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Acceptera
''acceptera'' (1931) is a Swedish modern architecture manifesto written by architects Gunnar Asplund, Wolter Gahn, Sven Markelius, Eskil Sundahl, Uno Åhrén, and art historian Gregor Paulsson. Claiming that Swedish “building-art” (''byggnadskonst'') has failed to keep pace with the revolutionary social and technological change sweeping Europe in the early 20th century, the authors argue that the production of housing and consumer goods must embrace a functionalist orientation in order to meet the particular cultural and material needs of both modern society and the modern individual. Combining social analysis with an iconoclastic critique of contemporary architecture and handicraft, ''acceptera'' ardently calls upon its readers not to shrink back from modernity, but rather to “accept the reality that exists—only in that way have we any prospect of mastering it, taking it in hand, and altering it to create a culture that offers an adaptable tool for life.” The manifesto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acceptera 1931a
''acceptera'' (1931) is a Swedish modern architecture manifesto written by architects Gunnar Asplund, Wolter Gahn, Sven Markelius, Eskil Sundahl, Uno Åhrén, and art historian Gregor Paulsson. Claiming that Swedish “building-art” (''byggnadskonst'') has failed to keep pace with the revolutionary social and technological change sweeping Europe in the early 20th century, the authors argue that the production of housing and consumer goods must embrace a functionalist orientation in order to meet the particular cultural and material needs of both modern society and the modern individual. Combining social analysis with an iconoclastic critique of contemporary architecture and handicraft, ''acceptera'' ardently calls upon its readers not to shrink back from modernity, but rather to “accept the reality that exists—only in that way have we any prospect of mastering it, taking it in hand, and altering it to create a culture that offers an adaptable tool for life.” The manifesto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uno Åhrén
Uno Åhrén (6 August 1897 – 8 October 1977) was a Swedish architect and city planner, and a leading proponent of functionalism in Sweden. Biography Uno Emrik Åhrén was born in Stockholm, Sweden. He graduated as an architect at the KTH Royal Institute of Technology in Stockholm in 1918. He was City Planning Manager in Gothenburg 1932-1943 and head of the Riksbyggen 1943-1945. He was appointed professor of urban construction at the Royal Institute of Technology from 1947 through 1963. In 1930 Åhrén was one of the designers for the Housing Exhibition of the Stockholm International Exhibition, and in 1931 he was one of the six co-authors of the 1931 manifesto, ''Acceptera'', a plea for acceptance of functionalism, standardization, and mass production as a cultural change in Sweden. Åhrén collaborated with the sociologist, reformer and Nobel Memorial Prize in Economic Sciences winner Gunnar Myrdal from 1932 though 1935 on a social housing commission, and in 1934 they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stockholm Exhibition (1930)
The Stockholm Exhibition (in Swedish, ''Stockholmsutställningen'') was an exhibition held in 1930 in Stockholm, Sweden, that had a great impact on the architectural styles known as Functionalism and International Style. The fair was conducted by the City of Stockholm and the '' Svenska Slöjdföreningen'' (which has evolved into the existing organization, ''Swedish Form'') art society. The art historian and leader of the Svenska Slöjdföreningen, Gregor Paulsson, was the intellectual leader of the fair, inspired, after a visit to the 1927 Weissenhof Estate in Stuttgart, to organize a similar event for Stockholm. It took place from May through September 1930, on the southern portion of the Djurgården recreation area in eastern-central Stockholm, and entertained about four million visitors. Swedish artists, craftsmen and companies showed their latest products, particularly the glass producer Orrefors Glasbruk. Many of the available images were taken by the pioneering phot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gunnar Asplund
Erik Gunnar Asplund (22 September 1885 – 20 October 1940) was a Swedish architect, mostly known as a key representative of Nordic Classicism of the 1920s, and during the last decade of his life as a major proponent of the modernist style which made its breakthrough in Sweden at the Stockholm International Exhibition (1930). Asplund was professor of architecture at the Royal Institute of Technology from 1931. His appointment was marked by a lecture, later published under the title "Our architectonic concept of space." The Woodland Crematorium at Stockholm South Cemetery (1935-1940) is considered his finest work and one of the masterpieces of modern architecture. Major works Among Asplund's most important works is the Stockholm Public Library, constructed between 1924 and 1928, which stands as the prototypical example of the Nordic Classicism and so-called Swedish Grace movement. It was particularly influential on the proposal submitted for the competition for the design ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Briffault
Robert Stephen Briffault (, 1874 – 11 December 1948) was a French surgeon who found fame as a social anthropologist and later in life as a novelist. Biography Briffault was born in either France or London, Book Review likely in 1874, the son of a French diplomat, , and the Scottish Margaret Mann (''née'' Stewart). He later cited his year of birth as 1876, likely to be young enough to enter the army in the First World War. He spent time in France and elsewhere in Europe following his father. After the death of his father in 1887, Briffault and his mother moved to . Briffault recei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architecture Books
