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Zoot Sims And The Gershwin Brothers
''Zoot Sims and the Gershwin Brothers'' is a 1975 studio album by Zoot Sims, featuring the music of George and Ira Gershwin. _Overview_))).html" ;"title="allmusic (((Zoot Sims and the Gershwin Brothers > Overview )))">allmusic (((Zoot Sims and the Gershwin Brothers > Overview )))/ref> Track listing # " The Man I Love" – 6:26 # "How Long Has This Been Going On?" – 2:16 # " Oh, Lady be Good!" – 4:37 # "I've Got a Crush on You" – 3:01 # "I Got Rhythm" – 7:09 # "Embraceable You" – 4:52 # "'S Wonderful" – 4:40 # " Someone to Watch Over Me" – 3:46 # "Isn't It a Pity?" – 3:27 # " Summertime" (George Gershwin, Ira Gershwin, DuBose Heyward) – 5:25 # "They Can't Take That Away from Me" – 4:33 All music composed by George Gershwin and all lyrics written by Ira Gershwin except where noted. Personnel * Zoot Sims – saxophone * Oscar Peterson – piano * Joe Pass – guitar * George Mraz – dou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoot Sims
John Haley "Zoot" Sims (October 29, 1925 – March 23, 1985) was an American jazz saxophonist, playing mainly tenor but also alto (and, later, soprano) saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn. Biography Sims was born in 1925 in Inglewood, California, United States, to vaudeville performers Kate Haley and John Sims. His father was a vaudeville hoofer, and Sims prided himself on remembering many of the steps his father taught him. Growing up in a performing family, he learned to play drums and clarinet at an early age. His brother was the trombonist Ray Sims. Sims began on tenor saxophone at age 13. He initially modelled his playing on the work of Lester Young, Ben Webster, and Don Byas. By his late teens, having dropped out of high school, he was playing in big bands, starting with those of Kenny Baker and Bobby Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Pass
Joe Pass (born Joseph Anthony Jacobi Passalaqua; January 13, 1929 – May 23, 1994) was an American jazz guitarist. Pass is well known for his work stemming from numerous collaborations with pianist Oscar Peterson and vocalist Ella Fitzgerald, and is often heralded as one of the most unique and notable jazz guitarists of the 20th century. Early life Pass was born in New Brunswick, New Jersey, New Brunswick, New Jersey, on January 13, 1929. His father, Mariano Passalaqua, was a steel mill worker who was born in Sicily. The family later moved to Johnstown, Pennsylvania. Pass became interested in the guitar after he saw Gene Autry on television. He got his first guitar when he was nine. He took guitar lessons every Sunday with a local teacher for 6-8 months and also practiced for many hours each day. Pass found work as a performer as early as age 14. He played with bands led by Tony Pastor (bandleader), Tony Pastor and Charlie Barnet, honing his guitar skills while learning the ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Peterson
Oscar Emmanuel Peterson (August 15, 1925 – December 23, 2007) was a Canadian virtuoso jazz pianist and composer. Considered one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won seven Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community as "the King of inside swing". Biography Early years Peterson was born in Montreal, Quebec, to immigrants from the West Indies (Saint Kitts and Nevis and the British Virgin Islands); His mother, Kathleen, was a domestic worker and his father, Daniel, worked as a porter for Canadian Pacific Railway and was an amateur musician who taught himself to play the organ, trumpet and piano. Peterson grew up in the neighbourh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Summertime (George Gershwin Song)
"Summertime" is an aria composed in 1934 by George Gershwin for the 1935 opera ''Porgy and Bess''. The lyrics are by DuBose Heyward, the author of the novel '' Porgy'' on which the opera was based, and Ira Gershwin. The song soon became a popular and much-recorded jazz standard, described as "without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century". Composer and lyricist Stephen Sondheim characterized Heyward's lyrics for "Summertime" and "My Man's Gone Now" as "the best lyrics in the musical theater". ''Porgy and Bess'' Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period. Gershwin had completed setting DuBose Heyward's poem to music by February 1934, and spent the next 20 months completing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isn't It A Pity?
"Isn't It a Pity?" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the unsuccessful 1933 musical ''Pardon My English''. It was introduced by George Givot and Josephine Huston. Notable recordings *Victor Arden - Phil Ohman & Their Orchestra (vocal by Scrappy Lambert) - recorded on December 8, 1932, for Victor Records (catalog No. 24206). *Eddy Duchin & His Central Park Casino Orchestra - recorded on January 18, 1933, for Brunswick Records (catalog No. 6476). *Sarah Vaughan - ''Sarah Vaughan Sings George Gershwin'' (EmArcy, 1958) *Ella Fitzgerald - ''Ella Fitzgerald Sings the George and Ira Gershwin Songbook'' (1959) *Mitzi Gaynor - ''Mitzi Gaynor Sings the Lyrics of Ira Gershwin'' (Verve, 1959). *Beverly Kenney - ''Born to be Blue'' (1959). *Mabel Mercer - ''Once in a Blue Moon'' (1959) *Johnny Mathis - ''The Rhythms and Ballads of Broadway'' (1960) *Mel Tormé - '' That's All'' (1965) and ''Mel Tormé and Friends'' (1981). *Carol Sloane - '' But N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Someone To Watch Over Me (song)
"Someone to Watch Over Me" is a 1926 song composed by George Gershwin with lyrics by Ira Gershwin, assisted by Howard Dietz who penned the title. It was written for the musical ''Oh, Kay!'' (1926), with the part originally sung on Broadway by English actress Gertrude Lawrence while holding a rag doll in a sentimental solo scene. The musical ran for more than 200 performances in New York and then saw equivalent acclaim in London in 1927, all with the song as its centerpiece. Lawrence released the song as a medium-tempo single which rose to #2 on the charts in 1927. Origin Initially, "Someone to Watch Over Me" was written by George Gershwin for the musical ''Oh, Kay!'' as a "fast and jazzy" up-tempo rhythm tune – marked ''scherzando'' (playful) in the sheet music – but in the 1930s and 1940s it was recorded by singers in a slower ballad form, which became the standard. The definitive slow torch song version was first released by Lee Wiley in 1939, followed by Margaret Whiting in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'S Wonderful
"S Wonderful" is a 1927 popular song composed by George Gershwin, with lyrics written by Ira Gershwin. It was introduced in the Broadway musical ''Funny Face'' (1927) by Adele Astaire and Allen Kearns. The song is considered a standard and has been recorded by many artists, especially jazz artists. In 1928, Adele Astaire, who introduced the song on stage the previous year, recorded one of the earliest versions with Bernard Clifton. The most successful recordings in 1928 were however by Frank Crumit and by the Ipana Troubadors. Other recordings Other vocal versions include those of Bing Crosby (recorded in 1954 for use on his radio show and it was subsequently included in the box set ''The Bing Crosby CBS Radio Recordings (1954-56)'' issued by Mosaic Records (catalog MD7-245) in 2009.), Sun Ra, Brian Wilson, Anita O'Day, Gene Kelly, Ella Fitzgerald (for her album ''Ella Fitzgerald Sings the George and Ira Gershwin Song Book''), Michael Feinstein (for his album ''Pure Gershwin''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
