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Architectural Styles
An architectural style is a set of characteristics and features that make a building or other structure notable or historically identifiable. It is a sub-class of style in the visual arts generally, and most styles in architecture relate closely to a wider contemporary artistic style. A style may include such elements as form, method of construction, building materials, and regional character. Most architecture can be classified within a chronology of styles which changes over time, reflecting changing fashions, beliefs and religions, or the emergence of new ideas, technology, or materials which make new styles possible. Styles therefore emerge from the history of a society. They are documented in the subject of architectural history. At any time several styles may be fashionable, and when a style changes it usually does so gradually, as architects learn and adapt to new ideas. The new style is sometimes only a rebellion against an existing style, such as post-modernism (meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Thomas The Dream Of The Architect 210 Sun Unedited
Cole may refer to: Plants * Cole crops of the genus ''Brassica'', especially cabbage, kale, or rapeseed, rape (rapeseed). People * Cole (given name), people with the given name Cole * Cole (surname), people with the surname Cole Companies *Cole Motor Car Company, a pioneer American name automobile company (1909–1925) Places Antarctic *Cole Peninsula, a peninsula on the continent of slavery Canada *Cole Harbour, Nova Scotia, a community of Halifax Regional Municipality, Nova Scotia **Cole Harbour (natural harbour), Cole Harbour **Cole Harbour (Guysborough), Nova Scotia England *Cole, Somerset, a hamlet in Pitcombe parish *Cole (for Bruton) railway station, a former station in the hamlet France *Côle, a river in southwestern France Poland *Cole, Pomeranian Voivodeship Northern Ireland *Cole, County Tyrone, a townland in County Tyrone, Northern Ireland United States *Cole, Indiana, an unincorporated community in Grant County *Cole, Oklahoma, a town in McClain Count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art History
Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses the study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations. As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svetlana Alpers
Svetlana Leontief Alpers (born February 10, 1936) is an American art historian, also a professor, writer and critic. Her specialty is Dutch Golden Age painting, a field she revolutionized with her 1984 book ''The Art of Describing''. She has also written on Tiepolo, Rubens, Bruegel, and Velázquez, among others. Education and career Svetlana Alpers received her B.A. from Radcliffe College in 1957 and a Ph.D.from Harvard in 1965. She was a professor of art history at the University of California, Berkeley from 1962 to 1998, and by 1994 she was named Professor Emerita. In 1983, Alpers co-founded the interdisciplinary journal ''Representations'' with American literary critic Stephen Greenblatt. In 2007, she collaborated with artists James Hyde and Barney Kulok on a project entitled ''Painting Then for Now''. The project consists of 19 photographic prints based on the suite of three paintings by Giambattista Tiepolo that hang at the top of the main staircase in the Metropolitan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marxist
Marxism is a Left-wing politics, left-wing to Far-left politics, far-left method of socioeconomic analysis that uses a Materialism, materialist interpretation of historical development, better known as historical materialism, to understand Social class, class relations and social conflict and a dialectical perspective to view social transformation. It originates from the works of 19th-century German philosophers Karl Marx and Friedrich Engels. As Marxism has developed over time into various branches and schools of thought, no single, definitive Marxist philosophy, Marxist theory exists. In addition to the schools of thought which emphasize or modify elements of classical Marxism, various Marxian concepts have been incorporated and adapted into a diverse array of Social theory, social theories leading to widely varying conclusions. Alongside Marx's critique of political economy, the defining characteristics of Marxism have often been described using the terms dialectical mater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reinforced Concrete
Reinforced concrete (RC), also called reinforced cement concrete (RCC) and ferroconcrete, is a composite material in which concrete's relatively low tensile strength and ductility are compensated for by the inclusion of reinforcement having higher tensile strength or ductility. The reinforcement is usually, though not necessarily, steel bars ( rebar) and is usually embedded passively in the concrete before the concrete sets. However, post-tensioning is also employed as a technique to reinforce the concrete. In terms of volume used annually, it is one of the most common engineering materials. In corrosion engineering terms, when designed correctly, the alkalinity of the concrete protects the steel rebar from corrosion. Description Reinforcing schemes are generally designed to resist tensile stresses in particular regions of the concrete that might cause unacceptable cracking and/or structural failure. Modern reinforced concrete can contain varied reinforcing materials made of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rib Vault
