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Anapestic
An anapaest (; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry. In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consists of two unstressed syllables followed by one stressed syllable. It may be seen as a reversed dactyl. This word comes from the Greek , ''anápaistos'', literally "struck back" and in a poetic context "a dactyl reversed". Because of its length and the fact that it ends with a stressed syllable and so allows for strong rhymes, anapaest can produce a very rolling verse, and allows for long lines with a great deal of internal complexity. Apart from their independent role, anapaests are sometimes used as substitutions in iambic verse. In strict iambic pentameter, anapaests are rare, but they are found with some frequency in freer versions of the iambic line, such as the verse of Shakespeare's last plays, or the lyric poetry of the 19th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anapestic Tetrameter
Anapestic tetrameter is a poetic meter that has four anapestic metrical feet per line. Each foot has two unstressed syllables followed by a stressed syllable. It is sometimes referred to as a "reverse dactyl", and shares the rapid, driving pace of the dactyl. Description and uses Anapestic tetrameter is a rhythm well suited for comic verse, and prominent examples include Clement Clarke Moore's "A Visit from St. Nicholas" and the majority of Dr. Seuss's poems. When used in comic form, anapestic tetrameter is often highly regular, as the regularity emphasizes the breezy, melodic feel of the meter, though the initial unstressed beat of a line may often be omitted. Non comic usage The verse form is not solely comic. Lord Byron's The Destruction of Sennacherib is in anapestic tetrameter. Eminem's hit song " The Way I Am" uses the meter for all parts of the song except the chorus. In non-comic works, it is likely that anapestic tetrameter will be used in a less regular manner, with c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metrical Foot
The foot is the basic repeating metre (poetry), rhythmic unit that forms part of a line of poetry, verse in most Indo-European languages, Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classics, classical ancient Greek poetry, ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the Iamb (foot), iamb, trochee, dactyl (poetry), dactyl, and anapest. The foot might be compared to a Bar (music), bar, or a beat (music), beat divided into pulse groups, in musical notation. The English word "foot" is a translation of the Latin term ''pes'', plural ''pedes'', which in turn is a translation of the Ancient Greek ποῦς, pl. πόδες. The Ancient Greek prosodists, who invented this terminology, specified that a foot must have both an arsis and thesis, arsis and a thesis, that is, a place where the foot was raised ("arsis") ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iamb (foot)
An iamb () or iambus is a metrical foot used in various types of poetry. Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in () "beautiful (f.)"). This terminology was adopted in the description of accentual-syllabic verse in English, where it refers to a foot comprising an unstressed syllable followed by a stressed syllable (as in ''abóve''). Thus a Latin word like , because of its short-long rhythm, is considered by Latin scholars to be an iamb, but because it has a stress on the first syllable, in modern linguistics it is considered to be a trochee. Etymology R. S. P. Beekes has suggested that the grc, ἴαμβος ''iambos'' has a Pre-Greek origin. An old hypothesis is that the word is borrowed from Phrygian or Pelasgian, and literally means "Einschritt", i. e., "one-step", compare ''dithyramb'' and ''thriambus'', but H. S. Versnel rejects this etymology and sugg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Possum's Book Of Practical Cats
''Old Possum's Book of Practical Cats'' (1939) is a collection of whimsical light poems by T. S. Eliot about feline psychology and sociology, published by Faber and Faber. It serves as the basis for Andrew Lloyd Webber's 1981 musical '' Cats''. Eliot wrote the poems in the 1930s and included them, under his assumed name "Old Possum", in letters to his godchildren. They were collected and published in 1939, with cover illustrations by the author, and quickly re-published in 1940, illustrated in full by Nicolas Bentley. They have also been published in versions illustrated by Edward Gorey (1982), Axel Scheffler (2009) and Rebecca Ashdown (2014). Contents The contents of ''Old Possum's Book of Practical Cats'', along with the names of the featured cats where appropriate, are: * "The Naming of Cats" * "The Old Gumbie Cat" ( Jennyanydots) * "Growltiger's Last Stand" * "The Rum Tum Tugger" * "The Song of the Jellicles" * "Mungojerrie and Rumpleteazer" * "Old Deuteronomy" * " (Of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Book Of Nonsense
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Lear
Edward Lear (12 May 1812 – 29 January 1888) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limerick (poetry), limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to make illustrations of birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; and as a (minor) illustrator of Alfred, Lord Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes and alphabets. He also composed and published twelve musical settings of Tennyson's poetry. Biography Early years Lear was born into a middle-class family at Holloway, London, Holloway, North London, the penultimate of 21 children (and youngest to survive) of Ann Clark Skerrett and Jeremiah Lear, a stoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hunting Of The Snark
