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Arbelas
The ''arbelas'' (plural ''arbelai'') was a type of ancient Roman gladiator. The word is a ''hapax legomenon'', occurring only in the ''Oneirocritica'' of Artemidorus, a Greek work on dream interpretation that discusses the symbolism of various gladiator types. It may be related to the Greek word ''arbelos'' (ἄρβηλος), a cobbler's semicircular blade used to cut leather similar to an ulu. A few reliefs show gladiators armed with a curved blade fighting each other; it has been argued that these (possibly also fighting ''retiarii'', the net-fighters) are ''arbelai''; however, they have also been seen as the '' scissores'' who likewise may have been matched against ''retiarii''. Artemidorus lists the ''arbelas'' among gladiators who might appear in dreams advising a man about what sort of woman he is to marry. Both the ''dimachaerus'', who fought with two curved blades, and the "so-called" ''arbelas'' signify that the woman will either be a poisoner, malicious, or ugly. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Roman Gladiator Types
There were many different types of gladiators in ancient Rome. Some of the first gladiators had been prisoners-of-war, and so some of the earliest types of gladiators were experienced fighters; Gauls, Samnites, and ''Thraeces'' (Thracians) used their native weapons and armor. Different gladiator types specialized in specific weapons and fighting techniques. Combatants were usually pitted against opponents with different, but more or less equivalent equipment, for the sake of a fair and balanced contest. Most gladiators only fought others from within the same school or ''ludus'', but sometimes specific gladiators could be requested to fight one from another ''ludus''. Elite gladiators wore high-quality decorative armour for the pre-game parade ''(Pompa)''. Julius Caesar's gladiators wore silver armour, Domitian's wore golden armour and Nero's wore armour decorated with carved amber. Peacock feathers were used for plumes while tunics and loincloths had patterns in gold thread. For t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman
In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC), Roman Republic (509–27 BC) and Roman Empire (27 BC–476 AD) until the fall of the western empire. Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually dominated the Italian Peninsula, assimilated the Greek culture of southern Italy ( Magna Grecia) and the Etruscan culture and acquired an Empire that took in much of Europe and the lands and peoples surrounding the Mediterranean Sea. It was among the largest empires in the ancient world, with an estimated 50 to 90 million inhabitants, roughly 20% of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gladiator
A gladiator ( la, gladiator, "swordsman", from , "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death. Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world. The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential fea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hapax Legomenon
In corpus linguistics, a ''hapax legomenon'' ( also or ; ''hapax legomena''; sometimes abbreviated to ''hapax'', plural ''hapaxes'') is a word or an expression that occurs only once within a context: either in the written record of an entire language, in the works of an author, or in a single text. The term is sometimes incorrectly used to describe a word that occurs in just one of an author's works but more than once in that particular work. ''Hapax legomenon'' is a transliteration of Greek , meaning "being said once". The related terms ''dis legomenon'', ''tris legomenon'', and ''tetrakis legomenon'' respectively (, , ) refer to double, triple, or quadruple occurrences, but are far less commonly used. ''Hapax legomena'' are quite common, as predicted by Zipf's law, which states that the frequency of any word in a corpus is inversely proportional to its rank in the frequency table. For large corpora, about 40% to 60% of the words are ''hapax legomena'', and another 10% to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oneirocritica
''Oneirocritica'' ( el, Ονειροκριτικά) (''The Interpretation of Dreams'') is an ancient Greek treatise on dream interpretation written by Artemidorus in the 2nd century AD,"Artemidorus Daldianus" in ''The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 599. and is the first extant Greek work on the subject, in five books. The first three volumes were intended for the general public, providing an encyclopedic treatment of the subject matter of dreams, and the remaining two volumes were written for the private use of the author's son, a novice dream interpreter. Artemidorus inscribed the book "Artemidorus of Daldis", despite having been born in Ephesus, to commemorate the little-known birthplace of his mother in Lydia (3.66). Artemidorus suggests that dreams are unique to the individual, and that a person's waking life will affect the symbols in his dreams. He shows awareness of the dreaming mind's capacity to use meta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemidorus
