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Alternatim
Alternatim refers to a technique of liturgical musical performance, especially in relationship to the Organ Mass, but also to the Hymns, Magnificat and ''Salve regina'' traditionally incorporated into the Vespers and other liturgies of the Catholic Church. A specific part of the ordinary of the Mass (such as the Kyrie and the Gloria) would be divided into ''versets''. Each verset would be performed antiphonally by two groups of singers, giving rise to polyphonic settings of half of the text. One of these groups may alternatively have consisted of a soloist, a group of instruments, or organ. The missing even- or odd-numbered verses were supplied by plainchant or, perhaps more commonly (to judge by the organ masses of Hans Buchner), by improvisations on the organ.. See also Arnaldo Morelli,The role of the organ in the performance practices of Italian sacred polyphony during the Cinquecento, ''Musica Disciplina'', 50 (1996), pp. 239-270. The verso became a particularly prevalent genre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ Mass
The French Organ Mass is a type of Low Mass that came into use during the Baroque era. Essentially it is a Low Mass with organ music playing throughout: part of the so-called alternatim practice. History The French Organ Mass is a classic example of the so-called ''alternatim'' practice, a term which indicates a type of liturgy when alternate sections of liturgical items (such as a Mass or a Magnificat) were performed by different forces.Higginbottom, Grove. In organ ''alternatim'' practice—and so, in the French Organ Mass—the organist plays when texts would otherwise have been sung. The tradition stemmed from the antiphonal psalmody of the early Western church. In France, organ playing was regulated by printed "ceremonials", which specified precisely when the organist should play. The surviving ceremonials are all similar in outline, but differ widely in details. A typical organ Mass comprised versets for the ordinary of the Mass except for the Credo (which was to be sung in its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verso (music)
The verso is a genre in Iberian organ music, a local variant of the organ mass verset or alternatim.John R. Shannon -The Evolution of Organ Music in the 17th Century 0786488662 2012 - Page 282 "Verset (also verso): In the practice of alternation, a short section of music designed to substitute for a single passage of . " The most prominent examples of the verso or verset in Spanish Baroque organ music are the ''Versos tertii toni'' of Antonio Cabezón, and ''Verso para orquesta'' of Ignacio de Jerusalem with lesser known examples such as ''Versos de quatro tono'' of Carmelite friar Pedro Carrera y Lanchares and ''Versos de Kyrie'' of Portuguese composer Manuel Rodrigues Coelho Manuel Rodrigues Coelho (ca. 15551635) was a Portuguese organist and composer. He is the first important Iberian keyboard composer since Cabezón. Coelho was born in Elvas around 1555 and probably received early education at the Elvas Cathedral .... The vocal lines were not always sung, and today usu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymns
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent ('' stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian '' Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Institute Of Musicology
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. Among the series it produces are the ''Corpus mensurabilis musicae'' (CMM), ''Corpus Scriptorum de Musica'' (CSM) and ''Corpus of Early Keyboard Music'' (CEKM). In CMM specifically, the AIM has published the entire surviving ''oeuvres'' of a considerable amount of composers, most notably the complete works of Guillaume de Machaut and Guillaume Du Fay, among many others. The CSM, which focuses on music theory, has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rameau. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messe De La Pentecôte
''Messe de la Pentecôte'' ("Pentecost Mass") is an organ mass composed by Olivier Messiaen in 1949–50. According to the composer, it is based on twenty years of improvising at Église de la Sainte-Trinité, where Messiaen was organist since 1931. Messiaen himself wrote that the work "corresponds almost exactly with the length of a low Mass, and its sections are intended to match with those of the service. The music shows different aspects of the mystery of Pentecost, the Feast of the Holy Spirit." The work was never officially premiered; Messiaen included it discreetly in the celebration of the Eucharist on the Pentecost Sunday of 1951. The work is in five movements: # ''Entrée (Les langues de feu)'' - Entrance # ''Offertoire (Les choses visibles et invisibles)'' - Offertory # ''Consécration (Le don de Sagesse)'' - Consecration # ''Communion (Les oiseaux et les sources)'' - Communion # ''Sortie (Le vent de l'Esprit)'' - Recessional The first movement uses "irrational v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivier Messiaen
Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithology, ornithologist who was one of the major composers of the 20th-century classical music, 20th century. His music is rhythmically complex; Harmony, harmonically and melody, melodically he employs a system he called ''modes of limited transposition'', which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime. Messiaen entered the Conservatoire de Paris, Paris Conservatoire at the age of 11 and studied with Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupré, among others. He was appointed organist at the Église de la Sainte-Trinité, Paris, in 1931, a post held for 61 years until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Magnificat Composers
The Magnificat, in Latin also ''canticum Beat(issim)ae Virginis Mariae'' (the song of the (most) Blessed Virgin Mary), is a common part of Christian worship, for instance traditionally included in vespers, evensong or matins. As such it is often sung and was set to music by various composers. History In Gregorian chant the Magnificat is sung according to the eight traditional psalm tones: * Tonus I (first tone): ''Magnificat primi toni'' * Tonus II (second tone): ''Magnificat secundi toni'' * Tonus III (third tone): ''Magnificat tertii toni'' * Tonus IV (fourth tone): ''Magnificat quarti toni'' * Tonus V (fifth tone): ''Magnificat quinti toni'' * Tonus VI (sixth tone): ''Magnificat sexti toni'' * Tonus VII (seventh tone): ''Magnificat septimi toni'' * Tonus VIII (eighth tone): ''Magnificat octavi toni'' Composers, or collections of compositions, referring to or using all eight of the traditional Gregorian psalm tone settings of the Magnificat include the Choirbook, D-Ju MS 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Isaac
Heinrich Isaac (ca. 1450 – 26 March 1517) was a Netherlandish Renaissance composer of south Netherlandish origin. He wrote masses, motets, songs (in French, German and Italian), and instrumental music. A significant contemporary of Josquin des Prez, Isaac influenced the development of music in Germany. Several variants exist of his name: Ysaac, Ysaak, Henricus, Arrigo d'Ugo, and Arrigo il Tedesco among them. (''Tedesco'' means "Flemish" or "German" in Italian.) Early life Little is known about Isaac's early life (or indeed what he called himself), but it is probable that he was born in Flanders, probably in Brabant. During the late 15th century, standards of music education in the region were excellent, and he was probably educated in his homeland, although the location is not known.New Grove Dictionary of Music and Musicians. December 2001. Stanley Sadie Sixteenth-century Swiss music theorist and writer Heinrich Glarean claimed Isaac for Germany by dubbing him "Henricus Is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Classical Organ
The French organ school formed in the first half of the 17th century. It progressed from the strict polyphonic music of Jean Titelouze (c. 1563–1633) to a unique, richly ornamented style with its own characteristic forms that made full use of the French classical organ. Instrumental in establishing this style were Louis Couperin (c. 1626–1661), who experimented with structure, registration and melodic lines, expanding the traditional polyphonic forms, and Guillaume-Gabriel Nivers (1632–1714), who established the distinct forms and styles of what was to become the French organ tradition. Characteristic forms and nomenclature French organ composers cultivated four major genres: masses, hymns, suites and noëls. Noëls are variations on Christmas carols, whereas the first three genres were all realized as collections of brief pieces in various characteristic forms. Such forms included the following: * Récit: a piece in which a single voice emerges soloistically above ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Ramea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' '' contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Pal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Buchner
Hans Buchner (also Joannes Buchner, Hans von Constanz; born 26 October 1483 in Ravensburg; died March 1538, probably in Konstanz) was an important German organist and composer. Buchner was a student of Paul Hofhaimer, and may have worked for the emperor Maximilian I while Hofhaimer was away. From 1506 he worked in Constance as the cathedral organist. His relationship with Heinrich Isaac is unclear, but three of the odd-numbered sequence verses he set are in the same transpositions as the Choralis Constantinus (he also set '' Victimae paschali laudes'', whereas Isaac used a different Easter sequence, ''Laudes salvatori''). When, in the course of the Reformation, the bishop was forced to move his seat to Meersburg, Buchner followed him to continue in his post, while maintaining a residence in Constance. In 1529 he applied for a position at Speyer, but apparently demanded too high a salary. He was often called to inspect new organs, such as those of Zurich and Heidelberg. His mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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