|
Aak
''Aak'' is a genre of Korean court music. It is an imported form of the Chinese court music ''yayue'', and means "elegant music". ''Aak'' was performed almost exclusively in state sacrificial rites, and in the present day it is performed in certain Confucian ceremonies. Background ''Aak'' was brought to Korea in 1116 through a large gift of 428 musical instruments as well as 572 costumes and ritual dance objects from China, a gift to Emperor Yejong of Goryeo from Emperor Huizong of Song. It remained very popular for a time (there were originally no fewer than 456 different melodies in use) before dying out. It was revived in 1430, based on a reconstruction of older melodies, and preserved in "Treatise on Ceremonial Music" (''Aak Po''), a chapter of the Sejong Annals. ''Aak'' is one of three types of Korean court music; the other two are ''dangak'' and ''hyangak''. ''Aak'' is similar to ''dangak'' in that both have Chinese origins. All the instruments used in ''aak'' are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Korean Words And Phrases
{{see, wikt:Korean language Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words and phrases by language ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munmyo
Munmyo (more specifically Seoul Munmyo or Seonggyungwan Munmyo) is Korea's primary temple of Confucius ("munmyo" is also the general Korean term for a temple of Confucius). It is located in central Seoul, South Korea, on the campus of Sungkyunkwan University. Munmyo houses a shrine to Confucius known as Daeseongjeon, or "Hall of Great Achievement." The main gate leading to the shrine Sinsammun, literally "Spirit Three Gate", is open only on special occasions such as Seokjeon Daeje. The central gate is reserved for the spirit of Confucius and his disciple, and no one else may enter through this gate. Past this gate is the central path that leads to Daeseongjeon, and visitors may not cross this path, especially during a ceremony when the gates are open. The courtyard is used for the ''Seokjeon Daeje'' ceremony. Munmyo also contains two other halls (''Dongmu'' and ''Seomu'', east and west hall), two dormitories (''Dongjae'' and ''Seojae'', east and west dormitories), a Confucian l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Korean Musical Instruments
Traditional Korean musical instruments comprise a wide range of string, wind, and percussion instruments. Many traditional Korean musical instruments (especially those used in Confucian ceremonies) derive from Chinese musical instruments. String Korean string instruments include those that are plucked, bowed, and struck. Most Korean string instruments use silk strings, except as noted. Plucked Zithers * Gayageum (hangul: 가야금; hanja: 伽 倻 琴) – A long zither with 12 strings; modern versions may have 13, 15, 17, 18, 21, 22, or 25 strings * Geomungo (hangul: 거문고) – A fretted bass zither with six to eleven silk strings that is plucked with a bamboo stick and played with a weight made out of cloth ** Cheolhyeongeum (hangul: 철현금; hanja: 鐵 絃 琴) – A geomungo with 8 steel strings plucked with a bamboo stick and played with a slide made out of either glass or metal in the manner of a slide guitar, developed in the 20th century [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nhã Nhạc
''Nhã nhạc'' (, , "elegant music") is a traditional music of Vietnam. Vietnamese court music is very diverse, but the term ''nhã nhạc'' refers specifically to the Vietnamese court music performed from the Trần dynasty of the 13th century to the Nguyễn dynasty at the end of the 20th century. Nhã Nhạc Vietnamese court music was performed at annual ceremonies, including anniversaries and religious holidays, as well as special events such as coronations, funerals or official receptions, by highly trained and skilled court musicians. Along with the musicians, a number of intricate court dances also exist (''see Traditional Vietnamese dance''). Both musicians and dancers wore elaborately designed costumes during their performances. While the largest foreign influence on nhã nhạc came from the Ming dynasty court of China, later on there were also adapted a few elements from the music of Champa, which the Vietnamese court found intriguing. Instruments Instruments co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Music
Korea refers to music from the Korean peninsula ranging from prehistoric times to the division of Korea into South and North in 1945. It includes court music, folk music, poetic songs, and religious music used in shamanistic and Buddhist traditions. Together, traditional Korean music is referred to as ''gugak'' (Hangul: 국악), which literally means "national music." History Proto-Three Kingdoms of Korea Not much is known about music from the Proto-Three Kingdoms of Korea period (before 57 BCE). It is believed that Korean people practiced shamanistic rituals involving music at agricultural festivals. Tomb murals and ceramics from this period depict string instruments with complex features that suggest the instruments were quite developed. Three Kingdoms of Korea The Three Kingdoms of Korea refers to the period from 57 BCE to 668 CE when the Korean peninsula was ruled by three kingdoms: Goguryeo, Baekje, and Silla. Each kingdom was known for favoring different musical inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jongmyo Jeryeak
''Jongmyo Jerye'' or ''Jongmyo Daeje'' is a rite held for worshipping the late kings and queens of the Joseon Dynasty in Jongmyo Shrine, Seoul, South Korea. It is held every year on the first Sunday of May. The Jongmyo rite is usually accompanied with the court music playing (''Jerye-ak'') and dance called ''Ilmu'' or ''line Dance''. Jongmyo Jerye and Jeryeak were designated as the first of South Korea's Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO in 2001. History The similar rituals were originally practiced in both the ancient Korea and China. Such rituals were seen as essential to the preservation and continued prosperity of the state, placing a great deal of importance in them which can be seen from Confucian texts and the very mention of 'preserving the Sacred Shrines' whenever there was talk about the state being in peril. The ceremonies reinforce the Confucian link between ancestors and their descendants, parent and child, essentially the fam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gagaku
