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Zoopoetics
Zoopoetics has been defined as "the process of discovering innovative breakthroughs in form through an attentiveness to another species' bodily ''poiesis''." It assumes many actual, biological animals possess agency to craft gestures, vocalizations—clear material signs—in order to create social cohesion with conspecifics and other animals. Zoopoetics is not a minor event in poetry, nor is it limited to human spheres. Other species discover innovative forms of their bodily ''poiesis'', through, at times, an attentiveness towards humans. Many disciplines have contributed to the radical revaluation of the animal in culture and society; zoopoetics further contributes through tracing the implications of Whitman's insight, that animals, including humans, follow the "same old law" of a bodily ''poiesis''. Usage Jacques Derrida first used the term in ''The Animal that Therefore I Am'' (an address first delivered in 1997), speaking of "Kafka's vast zoopoetics". And so, in the bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poiesis
In philosophy and semiotics, ''poiesis'' (from grc, ποίησις) is "the activity in which a person brings something into being that did not exist before." ''Poiesis'' is etymologically derived from the ancient Greek term ποιεῖν, which means "to make". It is related to the word ''poetry'', which shares the same root. The word is also used as a suffix, as in the biological term hematopoiesis, the formation of blood cells. Overview In the ''Symposium'', a Socratic dialogue written by Plato, Diotima describes how mortals strive for immortality in relation to poiesis. In all begetting and bringing forth upon the beautiful, there is a kind of making/creating or poiesis. In this genesis, there is a movement beyond the temporal cycle of birth and decay. "Such a movement can occur in three kinds of poiesis: (1) Natural poiesis through sexual procreation, (2) poiesis in the city through the attainment of heroic fame, and, finally, (3) poiesis in the soul through the cultiva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoosemiotics
Zoosemiotics is the semiotic study of the use of signs among animals, more precisely the study of semiosis among animals, i.e. the study of how something comes to function as a sign to some animal. It is the study of animal forms of knowing. Considered part of biosemiotics, zoosemiotics is related to the fields of ethology and animal communication. It was developed by semiotician Thomas Sebeok based on the theories of German-Estonian biologist Jakob von Uexküll. The field is defined by having as its subject matter all of those semiotic processes that are shared by both animals and humans. The field also differs from the field of animal communication in that it also interprets signs that are not communicative in the traditional sense, such as camouflage, mimicry, courtship behavior etc. The field also studies cross-species communication, for example between humans and animals. See also * Biosemiotics *Phytosemiotics *Zoopoetics References Further reading * Sebeok, Thomas A. 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoosemiotics
Zoosemiotics is the semiotic study of the use of signs among animals, more precisely the study of semiosis among animals, i.e. the study of how something comes to function as a sign to some animal. It is the study of animal forms of knowing. Considered part of biosemiotics, zoosemiotics is related to the fields of ethology and animal communication. It was developed by semiotician Thomas Sebeok based on the theories of German-Estonian biologist Jakob von Uexküll. The field is defined by having as its subject matter all of those semiotic processes that are shared by both animals and humans. The field also differs from the field of animal communication in that it also interprets signs that are not communicative in the traditional sense, such as camouflage, mimicry, courtship behavior etc. The field also studies cross-species communication, for example between humans and animals. See also * Biosemiotics *Phytosemiotics *Zoopoetics References Further reading * Sebeok, Thomas A. 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grasshopper On Prairie Grass
Grasshoppers are a group of insects belonging to the suborder Caelifera. They are among what is possibly the most ancient living group of chewing herbivorous insects, dating back to the early Triassic around 250 million years ago. Grasshoppers are typically ground-dwelling insects with powerful hind legs which allow them to escape from threats by leaping vigorously. As hemimetabolous insects, they do not undergo complete metamorphosis; they hatch from an egg into a Nymph (biology), nymph or "hopper" which undergoes five moults, becoming more similar to the adult insect at each developmental stage. The grasshopper hears through the tympanal organ which can be found in the first segment of the abdomen attached to the thorax; while its sense of vision is in the compound eyes, the change in light intensity is perceived in the simple eyes (ocelli). At high population densities and under certain environmental conditions, some grasshopper species can change color and behavior and for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walt Whitman
Walter Whitman (; May 31, 1819 – March 26, 1892) was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was controversial in his time, particularly his 1855 poetry collection ''Leaves of Grass'', which was described as obscene for its overt sensuality. Born in Huntington on Long Island, Whitman resided in Brooklyn as a child and through much of his career. At the age of 11, he left formal schooling to go to work. Later, Whitman worked as a journalist, a teacher, and a government clerk. Whitman's major poetry collection, ''Leaves of Grass'', was first published in 1855 with his own money and became well known. The work was an attempt at reaching out to the common person with an American epic. He continued expanding and revising it until his de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Derrida
