|
Affekt
The doctrine of the affections, also known as the ''doctrine of affects'', ''doctrine of the passions'', ''theory of the affects'', or by the German term Affektenlehre (after the German ''Affekt''; plural ''Affekte'') was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750) (; ). Literary theorists of that age, by contrast, rarely discussed the details of what was called "pathetic composition", taking it for granted that a poet should be required to "wake the soul by tender strokes of art" (Alexander Pope, cited in ). The doctrine was derived from ancient theories of rhetoric and oratory . Some pieces or movements of music express one ''Affekt'' throughout; however, a skillful composer like Johann Sebastian Bach could express different affects within a movement . History and definition The doctrine of the affections was an elaborate theory based on the idea that the passions could be represented by their outward visible or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desire
Desires are states of mind that are expressed by terms like " wanting", " wishing", "longing" or "craving". A great variety of features is commonly associated with desires. They are seen as propositional attitudes towards conceivable states of affairs. They aim to change the world by representing how the world should be, unlike beliefs, which aim to represent how the world actually is. Desires are closely related to agency: they motivate the agent to realize them. For this to be possible, a desire has to be combined with a belief about which action would realize it. Desires present their objects in a favorable light, as something that appears to be good. Their fulfillment is normally experienced as pleasurable in contrast to the negative experience of failing to do so. Conscious desires are usually accompanied by some form of emotional response. While many researchers roughly agree on these general features, there is significant disagreement about how to define desires, i.e. whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of The History Of Ideas
The ''Journal of the History of Ideas'' is a quarterly peer-reviewed academic journal covering intellectual history and the history of ideas, including the histories of philosophy, literature and the arts, natural and social sciences, religion, and political thought. The journal was established in 1940 by Arthur Oncken Lovejoy and Philip P. Wiener and has been published by the University of Pennsylvania Press since 2006. In addition to the print version, current issues are available electronically through Project MUSE, and earlier ones through JSTOR. The editors-in-chief are Manan Ahmed (Columbia University), Martin J. Burke (City University of New York), Stefanos Geroulanos (New York University), Ann E. Moyer (University of Pennsylvania), Sophie Smith (University of Oxford), and Don Wyatt (Middlebury College). Distinguished former editors include Arthur Lovejoy, John Herman Randall, Paul Oskar Kristeller, Philip P. Wiener Philip P. Wiener (July 8, 1905 – April 5, 1992) w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmut Loos
Helmut Loos (born 5 July 1950) is a German musicologist and emeritus scholar. Life Born in Niederkrüchten, Loos studied music education from 1971 to 1974 and musicology, art history and philosophy from 1974 to 1980 at the University of Bonn. He received his doctorate in 1980 and was a research assistant at the Musicology Department of the University of Bonn from 1981 to 1989. In 1989 he completed his habilitation. From 1989 to 1993 Loos was director of the Institute for German Music in the East in Bergisch Gladbach. In April 1993 he was appointed to the chair of historical musicology at the Technical University of Chemnitz. From October 2001 to March 2017 he held a professorship at the . His research focuses on the music of the 19th and 20th centuries, religious music and the music-cultural relations of Germany with Central and Eastern Europe. Publications * ''Zur Klavierübertragung von Werken für und mit Orchester des 19. und 20. Jahrhunderts. Ein Beitrag zur Geschi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Honegger
Marc Honegger (17 May 1926 – 8 September 2003) was a French musicologist and choirmaster. Biography A distant cousin of the Swiss-born composer Arthur Honegger, he studied at the Sorbonne, where he was a pupil of Paul-Marie Masson. He received a very complete musical training, studying piano with Santiago Riera (1942–1949), musical composition with Georges Migot (from 1946), and conducting with Ion Constantinesco (1947–1948). An assistant of Jacques Chailley at the Institut de Musicologie of the Sorbonne (1954–1958), then teaching assistant at the Strasbourg University (from 1958), he became full professor in 1970. He also taught in Canada. He directed the Institute of Musicology of the Marc Bloch University of Strasbourg from 1958 to 1983. He was also president of the (1977–1980) and vice-president of the International Musicological Society (1982–1992). Musicological research Honegger's research focused mainly on music of the 16th century. He supported two doc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rüdiger Campe
Rüdiger Campe (born 1953 in Hagen) is a German literary scholar of modern German literature whose research focuses on rhetoric, aesthetics, history of science, and literary history and theory. He is currently the Alfred C. and Martha F. Mohr Professor of German and Professor of Comparative Literature at Yale University. He is a recipient of the Humboldt Research Award and the Aby Warburg Prize. Life and career From 1974 to 1984, Campe studied German language and literature, philosophy, and classical philology at the Ruhr University Bochum, the University of Freiburg and in Paris under Gerhard Kaiser and Friedrich Kittler. Campe's dissertation was titled „Affekt und Ausdruck. Zur Umwandlung der literarischen Rede im 17. Jahrhundert“. He received his Ph.D. from Freiburg University in 1987 with a ''summa cum laude''. Cample completed his habilitation in 2000 at the University of Essen. Campe was an assistant professor at the University of Essen from 1986 to 1996. He joined the Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loeb Classical Library