A rib vault or ribbed vault is an architectural feature for covering a wide space, such as a church nave, composed of a framework of crossed or diagonal arched ribs. Variations were used in Roman architecture, Byzantine architecture, Islamic architecture, Romanesque architecture, and especially Gothic architecture. Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers. This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows. It is a type of arcuated, or arched, vault in which the severies, or panels in the bays of the vault's underside are separated from one another by ribs which conceal the groins, or the intersections of the panels. Rib vaults are, like groin vaults, formed from two or three intersecting barrel vaults; the ribs conceal the junction o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formalism (art)
In art history, formalism is the study of art by analyzing and comparing form and style. Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art. The context of the work, including the reason for its creation, the historical background, and the life of the artist, that is, its conceptual aspect is considered to be external to the artistic medium itself, and therefore of secondary importance. History The historical origin of the modern form of the question of aesthetic formalism is usually dated to Immanuel Kant and the writing of his third Critique where Kant states: "Every form of the objects of sense is either ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Strzygowski
Josef Rudolph Thomas Strzygowski (March 7, 1862 – January 2, 1941) was a Polish-Austrian art historian known for his theories promoting influences from the art of the Near East on European art, for example that of Early Christian Armenian architecture on the early Medieval architecture of Europe, outlined in his book, ''Die Baukunst der Armenier und Europa''. He is considered a member of the Vienna School of Art History. Life Strzygowski was born in Biala, Kingdom of Galicia and Lodomeria (today part of Poland). His mother, Edle Trass von Friedelfeldt, was from minor nobility and his father was a cloth manufacturer. Strzygowski initially intended to pursue the same trade, beginning an apprenticeship in a weaving plant in 1880, however, in 1882 he abandoned this career and enrolled at the University of Vienna. He soon transferred to the University of Munich, where he studied art history and completed a dissertation on the iconography of the Baptism of Christ, published in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Jacobsthal
Paul Jacobsthal (23 February 1880 in Berlin – 27 October 1957 in Oxford) was a scholar of Greek vase painting and Celtic art. He wrote his dissertation at the University of Bonn under the supervision of Georg Loeschcke. In 1912 he published a catalog of the Greek vases in Göttingen, and received a position as a professor at the University of Marburg. In the 1920s Jacobsthal became interested in the work of John Beazley on vase painting, and began to adopt Beazley's taxonomical methodologies. His 1927 work, ', was dedicated to Beazley. In 1930 Jacobsthal and Beazley began to collaborate on an inventory of early Greek vases, the ', a project which they concluded in 1939. After World War II, the two scholars served as co-editors of the ''Oxford Classical Monographs''. In 1935 Jacobsthal was forced to leave Nazi Germany on account of his Jewish heritage – though he was baptised a protestant, both of his parents were Jewish.Katharina Ulmschneider and Sally Crawford (2016) "Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Frankl
Paul Frankl (22 April 1878 – 30 January 1962) was an art historian born in Austria-Hungary. Frankl is most known for his writings on the history and principles of architecture, which he famously presented within a Gestalt-oriented framework. Early education and career, 1878-1934 Paul Frankl was born in Prague into the prominent rabbinic Spira-Frankl family. From 1888 to 1896, he attended a German Gymnasium, after which he enrolled in the German Staats-Obergymnasium of Prague, graduating in 1896. He served for one year as Lieutenant in the Austrian military. In order to pursue a degree in higher education, he converted to Catholicism, a move that was not uncommon among non-Catholics during this era. He matriculated to the Technische Hochschule in Munich and, later, Berlin, and graduated with a degree in architecture in 1904. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Wölfflin Heinrich Wölfflin (; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. He taught at Basel, Berlin and Munich in the generation that raised German art history to pre-eminence. His three great books, still consulted, are ''Renaissance und Barock'' (1888), ''Die Klassische Kunst'' (1898, "Classic Art"), and ''Kunstgeschichtliche Grundbegriffe'' (1915, "Principles of Art History"). |
