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Animated Documentary
The animated documentary (also known as anidoc) is a moving image form that combines animation and documentary. This form should not be confused with documentaries about movie and TV animation history that feature excerpts. History The first recognized example of this genre is Winsor McCay's 1918 12-minute-long film '' The Sinking of the Lusitania'', which uses animation to portray the 1915 sinking of after it was struck by two torpedoes launched by a German U-boat; an event of which no recorded film footage is known to exist.DelGaudio, Sybil. ''If Truth Be Told, Can Toons Tell It? Documentary and Animation''. Film History 9:2 (1997) p. 189-199 Since the 1920s, animation has been used in educational and social guidance films, and has often been used to illustrate abstract concepts in mainly live-action examples of these genres. Early examples of fully animated educational films are ''The Einstein Theory of Relativity'' and ''Evolution'' (both 1923) by Max and Dave Flei ...
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Moving Image
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ...
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San Francisco Film Festival
The San Francisco International Film Festival (abbreviated as SFIFF), organized by the San Francisco Film Society, is held each spring for two weeks, presenting around 200 films from over 50 countries. The festival highlights current trends in international film and video production with an emphasis on work that has not yet secured U.S. distribution. In 2009, it served around 82,000 patrons, with screenings held in San Francisco and Berkeley."San Francisco Film Festival Bucks Economic Trends to Set New Records for Revenue and Attendance." sffs.org. 7 May 2009. San Francisco Film Society. 29 June 2009 In March 2014, Noah Cowan, former executive director of the Toronto International Film Festival, became executive director of the SFFS and SFIFF, replacing Ted Hope. Prior to Hope, the festival was briefly headed by Bingham Ray, who served as SFFS executive director until his death after only ten weeks on the job in January 2012. Graham Leggat became the executive director of the S ...
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Academy Award
The Academy Awards, better known as the Oscars, are awards for artistic and technical merit for the American and international film industry. The awards are regarded by many as the most prestigious, significant awards in the entertainment industry worldwide. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements, as assessed by the Academy's voting membership. The various category winners are awarded a copy of a golden statuette as a trophy, officially called the "Academy Award of Merit", although more commonly referred to by its nickname, the "Oscar". The statuette, depicting a knight rendered in the Art Deco style, was originally sculpted by Los Angeles artist George Stanley from a design sketch by art director Cedric Gibbons. The 1st Academy Awards were held in 1929 at a private dinner hosted by Douglas Fairbanks in The Hollywood Roosevelt Hotel. The Academy Awards cerem ...
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Chris Landreth
Chris Landreth (born August 4, 1961) is an American animator working in Canada, best known for his work on the 2004 film '' Ryan''. He has made many CGI animated films since the mid-1990s, including ''The End'', ''Bingo'', ''The Listener'', ''Caustic Sky: A Portrait of Regional Acid Deposition'', and ''Data Driven The Story Of Franz K''. Life and career After being an engineer for years, Chris quit and began a second career as an animator. He received a BS(1984) in General Engineering and a MS(1986) degree in Theoretical and Applied Mechanics at the University of Illinois. Three years following, he experimented in fluid mechanics research, until he made baby steps into the world of computer animation. Afterwards in 1994, he was hired to define, test, and sometimes even abuse computer graphics software products. Such products include "movie Grade" software, not limited to but including programs, such as Maya, from the Toronto-based animation firm, Alias (formerly Alias, wavefront, ...
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Autobiography
An autobiography, sometimes informally called an autobio, is a self-written account of one's own life. It is a form of biography. Definition The word "autobiography" was first used deprecatingly by William Taylor in 1797 in the English periodical ''The Monthly Review'', when he suggested the word as a hybrid, but condemned it as "pedantic". However, its next recorded use was in its present sense, by Robert Southey in 1809. Despite only being named early in the nineteenth century, first-person autobiographical writing originates in antiquity. Roy Pascal differentiates autobiography from the periodic self-reflective mode of journal or diary writing by noting that " utobiographyis a review of a life from a particular moment in time, while the diary, however reflective it may be, moves through a series of moments in time". Autobiography thus takes stock of the autobiographer's life from the moment of composition. While biographers generally rely on a wide variety of documents an ...
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Recontextualisation
Recontextualisation is a process that extracts text, signs or meaning from its original context (decontextualisation) and reuses it in another context. Since the meaning of texts, signs and content is dependent on its context, recontextualisation implies a change of meaning and redefinition. The linguist Per Linell defines recontextualisation as: ''the dynamic transfer-and-transformation of something from one discourse/text-in-context ... to another.'' Scholars have theorized a number of theoretical conceptions of recontextualisation, each highlighting different aspects of the reusing of texts, signs, and meaning from its original context. More importantly, recontextualisation has been studied within the field of linguistics and inter-disciplinary Levels and Dimensions of Recontextualisation Bauman and Briggs and the "political economy of texts" Bauman and Briggs argue that recontextualisation (and contextualisation) are informed by "the political economy of texts". Recont ...