The Loeb Classical Library (LCL; named after James Loeb; , ) is a series of books originally published by Heinemann in London, but is currently published by Harvard University Press. The library contains important works of ancient Greek and Latin literature designed to make the text accessible to the broadest possible audience by presenting the original Greek or Latin text on each left-hand page, and a fairly literal translation on the facing page. The General Editor is Jeffrey Henderson, holder of the William Goodwin Aurelio Professorship of Greek Language and Literature at Boston University. History The Loeb Classical Library was conceived and initially funded by the Jewish-German-American banker and philanthropist James Loeb (1867–1933). The first volumes were edited by Thomas Ethelbert Page, W. H. D. Rouse, and Edward Capps, and published by William Heinemann, Ltd. (London) in 1912, already in their distinctive green (for Greek text) and red (for Latin) hardcover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quintilian
Marcus Fabius Quintilianus (; 35 – 100 AD) was a Roman educator and rhetorician from Hispania, widely referred to in medieval schools of rhetoric and in Renaissance writing. In English translation, he is usually referred to as Quintilian (), although the alternate spellings of Quintillian and Quinctilian are occasionally seen, the latter in older texts. Life Quintilian was born c. 35 AD in ''Calagurris'' ( Calahorra, La Rioja) in Hispania. His father, a well-educated man, sent him to Rome to study rhetoric early in the reign of Nero. While there, he cultivated a relationship with Domitius Afer, who died in 59. "It had always been the custom … for young men with ambitions in public life to fix upon some older model of their ambition … and regard him as a mentor". Quintilian evidently adopted Afer as his model and listened to him speak and plead cases in the law courts. Afer has been characterized as a more austere, classical, Ciceronian speaker than those common at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Lesure
François Lesure (23 May 1923 in Paris – 21 June 2001) was a French librarian and musicologist. Biography François Lesure studied at the Sorbonne, the École nationale des chartes (graduated in 1950), the École pratique des hautes études (graduated in 1948) and the Conservatoire de Paris. In 1950, he became curator in the music department of the Bibliothèque nationale de France, which he directed from 1970 to 1988. Between 1964 and 1977, he was appointed professor of musicology at the Université libre de Bruxelles. He succeeded Solange Corbin to the chair of musicology at the École pratique des Hautes Études in 1973. François Lesure organized major exhibitions at the Bibliothèque nationale and the Opéra de Paris (Mozart in 1956, Debussy in 1962, Berlioz in 1969, ''Deux siècles d'opéra français'' in 1972) and at the Villa Médicis in Rome (''Debussy et le symbolisme'' in 1984). He is mainly remembered as a specialist in 16th-century music, music sociology, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marin Mersenne
Marin Mersenne, OM (also known as Marinus Mersennus or ''le Père'' Mersenne; ; 8 September 1588 – 1 September 1648) was a French polymath whose works touched a wide variety of fields. He is perhaps best known today among mathematicians for Mersenne prime numbers, those which can be written in the form for some integer . He also developed Mersenne's laws, which describe the harmonics of a vibrating string (such as may be found on guitars and pianos), and his seminal work on music theory, '' Harmonie universelle'', for which he is referred to as the "father of acoustics". Mersenne, an ordained Catholic priest, had many contacts in the scientific world and has been called "the center of the world of science and mathematics during the first half of the 1600s" and, because of his ability to make connections between people and ideas, "the post-box of Europe". He was also a member of the Minim religious order and wrote and lectured on theology and philosophy. Life Mersenne w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaus Harnoncourt
Johann Nikolaus Harnoncourt or historically Johann Nikolaus Graf de la Fontaine und d'Harnoncourt-Unverzagt; () (6 December 1929 – 5 March 2016) was an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in 1953, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt began conducting opera and concert performances, soon leading international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. His repertoire then widened to include composers of the 19th and 20th centuries. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt was also the author of several books, mostly on subjects of performance history and musical aesthetics. Early life Johann Nikolaus Harnoncourt was born as an Austrian citizen in Berlin, Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passions Of The Soul
In his final philosophical treatise, ''The Passions of the Soul'' (french: Les Passions de l'âme), completed in 1649 and dedicated to Princess Elisabeth of Bohemia, René Descartes contributes to a long tradition of philosophical inquiry into the nature of " the passions". The passions were experiences – now commonly called emotions in the modern period – that had been a subject of debate among philosophers and theologians since the time of Plato. Notable precursors to Descartes who articulated their own theories of the passions include St. Augustine, St. Thomas Aquinas and Thomas Hobbes. Origins and organization of the text Origins of the book In 1643 Descartes began a prolific written correspondence with Princess Elisabeth of Bohemia, in which he answered her moral questions, especially the nature of happiness, passions, and ethics. ''Passions of the Soul'' was written as a synthesis of this exchange. Amélie Rorty asserts that the examination of the passions present ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
