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Abhang
Abhanga () is a form of devotional poetry sung in praise of the Hindu god Vitthal, also known as Vithoba. The word "abhang" comes from ''a'' for "non-" and ''bhang'' for "ending" or "interrupting", in other words, a flawless, continuous process, in this case referring to a poem. By contrast, the devotional songs known as Bhajans focus on the inward journey. Abhangs are more exuberant expressions of the communitarian experience. Abhanga is considered a form of the ovi. Abhangs are sung during pilgrimage to the temples of Pandharpur, by the devotees. Practise Marathi ''bhajans'' start with the ''naman'' (invocation of god), followed by the ''Roopancha Abhang'' (Portraying the physical beauty of god by personifying in the human form) and towards the end bhajans giving spiritual and ethical messages are sung. Some famous musicians for Abhangs are Bhimsen Joshi, Sudhir Phadke, Suresh Wadkar, Ranjani, Gayatri, Aruna Sairam and Jitendra Abhisheki. It is a form of music performed by bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovi (poetry)
Ovee (, literally "strung together"), also spelled or , is a poetic metre used in Marathi poems for "rhythmic prose", generally used in narrative poems. A poem using this metre is also called an ovee. Ovee is one of the "oldest Marathi song genres still performed today". It has been in use since the 13th century in written poetry; however, oral traditions of women's ovee pre-date the literary ovee. While literary ovee is used by the Varkari saints in bhakti (devotional) literature, women's ovee is passed via the oral tradition through generations of women, who sing them while working or for pleasure. Forms and origins Two forms of ovee are popular today: the (literary) ovee and the women's ovee. The literary ovee is sung without (rhythm) by a in a , a devotional call-and-response chanting form. This is generally used for of saints like Dnyaneshwar, Eknath and Namdev. The women's ovee is sung with , when the women gather for work or pleasure. The ovee metre originated in lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vithoba
Vithoba, also known as Vi(t)thal(a) and Panduranga, is a Hindu deity predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is generally considered as a manifestation of the god Vishnu, or his avatar Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai. Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith of Maharashtra and the Haridasa faith of Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhang
Abhanga () is a form of devotional poetry sung in praise of the Hindu god Vitthal, also known as Vithoba. The word "abhang" comes from ''a'' for "non-" and ''bhang'' for "ending" or "interrupting", in other words, a flawless, continuous process, in this case referring to a poem. By contrast, the devotional songs known as Bhajans focus on the inward journey. Abhangs are more exuberant expressions of the communitarian experience. Abhanga is considered a form of the ovi. Abhangs are sung during pilgrimage to the temples of Pandharpur, by the devotees. Practise Marathi ''bhajans'' start with the ''naman'' (invocation of god), followed by the ''Roopancha Abhang'' (Portraying the physical beauty of god by personifying in the human form) and towards the end bhajans giving spiritual and ethical messages are sung. Some famous musicians for Abhangs are Bhimsen Joshi, Sudhir Phadke, Suresh Wadkar, Ranjani, Gayatri, Aruna Sairam and Jitendra Abhisheki. It is a form of music performed by bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tukaram
Sant Tukaram Maharaj (Marathi pronunciation: ̪ukaːɾam was a 17th-century Marathi poet, Hindu ''sant'' (saint), popularly known as Tuka, Tukobaraya, Tukoba in Maharashtra. He was a Sant of Varkari sampradaya (Marathi-Vaishnav tradition) - that venerates the god Vitthal - in Maharashtra, India. He was part of the egalitarian, personalized Varkari devotionalism tradition. Tukaram is best known for his devotional poetry called Abhanga and community-oriented worship with spiritual songs known as kirtan.Anna Schultz (2012), Singing a Hindu Nation: Marathi Devotional Performance and Nationalism, Oxford University Press, , page 62 Biography Early life Tukaram was born in modern-day Maharashtra state of India. His complete name was Tukaram Bolhoba Ambile . The year of birth and death of sant Tukaram has been a subject of research and dispute among 20th-century scholars.Richard M. Eaton (2005), A Social History of the Deccan, 1300–1761: Eight bji kg b Indian Lives, Cambridg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jñāneśvar