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Creature Comforts
''Creature Comforts'' is a British adult stop-motion comedy mockumentary franchise originating in a 1989 British humorous animated short film of the same name. The film matched animated zoo animals with a soundtrack of people talking about their homes, making it appear as if the animals were being interviewed about their living conditions. It was created by Nick Park and Aardman Animations. The film later became the basis of a series of television advertisements for the electricity boards in the United Kingdom, and in 2003, a television series in the same style was released. An American version of the series was also made. The original film The original ''Creature Comforts'' short film was five minutes and a few seconds long and was conceived and directed by Nick Park and produced by Aardman Animations, featuring the voices of British non-actors in the same vein as the "man on the street" Vox Pop interviews. It was produced as part of a series called '' Lip Synch'' for Channe ...
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Paul Fierlinger
Paul Fierlinger (born March 15, 1936 as Pavel Fierlinger) is a creator of animated films and shorts, especially animated documentaries. He is also a part-time lecturer at University of Pennsylvania School of Design. Early life Paul Fierlinger was born on March 15, 1936 in Ashiya, Japan, the son of Czechoslovak diplomats. His father, Jan Fierlinger, was a Czechoslovak diplomat, and his uncle Zdeněk Fierlinger was a prominent figure in the Czechoslovak communist regime from 1948 until 1968. He spent the WWII years in the United States. He studied at a boarding school in Poděbrady, where his schoolmates were Miloš Forman, Ivan Passer or Václav Havel. It is there where Fierlinger at age 12 created his first animated film by shooting drawings from his flipbook with a 16 mm Bolex camera. His experiences of youth and the difficulties of adapting to life in America and then returning to Czechoslovakia are documented in his biopic animated film ''Drawn From Memory''. European ...
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Peter Lord
Peter Lord CBE (born 1953) is an English animator, director, producer and co-founder of the Academy Award-winning Aardman Animations studio, an animation firm best known for its clay-animated films and shorts, particularly those featuring plasticine duo Wallace and Gromit. He also directed ''Chicken Run'' along with Nick Park, and ''The Pirates! Band of Misfits'' which was nominated for Best Animated Feature at the 85th Academy Awards. Lord is the producer/executive producer of every Aardman work, including ''Chicken Run'', ''Arthur Christmas'' and ''Flushed Away.'' Life and career Lord was born in Bristol, England. In co-operation with David Sproxton, a friend of his youth at school together in Woking in the 1960s, he realised his dream of "making and taking an animated movie". He graduated in English from the University of York in 1976. He and Sproxton founded ''Aardman'' as a low-budget backyard studio, producing shorts and trailers for publicity. Their work was first sho ...
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Aardman Animation
Aardman Animations Limited (also known as Aardman Studios, simply Aardman or Aardman Animation and stylised as AARDMAN as of 2022) is a British animation studio based in Bristol, England. It is known for films made using stop-motion and clay animation techniques, particularly those featuring its plasticine characters Wallace and Gromit, Shaun the Sheep, and Morph. After some experimental computer-animated short films during the late 1990s, beginning with ''Owzat'' (1997), Aardman entered the computer animation market with ''Flushed Away'' (2006). As of February 2020, it had earned $1.1 billion worldwide, with an average $134.7 million per film. Aardman's films have been consistently very well received, and their stop-motion films are among the highest-grossing produced, with their 2000 debut, ''Chicken Run'', being their top-grossing film, as well as the highest-grossing stop-motion film of all time. History 1972–1996 Aardman was founded in 1972 as a low-budget project by P ...
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Radio Documentary
A radio documentary is a spoken word radio format devoted to non-fiction narrative. It is broadcast on radio as well as distributed through media such as tape, CD, and podcast. A radio documentary, or feature, covers a topic in depth from one or more perspectives, often featuring interviews, commentary, and sound pictures. A radio feature may include original music compositions and creative sound design or can resemble traditional journalistic radio reporting, but covering an issue in greater depth. History Origins The early stages of fiction audio storytelling did not entirely resemble what would later be called radio documentary. In the 1930s, with radio stations like WNYC entering the airspace, reporters documented real people and real life scenarios through short on-the-ground interviews rather than dramatization. Other notable documentary broadcasts include the unrefined one-shot audio recordings of events, such as the Hindenburg disaster in 1937. By 1939, CBS responded ...
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International Documentary Film Festival Amsterdam
The International Documentary Film Festival Amsterdam (IDFA) is the world's largest documentary film festival held annually since 1988 in Amsterdam. Over a period of twelve days, it has screened more than 300 films and sold more than 250,000 tickets. Visitors to the festival have increased from 65,000 in 2000 to 285,000 in 2018. The festival is an independent, international meeting place for audiences and professionals to see a diverse (in form, content, and cultural background) program of high-quality documentaries. IDFA selects creative and accessible documentaries, which offer new insights into society. In its mission statement, IDFA says it ‘strives to screen films with urgent social themes that reflect the spirit of the time in which they are made’. The festival was initially held at the Leidseplein area in the center of Amsterdam. It has since spread to a number of other locations, including Tuschinski Cinema and EYE Filmmuseum. Apart from its international film progra ...
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