Alethoscope
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Alethoscope
The megalethoscope is a larger version (''mega''-) of the alethoscope, (Italian: ''alethoscopio'', from the Greek “true”, “exact” and “vision”) which it largely superseded, and both are instruments for viewing single photographs with a lens to enlarge and to create some illusion of three-dimensionality. They were used to view photographic albumen prints that were coloured, perforated and mounted on a curved frame. Night effects were achieved when viewing pictures in transmitted light from a fitted oil or kerosine lamp and a daytime version of the same scene was seen when lit by the reflected light from two side mirrors. They are sophisticated versions of the peep show, and were designed by Carlo Ponti of Venice before 1862. Lke the similar graphoscope which descends from the eighteenth century zograscope predating photography'','' these devices were, and are, often confused with the stereoscope which was of a different design and effect. Improvements to the megalethosc ...
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Megalethoscope Description
The megalethoscope is a larger version (''mega''-) of the alethoscope, (Italian: ''alethoscopio'', from the Greek “true”, “exact” and “vision”) which it largely superseded, and both are instruments for viewing single photographs with a Lens (optics), lens to enlarge and to create some illusion of Three-dimensional space, three-dimensionality. They were used to view photographic Albumen print, albumen prints that were Hand-colouring of photographs, coloured, perforated and mounted on a curved frame. Night effects were achieved when viewing pictures in transmitted light from a fitted oil or kerosine lamp and a daytime version of the same scene was seen when lit by the reflected light from two side mirrors. They are sophisticated versions of the Raree show, peep show, and were designed by Carlo Ponti (photographer), Carlo Ponti of Venice before 1862. Lke the similar graphoscope which descends from the eighteenth century zograscope predating photography'','' these devices we ...
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Megalethoscope
The megalethoscope is a larger version (''mega''-) of the alethoscope, (Italian: ''alethoscopio'', from the Greek “true”, “exact” and “vision”) which it largely superseded, and both are instruments for viewing single photographs with a Lens (optics), lens to enlarge and to create some illusion of Three-dimensional space, three-dimensionality. They were used to view photographic Albumen print, albumen prints that were Hand-colouring of photographs, coloured, perforated and mounted on a curved frame. Night effects were achieved when viewing pictures in transmitted light from a fitted oil or kerosine lamp and a daytime version of the same scene was seen when lit by the reflected light from two side mirrors. They are sophisticated versions of the Raree show, peep show, and were designed by Carlo Ponti (photographer), Carlo Ponti of Venice before 1862. Lke the similar graphoscope which descends from the eighteenth century zograscope predating photography'','' these devices we ...
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Carlo Ponti (photographer)
Carlo Ponti (–1893) was a Swiss-born optician and photographer active in Venice from about 1848.The History of the Discovery of CinematographyChapter Ten: 1860-1869/ref> Early life Carlo Ponti was born in Sagno in Canton Ticino, Switzerland between 1822 and 1824. He moved as an adult to Paris to train for about five years in the workshop of optician Robert-Aglaé Cauchoix,before settling in Venice after 1848. Career Ponti opened an optician’s shop in Piazza San Marco 52, near the Caffè Florian, producing high quality instruments, for which he had sole rights, for astronomy and physics and photographic lenses, especially those used for panoramas, as well as selling products of other companies. On 30 May 1854 he was awarded a silver medal for his photographic equipment at the Esposizione Industriale Veneta. As a photographer and editor Ponti published photographic prints, both his own and others, building an international clientele. From this time he systematically photog ...
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Carlo Ponti's Megalethoscope
Carlo is a given name. It is an Italian form of Charles. It can refer to: *Carlo (name) *Monte Carlo *Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia *A satirical song written by Dafydd Iwan about Prince Charles. *A former member of Dion and the Belmonts best known for his 1964 song, Ring A Ling. *Carlo (submachine gun), an improvised West Bank gun. * Carlo, a fictional character from Animal Crossing: Pocket Camp * It can be confused with Carlos * Carlo means “man” (from Germanic “karal”), “free man” (from Middle Low German “kerle”) and “warrior”, “army” (from Germanic “hari”). See also *Carl (name) *Carle (other) *Carlos (given name) Carlos is a masculine given name, and is the Portuguese and Spanish variant of the English name ''Charles'', from the Germanic ''Carl''. Notable people with the name include: Royalty *Carlos I of Portugal (1863–1908), second to last King of P ... {{disambig Italian ...
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Depth Perception
Depth perception is the ability to perceive distance to objects in the world using the visual system and visual perception. It is a major factor in perceiving the world in three dimensions. Depth perception happens primarily due to stereopsis and accommodation of the eye. Depth sensation is the corresponding term for non-human animals, since although it is known that they can sense the distance of an object, it is not known whether they perceive it in the same way that humans do. Depth perception arises from a variety of depth cues. These are typically classified into binocular cues and monocular cues. Binocular cues are based on the receipt of sensory information in three dimensions from both eyes and monocular cues can be observed with just one eye. Binocular cues include retinal disparity, which exploits parallax and vergence. Stereopsis is made possible with binocular vision. Monocular cues include relative size (distant objects subtend smaller visual angles than near obj ...