Sant Dnyaneshwar (Marathi pronunciation: ̪ɲaːn̪eʃʋəɾ, also referred to as Jnaneshwar, Jnanadeva, Dnyandev or Mauli or Dnyaneshwar Vitthal Kulkarni (1275–1296), was a 13th-century Indian Marathi saint, poet, philosopher and yogi of the Nath Shaiva and Varkari tradition. In his short life of 21 years, he authored ''Dnyaneshwari'' (a commentary on the '' Bhagavad Gita'') and ''Amrutanubhav''. These are the oldest surviving literary works in the Marathi language, and considered to be milestones in Marathi literature. Sant Dnyaneshwar's ideas reflect the non-dualistic Advaita Vedanta philosophy and an emphasis on Yoga and bhakti towards Vithoba, an incarnation of Lord Vishnu. His legacy inspired saint-poets such as Eknath and Tukaram, and he is one of the founders of the Varkari (Vithoba-Krishna) Bhakti movement tradition of Hinduism in Maharashtra. Dnyaneshwar undertook samadhi at Alandi in 1296 by entombing himself in an underground chamber. Biography Dnyaneshwar wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Namdev
Shri Sant Namdev Maharaj (Pronunciation: aːmdeʋ, also transliterated as Nam Dayv, Namdeo, Namadeva, (traditionally, ) was a Marathi Bahujan saint from Narsi, Hingoli, Maharashtra, India within the Varkari tradition of Hinduism. He lived as a devotee of Lord Vitthal of Pandharpur. He is widely regarded as the founder of Varkari tradition. Namdev was influenced by Vaishnavism and became widely known in India for his devotional songs set to music (''bhajan-kirtans''). His philosophy contains both ''nirguna'' and ''saguna'' Brahman elements, with monistic themes. Namdev's legacy is remembered in modern times in the ''Varkari'' tradition, along with those of other ''gurus'', with masses of people walking together in biannual pilgrimages to Pandharpur in Maharashtra. He is also recognised in the North Indian traditions of the Dadu Panthis, Kabir Panthis and Sikhs. Some hymns of Shri Sant Namdev are included in the Guru Granth Sahib. Life Details of the life of Namdev are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhimsen Joshi
Pandit Bhimsen Gururaj Joshi BR (; ; 4 February 1922 – 24 January 2011), also known by the honorific prefix Pandit, was one of the greatest Indian vocalists from Karnataka, in the Hindustani classical tradition. He is known for the '' khayal'' form of singing, as well as for his popular renditions of devotional music (''bhajans'' and '' abhangs''). Joshi belongs to the Kirana gharana tradition of Hindustani Classical Music. He is noted for his concerts, and between 1964 to 1982 Joshi toured Afghanistan, Italy, France, Canada and USA. He was the first musician from India whose concerts were advertised through posters in New York City. Joshi was instrumental in organising the Sawai Gandharva Music Festival annually, as homage to his guru, Sawai Gandharva. In 1998, he was awarded the Sangeet Natak Akademi Fellowship, the highest honour conferred by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. Subsequently, he received the Bharat Ratna, India's hig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marathi Language
Marathi (; ''Marāṭhī'', ) is an Indo-Aryan languages, Indo-Aryan language predominantly spoken by Marathi people in the Indian state of Maharashtra. It is the official language of Maharashtra, and additional official language in the state of Goa. It is one of the 22 scheduled languages of India, with 83 million speakers as of 2011. Marathi ranks 11th in the List of languages by number of native speakers, list of languages with most native speakers in the world. Marathi has the List of languages by number of native speakers in India, third largest number of native speakers in India, after Hindi Language, Hindi and Bengali language, Bengali. The language has some of the oldest literature of all modern Indian languages. The major dialects of Marathi are Standard Marathi and the Varhadi dialect. Marathi distinguishes Clusivity, inclusive and exclusive forms of 'we' and possesses a three-way Grammatical gender, gender system, that features the neuter in addition to the masculine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dehu