Artemidorus Daldianus ( grc-gre, Ἀρτεμίδωρος ὁ Δαλδιανός) or Ephesius was a professional diviner who lived in the 2nd century AD. He is known from an extant five-volume Greek work, the '' Oneirocritica'' or ''Oneirokritikon'' ( en, The Interpretation of Dreams)."Artemidorus Daldianus" in ''The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 599. Life and work Artemidorus was surnamed ''Ephesius'', from Ephesus, on the west coast of Asia Minor, but was also called ''Daldianus,'' from his mother's native city, Daldis in Lydia. He lived in the 2nd century AD. According to Artemidorus, the material for his work was gathered during lengthy travels through Greece, Italy and Asia, from diviners of high and low station. Another major source were the writings of Artemidorus' predecessors, sixteen of whom he cites by name. It is clear he built on a rich written tradition, now otherwise lost. Artemidorus' method is, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Interpretation
Dream interpretation is the process of assigning meaning to dreams. Although associated with some forms of psychotherapy, there is no reliable evidence that understanding or interpreting dreams has a positive impact on one's mental health. In many ancient societies, such as those of Egypt and Greece, dreaming was considered a supernatural communication or a means of divine intervention, whose message could be interpreted by people with these associated spiritual powers. In modern times, various schools of psychology and neurobiology have offered theories about the meaning and purpose of dreams. Most people currently appear to interpret dream content according to Freudian psychoanalysis in the United States, India, and South Korea, according to one study conducted in those countries. People appear to believe dreams are particularly meaningful: they assign more meaning to dreams than to similar waking thoughts. For example, people report they would be more likely to cancel a trip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoemaking
Shoemaking is the process of making footwear. Originally, shoes were made one at a time by hand, often by groups of shoemakers, or cobblers (also known as '' cordwainers''). In the 18th century, dozens or even hundreds of masters, journeymen and apprentices (both men and women) would work together in a shop, dividing up the work into individual tasks. A customer could come into a shop, be individually measured, and return to pick up their new shoes in as little as a day. Everyone needed shoes, and the median price for a pair was about one day’s wages for an average journeyman. The shoemaking trade flourished in the eighteenth and early nineteenth centuries but began to be affected by industrialization in the later nineteenth century. Traditional handicraft shoemaking has now been largely superseded in volume of shoes produced by industrial mass production of footwear, but not necessarily in quality, attention to detail, or craftsmanship. Today, most shoes are made on a volum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retiarius
A ''retiarius'' (plural ''retiarii''; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (''rete'' (3rd decl.), hence the name), a three-pointed trident (''fuscina'' or ''tridens''), and a dagger (''pugio''). The ''retiarius'' was lightly armoured, wearing an arm guard ('' manica'') and a shoulder guard (''galerus''). Typically, his clothing consisted only of a loincloth (''subligaculum'') held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear. The ''retiarius'' was routinely pitted against a heavily armed ''secutor''. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scissor (gladiator Type)
The scissor (pl. scissores) was a type of Roman gladiator. Very little is known about scissores besides the name, which means 'cutter, cleaver, render' (from ''scindo''). German historian and experimental archaeologist Marcus Junkelmann has speculated, based on a possible image of a scissor, that this type of gladiator fought using a weapon consisting of a hardened steel tube that encased the gladiator's entire forearm, with the hand end capped off and a semicircular blade attached to it. A handle inside the tube might have allowed the gladiator to maintain control in the heat of battle. This weapon might have been both deadly and versatile; the gladiator could use his protected arm to block his opponent's blows and quickly counterattack, the shape of the blade being such that even the slightest touch could cause a serious wound. Marcus Junkelmann, ''Das Spiel mit dem Tod. So kämpften Roms Gladiatoren''. Mainz am Rhein, 2000, . See also * List of Roman gladiator types Ther ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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