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Perspective (graphical)
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Fran ...
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Collimated Beam
A collimated beam of light or other electromagnetic radiation has parallel rays, and therefore will spread minimally as it propagates. A perfectly collimated light beam, with no divergence, would not disperse with distance. However, diffraction prevents the creation of any such beam. Light can be approximately collimated by a number of processes, for instance by means of a collimator. Perfectly collimated light is sometimes said to be ''focused at infinity''. Thus, as the distance from a point source increases, the spherical wavefronts become flatter and closer to plane waves, which are perfectly collimated. Other forms of electromagnetic radiation can also be collimated. In radiology, X-rays are collimated to reduce the volume of the patient's tissue that is irradiated, and to remove stray photons that reduce the quality of the x-ray image ("film fog"). In scintigraphy, a gamma ray collimator is used in front of a detector to allow only photons perpendicular to the surface to be ...
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Accommodation (vertebrate Eye)
Accommodation is the process by which the vertebrate eye changes optical power to maintain a clear image or focus (optics), focus on an object as its distance varies. In this, distances vary for individuals from the far point—the maximum distance from the eye for which a clear image of an object can be seen, to the near point—the minimum distance for a clear image. Accommodation usually acts like a reflex, including part of the accommodation reflex, accommodation-convergence reflex, but it can also be consciously controlled. The main ways animals may change focus are: * Changing the shape of the lens. * Changing the position of the lens relative to the retina. * Changing the axial length of the eyeball. * Changing the shape of the cornea. Focusing mechanisms Focusing the light scattered by objects in a three dimensional environment into a two dimensional collection of individual bright points of light requires the light to be bent. To get a good image of these points of ligh ...
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Chromatic Aberration
In optics, chromatic aberration (CA), also called chromatic distortion and spherochromatism, is a failure of a lens to focus all colors to the same point. It is caused by dispersion: the refractive index of the lens elements varies with the wavelength of light. The refractive index of most transparent materials decreases with increasing wavelength. Since the focal length of a lens depends on the refractive index, this variation in refractive index affects focusing. Chromatic aberration manifests itself as "fringes" of color along boundaries that separate dark and bright parts of the image. Types There are two types of chromatic aberration: ''axial'' (''longitudinal''), and ''transverse'' (''lateral''). Axial aberration occurs when different wavelengths of light are focused at different distances from the lens (focus ''shift''). Longitudinal aberration is typical at long focal lengths. Transverse aberration occurs when different wavelengths are focused at different positions i ...
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Stereopsis
Stereopsis () is the component of depth perception retrieved through binocular vision. Stereopsis is not the only contributor to depth perception, but it is a major one. Binocular vision happens because each eye receives a different image because they are in slightly different positions on one’s head (left and right eyes). These positional differences are referred to as "horizontal disparities" or, more generally, " binocular disparities". Disparities are processed in the visual cortex of the brain to yield depth perception. While binocular disparities are naturally present when viewing a real three-dimensional scene with two eyes, they can also be simulated by artificially presenting two different images separately to each eye using a method called stereoscopy. The perception of depth in such cases is also referred to as "stereoscopic depth". The perception of depth and three-dimensional structure is, however, possible with information visible from one eye alone, such as diffe ...
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Grand Tour
The Grand Tour was the principally 17th- to early 19th-century custom of a traditional trip through Europe, with Italy as a key destination, undertaken by upper-class young European men of sufficient means and rank (typically accompanied by a tutor or family member) when they had come of age (about 21 years old). The custom—which flourished from about 1660 until the advent of large-scale rail transport in the 1840s and was associated with a standard itinerary—served as an educational rite of passage. Though it was primarily associated with the British nobility and wealthy landed gentry, similar trips were made by wealthy young men of other Protestant Northern European nations, and, from the second half of the 18th century, by some South and North Americans. By the mid-18th century, the Grand Tour had become a regular feature of aristocratic education in Central Europe as well, although it was restricted to the higher nobility. The tradition declined in Europe as enthusiasm fo ...
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Chromostereopsis
Chromostereopsis is a visual illusion whereby the impression of depth is conveyed in two-dimensional color images, usually of red–blue or red–green colors, but can also be perceived with red–grey or blue–grey images. Such illusions have been reported for over a century and have generally been attributed to some form of chromatic aberration. Chromatic aberration results from the differential refraction of light depending on its wavelength, causing some light rays to converge before others in the eye (longitudinal chromatic aberration or LCA) and/or to be located on non-corresponding locations of the two eyes during binocular viewing (transverse chromatic aberration or TCA). Chromostereopsis is usually observed using a target with red and blue bars and an achromatic background. Positive chromostereopsis is exhibited when the red bars are perceived in front of the blue and negative chromostereopsis is exhibited when the red bars are perceived behind the blue. Several model ...
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