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Avant-pop
Avant-pop is popular music that is experimental music, experimental, new, and distinct from previous styles while retaining an immediate accessibility for the listener. The term implies a combination of avant-garde sensibilities with existing elements from popular music in the service of novel or idiosyncratic artistic visions. Definition "Avant-pop" has been used to label music which balances experimental or avant-garde music, avant-garde approaches with stylistic elements from popular music, and which probes mainstream conventions of structure or form. Writer Tejumola Olaniyan describes "avant-pop music" as transgressing "the boundaries of established styles, the meanings those styles reference, and the social norms they support or imply." Music writer Sean Albiez describes "avant-pop" as identifying idiosyncratic artists working in "a liminal space between contemporary classical music and the many popular music genres that developed in the second half of the twentieth century. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-pop (other)
Avant-pop or avantpop may refer to: * Avant-pop, a form of popular music * Avant-pop (artistic movement), an American art movement derived from postmodernism ** '' Avant-Pop: Fiction for a Daydream Nation'', a related book * '' Avant Pop'', 1986 album by Lester Bowie See also * Avant-garde (other) * Experimental pop Experimental pop is pop music that cannot be categorized within traditional musical boundaries or which attempts to push elements of existing popular forms into new areas. It may incorporate experimental techniques such as musique concrète, al ... * Art pop (other) {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945,Paul Du Noyer (ed.), "Contemporary", in the ''Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, Worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Pop
Experimental pop is pop music that cannot be categorized within traditional musical boundaries or which attempts to push elements of existing popular forms into new areas. It may incorporate experimental techniques such as musique concrète, aleatoric music, or eclecticism into pop contexts. Often, the compositional process involves the use of electronic production effects to manipulate sounds and arrangements, and the composer may draw the listener's attention specifically with both timbre and tonality, though not always simultaneously. Experimental pop music developed concurrently with experimental jazz as a new kind of avant-garde, with many younger musicians embracing the practice of making studio recordings along the fringes of popular music. In the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with musical form, orchestration, unnatural reverb, and other sound effects, and by the late 1960s, highly experimental pop music, or sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomorrow Never Knows
"Tomorrow Never Knows" is a song by the English rock band the Beatles, written primarily by John Lennon and credited to Lennon–McCartney. It was released in August 1966 as the final track on their album ''Revolver'', although it was the first song recorded for the LP. The song marked a radical departure for the Beatles, as the band fully embraced the potential of the recording studio without consideration for reproducing the results in concert. When writing the song, Lennon drew inspiration from his experiences with the hallucinogenic drug LSD and from the 1964 book '' The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead'' by Timothy Leary, Richard Alpert and Ralph Metzner. The Beatles' recording employed musical elements foreign to pop music, including musique concrète, avant-garde composition and electro-acoustic sound manipulation. It features an Indian-inspired modal backing of tambura and sitar drone and bass guitar, with minimal harmonic deviat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Pop
Progressive pop is pop music that attempts to break with the genre's standard formula, or an offshoot of the progressive rock genre that was commonly heard on AM radio in the 1970s and 1980s. It was originally termed for the early progressive rock of the 1960s. Some stylistic features of progressive pop include hooks and earworms, unorthodox or colorful instrumentation, changes in key and rhythm, experiments with larger forms, and unexpected, disruptive, or ironic treatments of past conventions. The movement started as a byproduct of the mid-1960s economic boom, when record labels began investing in artists and allowing performers limited control over their own content and marketing. Groups who combined rock and roll with various other music styles such as Indian ragas and Asian-influenced melodies ultimately influenced the creation of progressive rock (or "prog"). When prog records began declining in sales, some artists returned to a more accessible sound that remained com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Hear A New World
