Atalaku
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Atalaku
In the sebene instrumental section of a Congolese rumba song, the atalaku serves as the band's frontman, responsible for actively engaging the audience, building excitement, and augmenting the performance with spirited vocalizations and rhythmic chants. Atalaku often uses fast-paced speech, onomatopoeic sounds, and playful wordplay to captivate listeners and sustain their energy throughout the performance. The atalaku rarely appears in music videos, and despite his widely recognized "song," he is not classified as a singer. Although he performs alongside prominent figures in the music industry, he is often overshadowed by his fellow band members. Criticism for his ostentatious stage presence and the perceived distortion of the nostalgic sentimentality of traditional Congolese rumba is common; nonetheless, he has emerged as an integral component of every Congolese dance sequence. Characteristics Etymology and vocal prowess According to social anthropology professor Bob W. Wh ...
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Nono Monzuluku
Honoré Monzuluku Mombele (born 1 January 1960 – 10 January 2024) known professionally as Nono Monzuluku, was a Congolese composer and musician. He made significant contributions to Congolese music, particularly through his role as an atalaku in the influential band Zaïko Langa Langa. Early life and career Early life and musical beginnings Mombele was born on January 1, 1960, in Léopoldville (now Kinshasa), in what was then the Belgian Congo (and was later the Republic of the Congo, then Zaire, and is now the Democratic Republic of the Congo). His musical journey began as a member of the folk group Bana Odéon, which included members such as Ditutala Mbuesa, Bébé Atalaku and Djerba Mandjeku (congas). However, he gained widespread recognition after joining Zaïko Langa Langa, one of the most influential bands in African music history, in August 1982, alongside his colleagues Bébé Atalaku and Djerba Mandjeku. Alongside his colleagues Bébé Atalaku and Djerba Mandje ...
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Sebene
Sebene, also known as seben, is an instrumental section commonly played in Congolese rumba. It is usually played towards the end of the song and is the dancing section where the Lead guitar, lead and Rhythm guitar, rhythm guitars take the lead in the dance. It is characterized by the repetition of a specific number of notes during the passage of Secondary chord, second chords: one major chord and one-seventh chord, which gives rise to the Lingala derivation "''sebene''," derived from the English language, English numeral "7, seven" or its ordinal rendition. Guitarists use a combination of lead and rhythm guitar to produce a distinct sound that is accompanied by vocalists, including an atalaku who energetically engages the audience and may call out to sponsors. The use of Arpeggio, arpeggios, rapid chord changes, atalaku, and melodic embellishments is extensive in sebene and gives Congolese rumba a dynamic and energetic rhythm. Etymology According to most Congolese musicologist ...
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Zaïko Langa Langa
Zaïko Langa Langa is a Congolese soukous band formed in Kinshasa, in 1969. It was established by D.V. Moanda, Henri Mongombe, Marcellin Delo and André Bita, the band evolved from the Orchestre Bel Guide National, which is seen as Zaïko's predecessor. Co-founders included Papa Wemba, Jossart N'Yoka Longo, Manuaku Waku. Led by N'Yoka Longo, they are seen as the most influential African group and have participated in the evolution and innovation of the main musical genre in Congo, the Congolese rumba. Due to several splits of the group, the Langa Langa clan was born, bringing together all the dissidents of the great Zaïko (including Viva La Musica, Isifi Lokole, Choc Stars, Langa Langa Stars, Quartier Latin). History 1968–1970: Formation From Bel Guide National to Zaïko Langa Langa A band of young musicians called Bel Guide National had been active since 1967. This orchestra included N'Yoka Longo, Manuaku Waku, Enoch Zamuangana, Teddy Sukami and Gégé Mangaya a ...
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Authenticité (Zaire)
''Authenticité'', sometimes Zairianisation in English, was an official state ideology of the regime of Mobutu Sese Seko that originated in the late 1960s and early 1970s in what was first the Democratic Republic of Congo, later renamed Zaire. The authenticity campaign was an effort to rid the country of the lingering vestiges of colonialism and the continuing influence of Western culture and to create a more centralized and singular national identity. The policy, as implemented, included numerous changes to the state and to private life, including the renaming of the Congo and its cities, as well as an eventual mandate that Zairians were to abandon their Christian names for more "authentic" ones. In addition, Western-style attire was banned and replaced with the Mao-style tunic labeled the " abacost" and its female equivalent. The policy began to wane in the late 1970s and had mostly been abandoned by 1990. Origin and general ideology Not long after Mobutu Sese Seko's declara ...
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State Ideology
An ideology is a set of beliefs or philosophies attributed to a person or group of persons, especially those held for reasons that are not purely epistemic, in which "practical elements are as prominent as theoretical ones." Formerly applied primarily to economic, political, or religious theories and policies, in a tradition going back to Karl Marx and Friedrich Engels, more recent use the term as mainly condemnatory. The term was coined by Antoine Destutt de Tracy, a French Enlightenment aristocrat and philosopher, who conceived it in 1796 as the "science of ideas" to develop a rational system of ideas to oppose the irrational impulses of the mob. In political science, the term is used in a descriptive sense to refer to political belief systems. Etymology and history The term ''ideology'' originates from French ''idéologie'', itself deriving from combining (; close to the Lockean sense of ''idea'') and '' -logíā'' (). The term ideology, and the system of ideas asso ...