''The Hunting of the Snark'', subtitled ''An Agony in 8 Fits'', is a poem by the English writer Lewis Carroll. It is typically categorised as a nonsense poem. Written between 1874 and 1876, it borrows the setting, some creatures, and eight portmanteau words from Carroll's earlier poem "Jabberwocky" in his children's novel ''Through the Looking-Glass'' (1871). The narrative follows a crew of ten trying to hunt the Snark, a creature which may turn out to be a highly dangerous ''Boojum''. The only crewmember to find the Snark quietly vanishes, leading the narrator to explain that the Snark was a Boojum after all. The poem is dedicated to young Gertrude Chataway, whom Carroll met at the English seaside town Sandown in the Isle of Wight in 1875. Included with many copies of the first edition of the poem was Carroll's religious tract, ''An Easter Greeting to Every Child Who Loves "Alice"''. ''The Hunting of the Snark'' was published by Macmillan in the United Kingdom in March 1876 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Carroll
Charles Lutwidge Dodgson (; 27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English author, poet and mathematician. His most notable works are ''Alice's Adventures in Wonderland'' (1865) and its sequel ''Through the Looking-Glass'' (1871). He was noted for his facility with word play, logic, and fantasy. His poems ''Jabberwocky'' (1871) and ''The Hunting of the Snark'' (1876) are classified in the genre of literary nonsense. Carroll came from a family of high-church Anglicanism, Anglicans, and developed a long relationship with Christ Church, Oxford, where he lived for most of his life as a scholar and teacher. Alice Liddell, the daughter of Christ Church's dean Henry Liddell, is widely identified as the original inspiration for ''Alice in Wonderland'', though Carroll always denied this. An avid puzzler, Carroll created the word ladder puzzle (which he then called "Doublets"), which he published in his weekly column for ''Vanity Fair ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limerick (poetry)
A limerick ( ) is a form of verse, usually humorous and frequently rude, in five-line, predominantly trimeter with a strict rhyme scheme of AABBA, in which the first, second and fifth line rhyme, while the third and fourth lines are shorter and share a different rhyme. The following example is a limerick of unknown origin: The form appeared in England in the early years of the 18th century. It was popularized by Edward Lear in the 19th century, although he did not use the term. Gershon Legman, who compiled the largest and most scholarly anthology, held that the true limerick as a folk form is always obscene, and cites similar opinions by Arnold Bennett and George Bernard Shaw, describing the clean limerick as a "periodic fad and object of magazine contests, rarely rising above mediocrity". From a folkloric point of view, the form is essentially transgressive; violation of taboo is part of its function. Form The standard form of a limerick is a stanza of five lines, with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Aeroplane Over The Sea (song)
"In the Aeroplane Over the Sea" is the third song on the Neutral Milk Hotel album of the same name. Background and composition Bandleader Jeff Mangum wrote the song almost instantaneously while staying in Athens, Georgia with fellow Elephant 6 musicians. The song was written soon after Mangum became romantically involved with Laura Carter. While sitting in the yard of their Athens home, Mangum suddenly announced, "I got a song in my head!" and ran inside the house to play the song for the first time. The song makes a brief reference to Anne Frank, who is alluded to throughout the album. It is about a young man who realizes that one day he is going to die, and accepts the idea. "In the Aeroplane Over the Sea" is one of the more uplifting songs on the album despite having death as the subject material. Stewart Mason of AllMusic writes, "'In the Aeroplane Over the Sea' is almost giddy at the thought of eternal rest: 'When we meet on a cloud, I'll be laughing out loud' probably isn' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neutral Milk Hotel
Neutral Milk Hotel was an American band formed in Ruston, Louisiana, by musician Jeff Mangum. They were active from 1989 to 1998, and again from 2013 to 2015. The band's music featured a deliberately low-quality sound, influenced by indie rock and psychedelic folk. Mangum wrote surreal and opaque lyrics that covered a wide range of topics, including love, spirituality, nostalgia, sex, and loneliness. He and the other band members played a variety of instruments, including non-traditional rock instruments like the singing saw, uilleann pipes, and Digital Horn. Neutral Milk Hotel began as one of Mangum's home recording projects. In 1994, he released the song " Everything Is" on Cher Doll Records. The song's exposure convinced him to record more music under this name. In 1996, he worked with childhood friend Robert Schneider to record the album ''On Avery Island'', which received modest reviews and sold around 5,000 copies. Mangum recruited musicians Julian Koster, Jeremy Barnes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atalanta In Calydon/Text
Atalanta (; grc-gre, Ἀταλάντη, Atalantē) meaning "equal in weight", is a heroine in Greek mythology. There are two versions of the huntress Atalanta: one from Arcadia, whose parents were Iasus and Clymene and who is primarily known from the tales of the Calydonian boar hunt and the Argonauts; and the other from Boeotia, who is the daughter of King Schoeneus and is primarily noted for her skill in the footrace. In both versions, Atalanta was a local figure allied to the goddess Artemis; in such oral traditions, minor characters were often assigned different names, resulting in minor regional variations. Mythology Early life At birth, Atalanta was taken to Mount Parthenion to be exposed because her father had desired a son. A she-bear—one of the symbols of Artemis—whose cubs had been recently killed by hunters came upon Atalanta and nursed her until those same hunters discovered her and raised her themselves in the mountains. Atalanta then grew up to be a swift-f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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