Jacques Derrida (; ; born Jackie Élie Derrida; See also . 15 July 1930 – 9 October 2004) was an Algerian-born French philosopher. He developed the philosophy of deconstruction, which he utilized in numerous texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.Jacques Derrida . ''Encyclopædia Britannica''. Britannica.com. Retrieved 19 May 2017. He is one of the major figures associated with and postmodern philosophy [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetoric
Rhetoric () is the art of persuasion, which along with grammar and logic (or dialectic), is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics". Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric or phases of developing a persuasive speech were first codified in classical Rome: invention, arrangement, style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heideggerian Terminology
Martin Heidegger, the 20th-century German philosopher, produced a large body of work that intended a profound change of direction for philosophy. Such was the depth of change that he found it necessary to introduce many neologisms, often connected to Idiom, idiomatic words and phrases in the German language. Two of his most basic neologisms, present-at-hand and ready-to-hand, are used to describe various attitudes toward things in the world. For Heidegger, such "attitudes" are prior to, i.e. more basic than, the various sciences of the individual items in the world. Science itself is an attitude, one that attempts a kind of neutral investigation. Other related terms are also explained below. Heidegger's overall analysis is quite involved, taking in a lot of the history of philosophy. See ''Being and Time'' for a description of his overall project, and to give some context to these technical terms. Terms ( grc, ἀλήθεια) Heidegger's idea of , or disclosure (), was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carduelis Pinus At Feeder
The genus ''Carduelis'' is a group of birds in the finch family Fringillidae. The genus ''Carduelis'' was introduced by the French zoologist Mathurin Jacques Brisson in 1760 by tautonomy based on Carl Linnaeus's specific epithet for the European goldfinch ''Fringilla carduelis''. The name ''carduelis'' is the Latin word for the European goldfinch. Many bird species were at one time assigned to the genus, but it became clear from phylogenetic studies of mitochondrial and nuclear DNA sequences that the genus was polyphyletic. The polyphyletic nature of the genus was confirmed by Dario Zuccon and coworkers in a comprehensive study of the finch family published in 2012. The authors suggested splitting the genus into several monophyletic clades, a proposal that was accepted by the International Ornithologists' Union. The siskins and goldfinches from the Americas formed a distinct clade and were moved to the resurrected genus '' Spinus'', the greenfinches were moved to the genus ''Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconicity
In functional-cognitive linguistics, as well as in semiotics, iconicity is the conceived similarity or analogy between the form of a sign (linguistic or otherwise) and its meaning, as opposed to arbitrariness (which is typically assumed in structuralist, formalist and generative approaches to linguistics). The principle of iconicity is also shared by the approach of linguistic typology. Iconic principles: *Quantity principle: conceptual complexity corresponds to formal complexity *Proximity principle: conceptual distance tends to match with linguistic distance *Sequential order principle: the sequential order of events described is mirrored in the speech chain Quantity principle The use of quantity of phonetic material to iconically mark increased quality or quantity can be noted in the lengthening of words to indicate a greater degree, such as "". It is also common to use reduplication to iconically mark increase, as Edward Sapir is quoted, “The process is generally empl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deer In Woods
Deer or true deer are hoofed ruminant mammals forming the family Cervidae. The two main groups of deer are the Cervinae, including the muntjac, the elk (wapiti), the red deer, and the fallow deer; and the Capreolinae, including the reindeer (caribou), white-tailed deer, the roe deer, and the moose. Male deer of all species (except the water deer), as well as female reindeer, grow and shed new antlers each year. In this they differ from permanently horned antelope, which are part of a different family (Bovidae) within the same order of even-toed ungulates (Artiodactyla). The musk deer (Moschidae) of Asia and chevrotains (Tragulidae) of tropical African and Asian forests are separate families that are also in the ruminant clade Ruminantia; they are not especially closely related to Cervidae. Deer appear in art from Paleolithic cave paintings onwards, and they have played a role in mythology, religion, and literature throughout history, as well as in heraldry, such as red dee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ecocriticism
Ecocriticism is the study of literature and ecology from an interdisciplinary point of view, where literature scholars analyze texts that illustrate environmental concerns and examine the various ways literature treats the subject of nature. It was first originated by Joseph Meeker as an idea called “literary ecology” in his ''The Comedy of Survival: Studies in Literary Ecology (''1972). The term 'ecocriticism' was coined in 1978 by William Rueckert in his essay "Literature and Ecology: An Experiment in Ecocriticism". It takes an interdisciplinary point of view by analyzing the works of authors, researchers and poets in the context of environmental issues and nature. Some ecocritics brainstorm possible solutions for the correction of the contemporary environmental situation, though not all ecocritics agree on the purpose, methodology, or scope of ecocriticism. In the United States, ecocriticism is often associated with the Association for the Study of Literature and Environme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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