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Action (narrative)
In literature, action is the physical movement of the Character (arts), characters. Action as a literary mode "Action is the Mode (literature), mode [that] fiction writers use to show what is happening at any given moment in the story," states Evan Marshall (agent), Evan Marshall, who identifies five fiction-writing modes: action, summary, dialogue, feelings/thoughts, and background. Jessica Page Morrell lists six delivery modes for fiction-writing: action, exposition, description, dialogue, summary, and transition. Peter Selgin refers to ''methods'', including action, dialogue, thoughts, summary, scene, and description. While Dialogue in writing, dialogue is the element that brings a story and its characters to life on the page, and Narration, narrative gives the story its depth and substance, action creates the movement within a story. Writing a story means weaving all of the elements of fiction together. When it is done right, weaving dialogue, narrative, and action can create ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Character (arts)
In fiction, a character (or speaker, in poetry) is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word , the English word dates from the Restoration, although it became widely used after its appearance in '' Tom Jones'' by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed.Harrison (1998, 51-2) quotation: (Before this development, the term ''dramatis personae'', naturalized in English from Latin and meaning "masks of the drama," encapsulated the notion of characters from the literal aspect of masks.) Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helpi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mode (literature)
In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the ''satiric'' mode, the ''ironic'', the ''comic'', the ''pastoral'', and the ''didactic''. History In his '' Poetics'', the ancient Greek philosopher Aristotle uses 'mode' in a more specific sense. Kinds of poetry, he writes, may be differentiated in three ways: according to their ''medium'' of imitation, according to their ''objects'' of imitation, and according to their mode or 'manner' of imitation (section I). "For the medium being the same, and the objects the same, the poet may imitate by narration—in which case he can either take another personality as Homer does, or speak in his own person, unchanged—or he may present all his characters as living and moving before us" (section III). According to this definition, 'narrative' and 'dram ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiction
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and conte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evan Marshall (agent)
Evan Stuart Marshall (born June 5, 1956 in Boston, Massachusetts) is a literary agent, author of murder mysteries and nonfiction books, editor, and publisher of Marshall Plan software. Life & career Marshall has held senior editorial positions at Houghton Mifflin, Ariel Books, New American Library, Everest House and Dodd, Mead, where he acquired national and international bestsellers. He was also a correspondent for Writer's Digest and covered commercial fiction. He wrote cover stories on blockbuster and bestselling novelsEvan Marshall, "How to Write Blockbuster Novels," ''Writer's Digest,'' October, 1986, 30-33.Evan Marshall, "Six Classic Elements of the Bestseller," ''Writer's Digest,'' November 1988, 28-32. and how to find and work with agents.Evan Marshall, "Guide to Agents," ''Writer's Digest,'' September 1989, 22-25. Marshall's articles have appeared in reference anthologies and collected works."Producing a Knockout Novel Synopsis" in Meg Leder and Jack Heffron, edsThe Comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jessica Page Morrell
Jessica Page Morrell is an American author. Career Morrell is a contributor to ''The Writer'' and ''Writer's Digest'' magazines. Her book, ''Thanks But This Isn't For Us'' (2009), describes mistakes that new authors make and how these writers can fix their writing. In particular, she lays out the necessity and process of creating a plan or structure for a novel, before starting to write one. '' Library Journal'' states that she "convincingly portrays the craft of writing for publication." Morrell conducts workshops throughout the Pacific Northwest. Morrell grew up in Wisconsin and earned a Bachelor of Arts degree at the University of Wisconsin–Madison. She has one daughter and two granddaughters and lives in Portland, Oregon Portland (, ) is a port city in the Pacific Northwest and the list of cities in Oregon, largest city in the U.S. state of Oregon. Situated at the confluence of the Willamette River, Willamette and Columbia River, Columbia rivers, Portland is .. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Selgin
