Appropriator
Appropriate may refer to * Appropriate (play), a play by Branden Jacobs-Jenkins Appropriation may refer to: * Appropriation (art) the use of pre-existing objects or images with little or no transformation * Appropriation (law) as a component of government spending * Appropriation of knowledge :* Appropriation (sociology) in relation to the spread of knowledge * Appropriation (ecclesiastical) of the income of a benefice *Cultural appropriation, the borrowing of an element of cultural expression of one group by another ** Reappropriation, the use with a sense of pride (of a negative word or object) by a member of the offended group * Original appropriation, origination of human ownership of previously unowned natural resources such as land Other terms include: *The personality rights tort of appropriation, one form of invasion of privacy *'' Appropriation (By Any Other Name)'', by The Long Blondes (2005) See also * Appropriation Act *Appropriation bill An appropriation, also ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Appropriation (art)
Appropriation in art is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts). In the visual arts, to appropriate means to properly adopt, borrow, recycle or sample aspects (or the entire form) of human-made visual culture. Notable in this respect are the Readymades of Marcel Duchamp. Inherent in the understanding of appropriation is the concept that the new work recontextualizes whatever it borrows to create the new work. In most cases, the original "thing" remains accessible as the original, without change. Definition Appropriation, similar to found object art is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art." The Tate Gall ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Appropriation (sociology)
Appropriation in sociology is, according to James J. Sosnoski, "the assimilation of concepts into a governing framework... hearrogation, confiscation, rseizure of concepts." According to Tracy B Strong it contains the Latin root ''proprius'', which, "carries the connotations not only of property, but also of proper, stable, assured and indeed of common or ordinary." He elaborates: "I have appropriated something when I have made it mine, in a manner that I feel comfortable with, that is in a manner to which the challenges of others will carry little or no significance. A text Text may refer to: Written word * Text (literary theory), any object that can be read, including: **Religious text, a writing that a religious tradition considers to be sacred **Text, a verse or passage from scripture used in expository preachin ..., we might then say, is appropriated when its reader does not find himself or herself called into question by it, but does find him or herself associated with ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Appropriate (play)
''Appropriate'' is a 2014 play by American playwright Branden Jacobs-Jenkins. Productions ''Appropriate'' began previews Off-Broadway on February 25, 2014, in The Alice Griffin Jewel Box Theatre at the Pershing Square Signature Center, New York. It had its opening night on March 16, 2014, playing a limited run to April 6. ''Appropriate'' opened at the Donmar Warehouse in London August 22, 2019, following previews from August 16. It played a limited run to October 5. Cast and characters {, class="wikitable" , + !Character !Off-Broadway (2014) !London (2019) , - !Franz Lafayette , Patch Darragh , Edward Hogg , - !River Rayner , Sonya Harum , Tafline Steen , - !Rhys Thurston , Mike Faist , Charles Furness , - !Toni Lafayette , Johanna Day , Monica Dolan , - !Rachael Kramer-Lafayette , Maddie Corman , Jaimi Barbakoff , - !Ainsley Kramer-Lafayette , Alex Dreier , Orlando Roddy Oliver Savell , - !Bo Lafayette , Michael Laurence , Steven Mackintosh , - !Cassidy Kramer-Lafayette , ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Branden Jacobs-Jenkins
Branden Jacobs-Jenkins is an American playwright. He won the 2014 Obie Award for Best New American Play for his plays '' Appropriate'' and '' An Octoroon''. His plays '' Gloria'' and '' Everybody'' were finalists for the 2016 and 2018 Pulitzer Prize for Drama respectively. He was named a MacArthur Fellow for 2016. Early life Jacobs-Jenkins was born in Washington, DC. His father, Benjamin Jenkins, is a retired dentist and his mother, Patricia Jacobs, is a business consultant. He graduated from Princeton University in 2006, with a major in anthropology, and earned a master's degree in performance studies from New York University's Tisch School of the Arts in 2007. He has taught playwriting at the Tisch School and also at Princeton. He graduated from the Lila Acheson Wallace Playwrights Program at The Juilliard School. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Appropriation (law)
In law and government, appropriation (from Latin ''appropriare'', "to make one's own", later "to set aside") is the act of setting apart something for its application to a particular usage, to the exclusion of all other uses. It typically refers to the legislative designation of money for particular uses, in the context of a budget or spending bill. Ecclesiastical law In ecclesiastical law, appropriation is the perpetual annexation of an ecclesiastical benefice to the use of some spiritual corporation, either aggregate or sole. In the Middle Ages in England the custom grew up of the monasteries reserving to their own use the greater part of the tithes of their appropriated benefices, leaving only a small portion to their vicars in the parishes. On the dissolution of the monasteries the rights to collect "great tithes" were often sold off, along with former monastic lands, to laymen; whose successors, known as "lay impropriators" or "lay rectors," still hold them, the system b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Appropriation Of Knowledge
Appropriation of knowledge is the process of constructing knowledge from social and cultural sources, and integrating it into pre-existing schemas. It is a developmental process that comes about through socially formulated, goal-directed, and tool-mediated actions. Appropriation draws on the developmental theories of Piaget and Vygotsky, as both the cognitive and social-constructivist views of learning are equally emphasized. Henry Jenkins, discusses appropriation as "the ability to meaningfully sample and remix the content(s)" of our culture for new expressive purposes. Jenkins noted that many literature classes in schools are embracing appropriation. A common example of appropriation at its finest is Ricardo Pitts-Wiley's "Moby-Dick: Then and Now", a contemporary reworking of Herman Melville's Moby-Dick narrative. Fundamental to appropriation is the idea that knowledge is socially constructed and that the student plays an active role in its construction. Appropriation has occurre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Impropriation
