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Altar Canopy
A baldachin, or baldaquin (from it, baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall. A cloth of honour is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth. "''Baldachin''" was originally a luxurious type of cloth from Baghdad, from which name the word is ultimately derived, appearing in English as "''baudekin' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dais 2 (PSF)
A dais or daïs ( or , American English also but sometimes considered nonstandard)dais in the Random House Dictionarydais in Oxford Dictionaries Online in the American Heritage DictionaryMerriam-Webster Online - Dais /ref> is a raised platform at the front of a room or hall, usually for one or more speakers or honored guests. Historically, the dais was a part of the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peerage Of France
The Peerage of France (french: Pairie de France) was a hereditary distinction within the French nobility which appeared in 1180 in the Middle Ages. The prestigious title and position of Peer of France (french: Pair de France, links=no) was held by the greatest, highest-ranking members of the French nobility. French peerage thus differed from British peerage (to whom the term "baronage", also employed as the title of the lowest noble rank, was applied in its generic sense), for the vast majority of French nobles, from baron to duke, were not peers. The title of ''Peer of France'' was an extraordinary honour granted only to a small number of dukes, counts, and princes of the Roman Catholic Church. It was analogous to the rank of ''Grandee of Spain'' in this respect. The distinction was abolished in 1789 during the French Revolution, but it reappeared in 1814 at the time of the Bourbon Restoration, which followed the fall of the First French Empire, when the Chamber of Peers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis I Of France
Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once removed and father-in-law Louis XII, who died without a son. A prodigious patron of the arts, he promoted the emergent French Renaissance by attracting many Italian artists to work for him, including Leonardo da Vinci, who brought the ''Mona Lisa'' with him, which Francis had acquired. Francis' reign saw important cultural changes with the growth of central power in France, the spread of humanism and Protestantism, and the beginning of French exploration of the New World. Jacques Cartier and others claimed lands in the Americas for France and paved the way for the expansion of the first French colonial empire. For his role in the development and promotion of the French language, he became known as ''le Père et Restaurateur des Lettr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rogier Van Der Weyden
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influential Northern painter of the 15th century. Very few details of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Wauquelin Presenting His 'Chroniques De Hainaut' To Philip The Good
''Jean Wauquelin presenting his 'Chroniques de Hainaut' to Philip the Good'' is a presentation miniature believed to have been painted by the Flemish artist Rogier van der Weyden (or if not actually from his hand then certainly by his workshop to his designs). It decorates the frontispiece to the '' Chroniques de Hainaut'', MS KBR.9242, Jean Wauquelin's French translation of a three-volume history of the County of Hainaut originally written in Latin by the 14th-century Franciscan historian Jacques de Guyse. The majority, if not all, of the figures (described in the text as " Chevaliers, conseillers, et chambellans") are portraits of historical figures. The decorative border of the presentation miniature includes the arms of the various territories ruled by Philip, which he had considerably expanded, interspersed with his personal emblem of sparks being struck from a flint. The translation had been commissioned by Philip the Good, and the manuscript that both contains the min ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Presentation Miniature
A presentation miniature or dedication miniature is a miniature painting often found in illuminated manuscripts, in which the patron or donor is presented with a book, normally to be interpreted as the book containing the miniature itself.Brown, 102 The miniature is thus symbolic, and presumably represents an event in the future. Usually it is found at the start of the volume, as a frontispiece before the main text, but may also be placed at the end, as in the Vivian Bible, or at the start of a particular text in a collection. In earlier manuscripts the recipient of the book may be a dead saint, the founder of a monastery or monastic order, for example, and the person handing over the book the abbot, or sometimes the scribe of the book. The genre is an extension of other forms of dedication portraits, for example wall-paintings or mosaics in churches showing the person who commissioned the church holding a model of it. Ultimately they stretch back to scenes where classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tapestry
Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically discontinuous; the artisan interlaces each coloured weft back and forth in its own small pattern area. It is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. European tapestries are normally made to be seen only from one side, and often have a plain lining added on the back. However, other tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embroidered
Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. Some of the basic techniques or stitches of the earliest embroidery are chain stitch, buttonhole or blanket stitch, running stitch, satin stitch, and cross stitch. Those stitches remain the fundamental techniques of hand embroidery today. History Origins The process used to tailor, patch, mend and reinforce cloth fostered the development of sewing techniques, and the decorative possibilities of sewing led to the art of embroidery. Indeed, the remarkable stability of basic embroidery stitches has been noted: The art of embroidery has been found worldwide and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tudor Rose
The Tudor rose (sometimes called the Union rose) is the traditional floral heraldic badge, heraldic emblem of England and takes its name and origins from the House of Tudor, which united the House of Lancaster and the House of York. The Tudor rose consists of five white inner petals, representing the House of York, and five red outer petals to represent the House of Lancaster. Origins In the Battle of Bosworth Field (1485), Henry VII of England, Henry VII, of the House of Lancaster, took the crown of England from Richard III of England, Richard III, of the House of York. He thus brought to an end the retrospectively dubbed "Wars of the Roses". Kings of the House of Lancaster had sometimes used a red or gold rose as a badge; and the House of York had used a white rose as a badge. Henry's father was Edmund Tudor, 1st Earl of Richmond, Edmund Tudor, and his mother was Lady Margaret Beaufort, Margaret Beaufort from the House of Lancaster; in January 1486 he married Elizabeth of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dossal
A Dossal (or dossel, dorsel, dosel), from French ''dos'' (''back''), is one of a number of terms for something rising from the back of a church altar. In modern usage, it primarily refers to cloth hangings but it can also denote a board, often carved or containing a painting, that rises vertically from the back of the altar and to which the cloth is attached. Retable and reredos are alternative terms for solid structures, as is altarpiece, all of them rather more commonly used today. Dossal remains the usual term for an ornamental cloth suspended behind an altar, probably attached to the wall behind. This is often called a dossal curtain, and altar screen is also sometimes used as a synonym for a cloth dossal, as well as, more dubiously, for wood or stone screens in various locations in the sanctuary. Curtains at the side of an altar may be called riddels; these may be suspended between riddel posts at the corners of the altar. More rarely, a cloth dossal may continue as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry VII Of England
Henry VII (28 January 1457 – 21 April 1509) was King of England and Lord of Ireland from his seizure of the crown on 22 August 1485 until his death in 1509. He was the first monarch of the House of Tudor. Henry's mother, Margaret Beaufort, was a descendant of the Lancastrian branch of the House of Plantagenet. Henry's father, Edmund Tudor, 1st Earl of Richmond, a half-brother of Henry VI of England and a member of the Welsh Tudors of Penmynydd, died three months before his son Henry was born. During Henry's early years, his uncle Henry VI was fighting against Edward IV, a member of the Yorkist Plantagenet branch. After Edward retook the throne in 1471, Henry Tudor spent 14 years in exile in Brittany. He attained the throne when his forces, supported by France, Scotland, and Wales, defeated Edward IV's brother Richard III at the Battle of Bosworth Field, the culmination of the Wars of the Roses. He was the last king of England to win his throne on the field of battle. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Margaret Beaufort
Lady Margaret Beaufort (usually pronounced: or ; 31 May 1441/43 – 29 June 1509) was a major figure in the Wars of the Roses of the late fifteenth century, and mother of King Henry VII of England, the first Tudor monarch. A descendant of King Edward III, Lady Margaret passed a disputed claim to the English throne to her son, Henry Tudor. Capitalising on the political upheaval of the period, she actively manoeuvred to secure the crown for her son. Beaufort's efforts ultimately culminated in Henry's decisive victory over King Richard III at the Battle of Bosworth Field. She was thus instrumental in orchestrating the rise to power of the Tudor dynasty. With her son crowned Henry VII, Lady Margaret wielded a considerable degree of political influence and personal autonomy – both unusual for a woman of her time. She was also a major patron and cultural benefactor during her son's reign, initiating an era of extensive Tudor patronage. She is credited with the establishment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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