''I Hear a New World'' is a studio concept album written and produced by Joe Meek with the Blue Men, partially released as an EP in 1960 before financial issues at the Triumph label prevented further release of the material. In 1991, the full LP was issued by RPM Records. In 1998, ''The Wire'' listed the album as one of "100 Records that Set the World on Fire (When No One Was Listening)". Production The Blue Men were originally the West Five, a skiffle group from Ealing in London. In addition to ''I Hear a New World'', they also recorded under the name of Rodd, Ken and the Cavaliers for Meek. The tracks were recorded at his Holland Park flat and at Lansdowne Studios. The album was Meek's pet project. He was fascinated by the space programme, and believed that life existed elsewhere in the Solar System. This album was his attempt "to create a picture in music of what could be up there in outer space", he explained. "At first I was going to record it with music that was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry McCaffery
Lawrence F. McCaffery Jr. (born May 13, 1946) is an American literary critic, editor, and retired professor of English and comparative literature at San Diego State University. His work and teaching focuses on postmodern literature, contemporary fiction, and Bruce Springsteen. He also played a role in helping to establish science fiction as a major literary genre. Early life and education McCaffery was born in 1946 in Dallas, Texas. He received his PhD in 1975, with a dissertation on the works of Robert Coover. Career Academic career He joined the Department of English and Comparative Literature at San Diego State University in 1976. He taught in SDSU's English Department until retiring in 2010. During his career as a professor, McCaffery took up visiting professorships at University of Nice, University of California, San Diego, Deep Springs College (where William T. Vollmann attended), Seikei University in Tokyo, Japan and was a Fulbright Lecturer at Beijing Foreign St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Meek
Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation. Meek is considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Charting singles Meek produced for other artists include "Johnny Remember Me" (John Leyton, 1961), "Just Like Eddie" ( Heinz, 1963), "Angela Jones" ( Michael Cox, 1960), "Have I the Right?" (the Honeycombs, 1964), and "Tribute to Buddy Holly" ( Mike Berry, 1961). The Tornados' instrumental "Telstar" (1962), written and produced by Meek, became the first record by a British rock group to reach number one in the US Hot 100. It also spent five we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiny Mix Tapes
''Tiny Mix Tapes'' (also ''TMT'' or ''tinymixtapes'') is an online music and film webzine that focuses primarily on new music and related news. In addition to its reviews, it is noted for its subversive, political, and sometimes surreal news, as well as a podcast and its mixtape generator. History Originally called ''Tiny Mixtapes Gone to Heaven'' and hosted on GeoCities, the webzine moved to its current domain in 2001. ''Tiny Mix Tapes'' is a featured reviewer on Metacritic. The writing staff is composed of volunteers who often use pen names (such as "Wolfman," "Mango Starr," "Chizzly St. Claw," and "Filmore Mescalito Holmes"). Some contributors, like Rebecca Armendariz and Alex Brown, go by their real names. Its cofounder and editor-in-chief is Minneapolis-resident Marvin Lin (who writes as "Mr. P"). The music reviews, features, news, film, comics, and the "DeLorean", "Cerberus", and "Automatic Mix Tapes" columns are edited by "Jay," "Gumshoe," "Dan Smart," Benjamin Pearson, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Music
Owing to India's vastness and diversity, Indian music encompasses numerous genres in multiple varieties and forms which include classical music, folk (Bollywood), rock, and pop. It has a history spanning several millennia and developed over several geo-locations spanning the sub-continent. Music in India began as an integral part of socio-religious life. History Pre-history Paleolithic The 30,000-year-old paleolithic and neolithic cave paintings at the UNESCO world heritage site at Bhimbetka rock shelters in Madhya Pradesh show a type of dance. Mesolithic and chalcolithic cave art of Bhimbetka illustrates musical instruments such as Gongs, Bowed Lyre, daf etc. Neolithic Chalcolithic era (4000 BCE onward) narrow bar shaped polished stone celts like music instruments, one of the earlier musical instrument in India, were excavated at Sankarjang in the Angul district of Odisha. There is historical evidence in the form of sculptural evidence, i.e. musical instruments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