Dehu is a neighbourhood in the city of Pune, India. It is known for being the abode of Sant Tukaram. The Tukaram Palakhi heading towards the town of Pandharpur originates from Dehu in the month of ''Ashadh.'' Demographics India census, Dehu had a population of 50,308 of which 27,669 are males while 22,638 are females. Dehu has an average literacy rate of 88.64%, higher than the national average of 74.04%: male literacy is 92.79% and, female literacy is 84.22%. In Dehu, 10.76% of the population is under 6 years of age. More, Kalokhe, Tilekar,Parandwal,Bodke,Pachpind,Chavan, Hagavne and Mulani are famous and old surnames in Dehu. Sant Tukaram Sant Tukaram lived in Dehu. His temple is located on the banks of the Indrayani river. This temple was constructed by his younger son Narayanbaba in 1723. A rock where Saint Tukaram was on fast is also here. Important Places associated with Tukaram in Dehu are: *Tukaram Maharaj Janm Sthan Temple, Dehu – place where Tukaramji was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varkari
Warkari (Marathi: वारकरी; Pronunciation: aːɾkəɾiː Meaning: 'The one who performs the ''Wari''') is a sampradaya (religious movement) within the bhakti spiritual tradition of Hinduism, geographically associated with the Indian state of Maharashtra. Warkaris worship Vitthal (also known as Vithoba), the presiding deity of Pandharpur, regarded as a form of Krishna. Saints and gurus of the bhakti movement associated with the Warkaris include Dnyaneshwar, Namdev, Chokhamela, Eknath, and Tukaram, Gadge Maharaj all of whom are accorded the title of Sant. Recent research has suggested that the Varkaris were historically the followers of VITHHAL & RAKHUMAI(विठ्ठल आणि रखुमाई). Influence The Warkari tradition has been part of Hindu culture in Maharashtra since the thirteenth-century CE, when it formed as a ''panth'' (community of people with shared spiritual beliefs and practices) during the Bhakti movement. Warkaris recognise around ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Panduranga
Lord is an appellation for a person or deity who has authority, control, or power over others, acting as a master, chief, or ruler. The appellation can also denote certain persons who hold a title of the peerage in the United Kingdom, or are entitled to courtesy titles. The collective "Lords" can refer to a group or body of peers. Etymology According to the Oxford Dictionary of English, the etymology of the word can be traced back to the Old English word ''hlāford'' which originated from ''hlāfweard'' meaning "loaf-ward" or "bread-keeper", reflecting the Germanic tribal custom of a chieftain providing food for his followers. The appellation "lord" is primarily applied to men, while for women the appellation "lady" is used. This is no longer universal: the Lord of Mann, a title previously held by the Queen of the United Kingdom, and female Lords Mayor are examples of women who are styled as "Lord". Historical usage Feudalism Under the feudal system, "lord" had a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampradaya
''Sampradaya'' ( sa, सम्प्रदाय; ), in Indian origin religions, namely Hinduism, Buddhism, Jainism, and Sikhism, can be translated as 'tradition', 'spiritual lineage', 'sect', or 'religious system'. To ensure continuity and transmission of dharma, various ''sampradayas'' have the Guru-shishya parampara in which parampara or lineage of successive ''gurus'' (masters) and '' shishyas'' (disciples) serves as a spiritual channel and provides a reliable network of relationships that lends stability to a religious identity. Shramana is vedic term for seeker or shishya. Identification with and followership of ''sampradayas'' is not static, as ''sampradayas'' allows flexibility where one can leave one ''sampradaya'' and enter another or practice religious syncretism by simultaneously following more than one ''sampradaya''. '' Samparda'' is a punjabi language term, used in Sikhism, for ''sampradayas''. Guru-shishya parampara Sampradayas are living traditions of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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