Impropriation, a term from English ecclesiastical law, was the destination of the income from tithes of an ecclesiastical benefice to a layman. With the establishment of the parish system in England, it was necessary for the properties to have an owner. This was the ''parochianus'' or parson/rector who was sustained by the benefice income while providing personally for the cure-of-souls. The parson was technically a corporation sole.A legal entity vested in an individual and his successors by reason of his office which persists even though there is no living person holding it and its affairs are being administered by "sequestrators" With the passage of time, the benefice came to be considered a piece of property whose holder could discharge the spiritual responsibilities by a deputy and many were appropriated by monasteries or other spiritual corporations.Neep, E.J.C; Edinger, George. A Handbook of Church Law for the Clergy. A.R. Mowbray & Cº(1928) p.74 These were bound to provi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Cultural Appropriation
Cultural appropriation is the inappropriate or unacknowledged adoption of an element or elements of one culture or identity by members of another culture or identity. This can be controversial when members of a dominant culture appropriate from minority cultures. Fourmile, Henrietta (1996). "Making things work: Aboriginal and Torres Strait Islander Involvement in Bioregional Planning" in ''Approaches to bioregional planning. Part 2. Background Papers to the conference; 30 October – 1 November 1995, Melbourne''; Department of the Environment, Sport and Territories. Canberra. pp. 268–269: "The esternintellectual property rights system and the (mis)appropriation of Indigenous knowledge without the prior knowledge and consent of Indigenous peoples evoke feelings of anger, or being cheated" According to critics of the practice, cultural appropriation differs from acculturation, assimilation, or equal cultural exchange in that this appropriation is a form of colonialism. When cu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Reappropriation
In linguistics, reappropriation, reclamation, or resignification is the cultural process by which a group reclaims words or artifacts that were previously used in a way disparaging of that group. It is a specific form of a semantic change (i.e. change in a word's meaning). Linguistic reclamation can have wider implications in the fields of discourse and has been described in terms of personal or sociopolitical empowerment. Characteristics A ''reclaimed'' or ''reappropriated'' word is a word that was at one time pejorative but has been brought back into acceptable usage, usually starting within its original target, i.e. the communities that were pejoratively described by that word, and later spreading to the general populace as well. Some of the terms being reclaimed have originated as non-pejorative terms that over time became pejorative. Reclaiming them can be seen as restoring their original intent. This, however, does not apply to all such words as some were used in a der ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Original Appropriation
Appropriation is a process by which previously unowned natural resources, particularly land, become the property of a person or group of persons. The term is widely used in economics in this sense. In certain cases, it proceeds under very specifically defined forms, such as driving stakes or other such markers into the land claimed, which form gave rise to the term “staking a claim.” " Squatter’s rights" are another form of appropriation, but are usually asserted against land to which ownership rights of another party have been recognized. In legal regimes recognizing such acquisition of property, the ownership of duly appropriated holdings enjoys such protections as the law provides for ownership of property in general. Under some systems using this method of acquiring ownership of land, it is permitted to employ violence in defending the duly appropriated holding against encroachment against the ownership or usage claims, again usually according to specifically defined forms ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Personality Rights
Personality rights, sometimes referred to as the right of publicity, are rights for an individual to control the commercial use of their identity, such as name, image, likeness, or other unequivocal identifiers. They are generally considered as property rights, rather than personal rights, and so the validity of personality rights of publicity may survive the death of the individual to varying degrees, depending on the jurisdiction. Classification Personality rights are generally considered to consist of two types of rights: the right of publicity, or the right to keep one's image and likeness from being commercially exploited without permission or contractual compensation, which is similar (but not identical) to the use of a trademark; and the right to privacy, or the right to be left alone and not have one's personality represented publicly without permission. In common law jurisdictions, publicity rights fall into the realm of the tort of passing off. United States jurispruden ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Appropriation (By Any Other Name)
"Appropriation (By Any Other Name)" is a 7-inch single and CD release by Sheffield band the Long Blondes. It was released on June 13, 2005 on Angular Records. The song is a homage to Hitchcock's 1958 film Vertigo. it has been said that this song is told from the point of view of Judy, due to lines such as "When I met you, I never wore dresses like that" and "You can't have me, make me act the same". Lead singer Kate Jackson painted two different portraits for the CD single and 7-inch single. They both depicted Kim Novak's characters Madeleine Elster and Judy Barton. The song was not featured on their debut album Someone to Drive You Home, but the b-side, ''Lust In The Movies'' was. Both were featured on the compilation album "Singles". The song was well received by critics. Track listing All lyrics written by Dorian Cox and Kate Jackson, ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |