|
Apochromatic
An apochromat, or apochromatic lens (apo), is a photographic or other lens that has better correction of chromatic and spherical aberration than the much more common achromat lenses. Explanation Chromatic aberration is the phenomenon of different colors focusing at different distances from a lens. In photography, chromatic aberration produces soft overall images, and color fringing at high-contrast edges, like an edge between black and white. Astronomers face similar problems, particularly with telescopes that use lenses rather than mirrors. ''Achromatic'' lenses are corrected to bring ''two'' wavelengths into focus in the same plane – typically red (~0.590 µm) and blue (~0.495 µm). ''Apo''chromatic lenses are designed to bring ''three'' colors into focus in the same plane – typically red (~0.620 µm), green (~0.530 µm), and blue (~0.465 µm). The residual color error (secondary spectrum) can be up to an order of magnitude less than for an achro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apochromat
An apochromat, or apochromatic lens (apo), is a photographic or other lens that has better correction of chromatic and spherical aberration than the much more common achromat lenses. Explanation Chromatic aberration is the phenomenon of different colors focusing at different distances from a lens. In photography, chromatic aberration produces soft overall images, and color fringing at high-contrast edges, like an edge between black and white. Astronomers face similar problems, particularly with telescopes that use lenses rather than mirrors. ''Achromatic'' lenses are corrected to bring ''two'' wavelengths into focus in the same plane – typically red (~0.590 µm) and blue (~0.495 µm). ''Apo''chromatic lenses are designed to bring ''three'' colors into focus in the same plane – typically red (~0.620 µm), green (~0.530 µm), and blue (~0.465 µm). The residual color error (secondary spectrum) can be up to an order of magnitude less than for an achro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apochromatic Focal Curve
An apochromat, or apochromatic lens (apo), is a photographic or other lens that has better correction of chromatic and spherical aberration than the much more common achromat lenses. Explanation Chromatic aberration is the phenomenon of different colors focusing at different distances from a lens. In photography, chromatic aberration produces soft overall images, and color fringing at high-contrast edges, like an edge between black and white. Astronomers face similar problems, particularly with telescopes that use lenses rather than mirrors. ''Achromatic'' lenses are corrected to bring ''two'' wavelengths into focus in the same plane – typically red (~0.590 µm) and blue (~0.495 µm). ''Apo''chromatic lenses are designed to bring ''three'' colors into focus in the same plane – typically red (~0.620 µm), green (~0.530 µm), and blue (~0.465 µm). The residual color error (secondary spectrum) can be up to an order of magnitude less than for an achro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluorite Lens
Fluorite (also called fluorspar) is the mineral form of calcium fluoride, CaF2. It belongs to the halide minerals. It crystallizes in isometric cubic habit, although octahedral and more complex isometric forms are not uncommon. The Mohs scale of mineral hardness, based on scratch hardness comparison, defines value 4 as fluorite. Pure fluorite is colourless and transparent, both in visible and ultraviolet light, but impurities usually make it a colorful mineral and the stone has ornamental and lapidary uses. Industrially, fluorite is used as a flux for smelting, and in the production of certain glasses and enamels. The purest grades of fluorite are a source of fluoride for hydrofluoric acid manufacture, which is the intermediate source of most fluorine-containing fine chemicals. Optically clear transparent fluorite lenses have low dispersion, so lenses made from it exhibit less chromatic aberration, making them valuable in microscopes and telescopes. Fluorite optics are also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic Aberration
In optics, chromatic aberration (CA), also called chromatic distortion and spherochromatism, is a failure of a lens to focus all colors to the same point. It is caused by dispersion: the refractive index of the lens elements varies with the wavelength of light. The refractive index of most transparent materials decreases with increasing wavelength. Since the focal length of a lens depends on the refractive index, this variation in refractive index affects focusing. Chromatic aberration manifests itself as "fringes" of color along boundaries that separate dark and bright parts of the image. Types There are two types of chromatic aberration: ''axial'' (''longitudinal''), and ''transverse'' (''lateral''). Axial aberration occurs when different wavelengths of light are focused at different distances from the lens (focus ''shift''). Longitudinal aberration is typical at long focal lengths. Transverse aberration occurs when different wavelengths are focused at different positions i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic Aberration
In optics, chromatic aberration (CA), also called chromatic distortion and spherochromatism, is a failure of a lens to focus all colors to the same point. It is caused by dispersion: the refractive index of the lens elements varies with the wavelength of light. The refractive index of most transparent materials decreases with increasing wavelength. Since the focal length of a lens depends on the refractive index, this variation in refractive index affects focusing. Chromatic aberration manifests itself as "fringes" of color along boundaries that separate dark and bright parts of the image. Types There are two types of chromatic aberration: ''axial'' (''longitudinal''), and ''transverse'' (''lateral''). Axial aberration occurs when different wavelengths of light are focused at different distances from the lens (focus ''shift''). Longitudinal aberration is typical at long focal lengths. Transverse aberration occurs when different wavelengths are focused at different positions i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achromat
An achromatic lens or achromat is a lens that is designed to limit the effects of chromatic and spherical aberration. Achromatic lenses are corrected to bring two wavelengths (typically red and blue) into focus on the same plane. The most common type of achromat is the achromatic doublet, which is composed of two individual lenses made from glasses with different amounts of dispersion. Typically, one element is a negative (concave) element made out of flint glass such as F2, which has relatively high dispersion, and the other is a positive (convex) element made of crown glass such as BK7, which has lower dispersion. The lens elements are mounted next to each other, often cemented together, and shaped so that the chromatic aberration of one is counterbalanced by that of the other. In the most common type (shown), the positive power of the crown lens element is not quite equalled by the negative power of the flint lens element. Together they form a weak positive lens that will b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic Aberration Lens Diagram
Diatonic and chromatic are terms in music theory that are most often used to characterize Scale (music), scales, and are also applied to musical instruments, Interval (music), intervals, Chord (music), chords, Musical note, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the Common practice period, common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-number
In optics, the f-number of an optical system such as a camera lens is the ratio of the system's focal length to the diameter of the entrance pupil ("clear aperture").Smith, Warren ''Modern Optical Engineering'', 4th Ed., 2007 McGraw-Hill Professional, p. 183. It is also known as the focal ratio, f-ratio, or f-stop, and is very important in photography. It is a dimensionless number that is a quantitative measure of lens speed; increasing the f-number is referred to as ''stopping down''. The f-number is commonly indicated using a lower-case hooked f with the format ''N'', where ''N'' is the f-number. The f-number is the reciprocal of the relative aperture (the aperture diameter divided by focal length). Notation The f-number is given by: N = \frac \ where f is the focal length, and D is the diameter of the entrance pupil (''effective aperture''). It is customary to write f-numbers preceded by "", which forms a mathematical expression of the entrance pupil diameter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superachromat
The superachromat or superachromatic lens was first conceived and developed by Maximilian Herzberger as the ultimate well-corrected lens. The color shift curve of a superachromat is a quartic, meaning that in theory four separate colors can be brought to focus in the same plane, while simultaneously correcting spherical aberration and field aberrations. This near-perfect correction of chromatic aberration is highly beneficial in film and digital multi-spectral photography, as a superachromat can focus near-infrared energy in the 0.7 to 1.0 micrometer wavelength band in the same focal plane as visible light, eliminating the need for refocusing. Unfortunately, due to the limited selection of optical glasses and partial dispersion properties, superachromats must be manufactured with costly fluorite glasses and to very tight tolerances. {{clear, left See also *Photographic lens *Achromat *Apochromat An apochromat, or apochromatic lens (apo), is a photographic or other lens that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoom Lens
A zoom lens is a mechanical assembly of lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens (see prime lens). A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. Most consumer zoom lenses do not maintain perfect focus, but are still parfocal designs. Most camera phones that are advertised as having optical zoom actually use a few cameras of different but fixed focal length, combined with digital zoom to make a hybrid system. The convenience of variable focal length comes at the cost of complexity – and some compromises on image quality, weight, dimensions, aperture, autofocus performance, and cost. For example, all zoom lenses suffer from at least slight, if not considerable, loss of image resolution at their maximum aperture, especially at the extremes of their focal length range. This effect is evident in the corners of the image, when displa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prime Lens
In film and photography, a prime lens is a fixed focal length photographic lens (as opposed to a zoom lens), typically with a maximum aperture from f2.8 to f1.2. The term can also mean the primary lens in a combination lens system. Confusion between these two meanings can occur without clarifying context. Alternate terms, such as ''primary focal length'', ''fixed focal length'', or ''FFL'' are sometimes used to avoid ambiguity. As alternative to zoom lens The term ''prime'' has come to mean the opposite of ''zoom''—a fixed-focal-length, or unifocal lens. While a prime lens of a given focal length is less versatile than a zoom lens, it is often of superior optical quality, wider maximum aperture, lighter weight, and smaller size. These advantages stem from having fewer moving parts, optical elements optimized for one particular focal length, and a less complicated lens formula that creates fewer optical aberration issues. Larger maximum aperture (smaller f-number) facilitate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Index Of Refraction
In optics, the refractive index (or refraction index) of an optical medium is a dimensionless number that gives the indication of the light bending ability of that medium. The refractive index determines how much the path of light is bent, or refracted, when entering a material. This is described by Snell's law of refraction, , where ''θ''1 and ''θ''2 are the angle of incidence and angle of refraction, respectively, of a ray crossing the interface between two media with refractive indices ''n''1 and ''n''2. The refractive indices also determine the amount of light that is reflected when reaching the interface, as well as the critical angle for total internal reflection, their intensity ( Fresnel's equations) and Brewster's angle. The refractive index can be seen as the factor by which the speed and the wavelength of the radiation are reduced with respect to their vacuum values: the speed of light in a medium is , and similarly the wavelength in that medium is , where ''λ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Chromatic Aberration")