is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794-1185) around the 10th century.History of gagaku Nihon gagakukai Today, it is performed by the in the . Gagaku consists of three primary repertoires: #Native [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Korea
The traditional culture of Korea is the shared cultural and historical heritage of Korea and southern Manchuria before the division of Korea in 1945. Manchuria refers to the ancient geographical and historical region in Northeast Asia, including countries like China and Russia. Since the mid-20th century, Korea has been split between the North Korean and South Korean states, resulting in a number of cultural differences that can be observed even today. the practice of Confucianism and Korean shamanism is deeply rooted in Korean culture. Clothing The traditional dress known as ''hanbok'' (한복, 韓服) (known as ''joseonot'' 선옷in the DPRK). The ''hanbok'' consists of a shirt (''jeogori'') and a skirt (''chima''). According to social status, Koreans used to dress differently, making clothing an important mark of social rank. Costumes were worn by the ruling class and the royal family. These upper classes also used jewelry to distance themselves from the ordinar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akhak Gwebeom
The ''Akhak gwebeom'' (Hangul: 악학궤범, Hanja: 樂學軌範; literally "Musical Canon") is a nine-volume treatise on music, written in Korea in the 15th century, in the Joseon Dynasty. It is written by hand in hanja, and depicts, in line drawings, most of the musical instruments in use at the time, with detailed descriptions and fingerings. See also * Traditional Korean musical instruments Traditional Korean musical instruments comprise a wide range of string, wind, and percussion instruments. Many traditional Korean musical instruments (especially those used in Confucian ceremonies) derive from Chinese musical instruments. String K ... References * Chang, Sa-hun (1976). ''Hanguk Eumaksa'' (The History of Korean Music). Seoul, South Korea: Eumsa. External links Lists of ''Akhakgwebeom'' images 악학궤범 (樂學軌範)froKorean Studies Information Center, Academy of Korean Studies Brief information about 악학궤범 (樂學軌範)froKorean Studies Information Center, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Ju-hwan
Lee Ju-hwan(; April 10, 1909 - December 2, 1972) was an Ingan-munhwage of Korean traditional song, Gangtok, which is the 41st Important Intangible Cultural Properties of Korea. He is also a master of gasa, which is Korean traditional literature that is an intermediate form of poetry and prose and Lee Ju-hwan is designated as Ingan-munhwage of 30th Important Intangible Cultural Properties of Korea gasa either. He used Sonam () as a pseudonym. Biography Lee Ju-hwan was born in 1909 May 24 lunar in Jongno-gu, Gwansudong 30, Seoul as the second son of Lee Gik-sang and Choi Game-yeo. His original name was Bok-Gil (;). In March 1928, he graduated Gyodong public elementary school and entered Part of the aakbuwon Training Center of the yiwangjik aakbu as the 3rd group in April. At that time yiwangjik aakbu gathered students every 5 years and the 3rd group has only 18 members. Sung Kyung-lin, Lee Seok-Jae, Bong Hae-song, Kim Bo-nam, Kim Young-un are all his alumni in yiwangjik aakbu 3rd me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transposition (music)
In music, transposition refers to the process or operation of moving a collection of notes ( pitches or pitch classes) up or down in pitch by a constant interval. For example, one might transpose an entire piece of music into another key. Similarly, one might transpose a tone row or an unordered collection of pitches such as a chord so that it begins on another pitch. The transposition of a set ''A'' by ''n'' semitones is designated by ''T''''n''(''A''), representing the addition ( mod 12) of an integer ''n'' to each of the pitch class integers of the set ''A''. Thus the set (''A'') consisting of 0–1–2 transposed by 5 semitones is 5–6–7 (''T''5(''A'')) since , , and . Scalar transpositions In scalar transposition, every pitch in a collection is shifted up or down a fixed number of scale steps within some scale. The pitches remain in the same scale before and after the shift. This term covers both chromatic and diatonic transpositions as follows. Chromatic transpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confucius
Confucius ( ; zh, s=, p=Kǒng Fūzǐ, "Master Kǒng"; or commonly zh, s=, p=Kǒngzǐ, labels=no; – ) was a Chinese philosopher and politician of the Spring and Autumn period who is traditionally considered the paragon of Chinese sages. Confucius's teachings and philosophy underpin East Asian culture and society, remaining influential across China and East Asia to this day. Confucius considered himself a transmitter for the values of earlier periods which he claimed had been abandoned in his time. His philosophical teachings, called Confucianism, emphasized personal and governmental morality, correctness of social relationships, justice, kindness, and sincerity. His followers competed with many other schools during the Hundred Schools of Thought era, only to be suppressed in favor of the Legalists during the Qin dynasty. After the collapse of Qin and the victory of Han over Chu, Confucius's thoughts received official sanction in the new government. During the Tan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_01.JPG "Click for more on -> Gagaku")