Peter Selgin (; born 1957) is an American novelist, short story writer, playwright, essayist, editor, and illustrator. Selgin is Associate Professor of English at Georgia College & State University in Milledgeville, Georgia. Biography The son of Italian immigrants, Peter Selgin was born in Bethesda, Maryland, grew up in Bethel, Connecticut, and attended Bethel High School. Following high school, he attended Pratt Institute in Brooklyn, New York, where he studied film, theater and visual art. He later attended Bard College, and earned his Bachelor of Arts in English from Western Connecticut State University. In addition to writing plays and stories, he worked as a visual artist—including as a caricaturist, illustrator, and painter. Nerve damage to his hand from a dog attack in 1981 temporarily sidelined his career. Selgin's injury and its aftermath are the subject of The Best American Essays "Confessions of a Left-Handed Man." Selgin earned his Master of Fine Arts degree fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogue In Writing
Dialogue, in literature, is a verbal exchange between two or more characters (but can also involve strategic use of silence). If there is only ''one'' character talking aloud, it is a monologue. Identifiers ''"This breakfast is making me sick," George said.'' The ''George said'' is the identifier. ''Said'' is the verb most writers use because reader familiarity with ''said'' prevents it from drawing attention to itself. Although other verbs such as ''ask'', ''shout'', or ''reply'' are acceptable, some identifiers get in the reader's way. For example: ''"Hello," he croaked nervously, "my name's Horace."'' ''"What's yours?" he asked with as much aplomb as he could muster.'' Another example is: ''"My name is Peg, what's yours?" I asked.'' ''"My name is William, but my friends call me Will," said Will.'' Stephen King, in his book '' On Writing'', expresses his belief that ''said'' is the best identifier to use. King recommends reading a novel by Larry McMurtry, who he claims has m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narration
Narration is the use of a written or spoken commentary to storytelling, convey a narrative, story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the Plot (narrative), plot (the series of events). Narration is a required element of all written stories (novels, short story, short stories, poems, memoirs, etc.), with the function of conveying the story in its entirety. However, narration is merely optional in most other storytelling formats, such as films, plays, television shows, and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Action Fiction
Action fiction is a literary genre that focuses on stories that involve high-stakes, high-energy, and fast-paced events. This genre includes a wide range of sub-genres, such as spy novels, adventure stories, tales of terror and intrigue ("cloak and dagger") and mysteries. This kind of story utilizes suspense, the tension that is built up when the reader wishes to know how the conflict between the protagonist and antagonist is going to be resolved or what the solution to the puzzle of a thriller is. Genre fiction Action fiction is a form of genre fiction whose subject matter is characterized by emphasis on exciting action sequences. This does not always mean they exclude character development or story-telling. Action fiction is related to other forms of fiction, including action films, action games and analogous media in other formats such as manga and anime. It includes martial arts action, extreme sports action, car chases and vehicles, suspense action, and action come ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Action Film
Action film is a film genre in which the protagonist is thrust into a series of events that typically involve violence and physical feats. The genre tends to feature a mostly resourceful hero struggling against incredible odds, which include life-threatening situations, a dangerous villain, or a pursuit which usually concludes in victory for the hero. Advancements in computer-generated imagery (CGI) have made it cheaper and easier to create action sequences and other visual effects that required the efforts of professional stunt crews in the past. However, reactions to action films containing significant amounts of CGI have been mixed, as some films use CGI to create unrealistic, highly unbelievable events. While action has long been a recurring component in films, the "action film" genre began to develop in the 1970s along with the increase of stunts and special effects. This genre is closely associated with the thriller film, thriller and adventure film, adventure genres and ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pace (narrative)
In literature, pace, or pacing is the speed at which a story is told—not necessarily the speed at which the story takes place. The number of words needed to write about a certain event does not depend upon how much time the event takes to happen; it depends upon how important that moment is to the story. The pace is determined by the length of the scenes, how fast the action moves, and how quickly the reader is provided with information. It is also sometimes dictated by the genre of the story: comedies move faster than dramas; action adventures move faster than suspense. A dragging pace is characteristic of many novels turned down by publishers, and of some that find their way into print but not into the hearts and recommendations of readers. Manuscripts that move too slowly usually discourage readers from reading on. Methods Storytellers have a number of writing tools at their disposal—for example, narration, action, description, and dialogue. When considering how ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