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One-party State
A one-party state, single-party state, one-party system, or single-party system is a type of sovereign state in which only one political party has the right to form the government, usually based on the existing constitution. All other parties are either outlawed or allowed to take only a limited and controlled participation in elections. Sometimes the term "''de facto'' one-party state" is used to describe a dominant-party system that, unlike the one-party state, allows (at least nominally) democratic multiparty elections, but the existing practices or balance of political power effectively prevent the opposition from winning power. Although it is predated by the 1714 to 1783 "age of the Whig oligarchy" in Great Britain, the rule of the Committee of Union and Progress (CUP) over the Ottoman Empire following the 1913 coup d'etat is often considered the first one-party state. Concept One-party states justify themselves through various methods. Most often, proponents of a one- ...
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Political Propaganda
Propaganda is communication that is primarily used to influence or persuade an audience to further an agenda, which may not be objective and may be selectively presenting facts to encourage a particular synthesis or perception, or using loaded language to produce an emotional rather than a rational response to the information that is being presented. Propaganda can be found in news and journalism, government, advertising, entertainment, education, and activism and is often associated with material which is prepared by governments as part of war efforts, political campaigns, health campaigns, revolutionaries, big businesses, ultra-religious organizations, the media, and certain individuals such as soapboxers. In the 20th century, the English term ''propaganda'' was often associated with a manipulative approach, but historically, propaganda has been a neutral descriptive term of any material that promotes certain opinions or ideologies. Equivalent non-English terms have also lar ...
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Zaire
Zaire (, ), officially the Republic of Zaire (french: République du Zaïre, link=no, ), was a Congolese state from 1971 to 1997 in Central Africa that was previously and is now again known as the Democratic Republic of the Congo. Zaire was, by area, the third-largest country in Africa (after Sudan and Algeria), and the 11th-largest country in the world. With a population of over 23 million inhabitants, Zaire was the most-populous officially Francophone country in Africa, as well as one of the most populous in Africa. The country was a one-party totalitarian military dictatorship, run by Mobutu Sese Seko and his ruling Popular Movement of the Revolution party. Zaire was established following Mobutu's seizure of power in a military coup in 1965, following five years of political upheaval following independence from Belgium known as the Congo Crisis. Zaire had a strongly centralist constitution, and foreign assets were nationalized. The period is sometimes referred to ...
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Mobutu Sese Seko
Mobutu Sese Seko Kuku Ngbendu Wa Za Banga (; born Joseph-Désiré Mobutu; 14 October 1930 – 7 September 1997) was a Congolese politician and military officer who was the president of Zaire from 1965 to 1997 (known as the Democratic Republic of the Congo from 1965 to 1971). He also served as Chairman of the Organisation of African Unity from 1967 to 1968. During the Congo Crisis, Mobutu, serving as Chief of Staff of the Army and supported by Belgium and the United States, deposed the democratically elected government of left-wing nationalist Patrice Lumumba in 1960. Mobutu installed a government that arranged for Lumumba's execution in 1961, and continued to lead the country's armed forces until he took power directly in a second coup in 1965. To consolidate his power, he established the Popular Movement of the Revolution as the One-party state, sole legal political party in 1967, changed the Congo's name to ''Zaire'' in 1971, and his own name to Mobutu Sese Seko in 1972. Mobut ...
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Music Of The Democratic Republic Of The Congo
Congolese music is one of the most influential music forms of the African continent since the 1930s. Congolese musicians had a huge impact on the African musical scene and outside. Many contemporary genres of music were created or heavily influenced by Congolese music. As the genre of music in Kenya Benga or in Colombia Champeta. Democratic Republic of Congo and (Republic of Congo) are contemporary hubs of African music since the 1930s. Congolese rumba joined in 2021, other living traditions such as Jamaican reggae music and Cuban rumba on Unesco's "intangible cultural heritage of humanity" list. Music of the Democratic Republic of the Congo varies in its different forms. Outside Africa, most music from the Democratic Republic of Congo is called ''Soukous'', which most accurately refers instead to a dance popular in the late 1960s. The term ''rumba'' or ''rock-rumba'' is also used generically to refer to Congolese music, though neither is precise nor accurately descriptive. Peop ...
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Funeral
A funeral is a ceremony connected with the final disposition of a corpse, such as a burial or cremation, with the attendant observances. Funerary customs comprise the complex of beliefs and practices used by a culture to remember and respect the dead, from interment, to various monuments, prayers, and rituals undertaken in their honor. Customs vary between cultures and religious groups. Funerals have both normative and legal components. Common secular motivations for funerals include mourning the deceased, celebrating their life, and offering support and sympathy to the bereaved; additionally, funerals may have religious aspects that are intended to help the soul of the deceased reach the afterlife, resurrection or reincarnation. The funeral usually includes a ritual through which the corpse receives a final disposition. Depending on culture and religion, these can involve either the destruction of the body (for example, by cremation or sky burial) or its preservation (for examp ...
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Flattery
Flattery (also called adulation or blandishment) is the act of giving excessive compliments, generally for the purpose of ingratiating oneself with the subject. It is also used in pick-up lines when attempting to initiate sexual or romantic courtship. Historically, flattery has been used as a standard form of discourse when addressing a king or queen. In the Renaissance, it was a common practice among writers to flatter the reigning monarch, as Edmund Spenser flattered Queen Elizabeth I in ''The Faerie Queene'', William Shakespeare flattered King James I in ''Macbeth'' and Niccolò Machiavelli flattered Lorenzo II de' Medici in ''The Prince''. Many associations with flattery, however, are negative. Negative descriptions of flattery range at least as far back in history as the Bible. In the ''Divine Comedy'', Dante depicts flatterers wading in human excrement, stating that their words were the equivalent of excrement, in the second bolgia of 8th Circle of Hell. An insincere fl ...
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