the cast and crew in order to ensure that the takes can be used in the final film. * Workprints, sometimes called cutting copies, are, like rush prints, copies of a camera negative roll, or from selected takes. A workprint may be roughly corrected for brightness and color balance. The prints are used for editing before the negative itself is conformed, or cut to match the edited workprint. * An answer print is made either from the cut camera negative or an interpositive, depending on the production workflow, in order to verify that the grading ("timing" in American English) conforms to specificatio ...
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