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. The practice, which began in the prehistoric era, has been used as a way of expressing culture for civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century AD treatise ''De architectura'' by the Roman architect Vitruvius, according to whom a good building embodies , and (durability, utility, and beauty). Centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Manifestos
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Functionalist Architecture
In architecture, functionalism is the principle that buildings should be designed based solely on their purpose and function. This principle is a matter of confusion and controversy within the profession, particularly in regard to modern architecture, as it is less self-evident than it first appears. The theoretical articulation of functionalism in buildings can be traced back to the Vitruvian triad, where ''utilitas'' (variously translated as 'commodity', 'convenience', or 'utility') stands alongside ''firmitas'' (firmness) and ''venustas'' (beauty) as one of three classic goals of architecture. Functionalist views were typical of some Gothic Revival architects. In particular, Augustus Welby Pugin wrote that "there should be no features about a building which are not necessary for convenience, construction, or propriety" and "all ornament should consist of enrichment of the essential construction of the building". In the wake of World War I, an international functionalist archi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornament And Crime
"Ornament and Crime" is an essay and lecture by modernist architect Adolf Loos that criticizes ornament in useful objects. History Contrary to popular belief that it was composed in 1908, Adolf Loos first gave the lecture in 1910 at the Akademischer Verband für Literatur und Musik in Vienna. The essay was then published in 1913 in ''Les Cahiers d’aujourd’hui'' in French as . Only in 1929 was the essay published in German in the ''Frankfurter Zeitung'', as . It was the architect Henry Kulka, who assisted Loos during a reprint of the essay in 1931 in ''Trotzdem'', that altered the original year to 1908 after he consulted Loos, who either didn't remember well or wanted to assume primacy in the confrontation against the Secessionists. Content The essay was written when Art Nouveau—known as Secession in Austria and which Loos had excoriated even at its height in 1900—was showing a new way forward for modern art. The essay was important in articulating some moralizing view ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Form Follows Function
Form follows function is a principle of design associated with late 19th and early 20th century architecture and industrial design in general, which states that the shape of a building or object should primarily relate to its intended function or purpose. Origins of the phrase The architect Louis Sullivan coined the maxim, which resumes Viollet-le-Duc's théories : ''a rationally designed structure may not necessarily be beautiful but no building can be beautiful that does not have a rationally designed structure''. The maxim is often incorrectly attributed to the sculptor Horatio Greenough (18051852), whose thinking mostly predates the later functionalist approach to architecture. Greenough's writings were for a long time largely forgotten, and were rediscovered only in the 1930s. In 1947, a selection of his essays was published as ''Form and Function: Remarks on Art by Horatio Greenough''. Sullivan was Greenough's much younger compatriot and admired rationalist thinkers s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toward An Architecture
''Vers une architecture'', recently translated into English as ''Toward an Architecture'' but commonly known as ''Towards a New Architecture'' after the 1927 translation by Frederick Etchells, is a collection of essays written by Le Corbusier (Charles-Edouard Jeanneret), advocating for and exploring the concept of modern architecture. The book has had a lasting effect on the architectural profession, serving as the manifesto for a generation of architects, a subject of hatred for others, and unquestionably an important work of architectural theory. The architectural historian Reyner Banham wrote that its influence was "beyond that of any other architectural work published in this 0thcentury to date", and that unparalleled influence has continued, unabated, into the 21st century. The polemical book contains seven essays, all but one of which were published in the magazine ''L'Esprit Nouveau'' beginning in 1921. Each essay dismisses the contemporary trends of eclecticism and art de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moisei Ginzburg
Moisei Yakovlevich Ginzburg ( be, Майсей Якаўлевіч Гінзбург, russian: Моисей Яковлевич Гинзбург; , Minsk – 7 January 1946, Moscow) was a Soviet constructivist architect, best known for his 1929 Narkomfin Building in Moscow. Biography Education Ginzburg was born in Minsk into a Jewish architect's family. He graduated from Milano Academy (1914) and Riga Polytechnical Institute (1917). During Russian Civil War he lived in the Crimea, relocating to Moscow in 1921. There, he joined the faculty of VKhUTEMAS and the Institute of Civil Engineers (which eventually merged with Moscow State Technical University). Ideologist of Constructivism The founder of the OSA Group (Organisation of Contemporary Architects), which had links with Vladimir Mayakovsky and Osip Brik's LEF Group, he published the book ''Style and Epoch'' in 1924, an influential work of architectural theory with similarities to Le Corbusier's Vers une architecture. It w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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