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Zombie (MAX)
The Zombie (Simon William Garth) is a fictional supernatural character appearing in American comic books published by Marvel Comics. The character was created by writer Stan Lee and artist Bill Everett for the standalone story "Zombie" in the horror-anthology comic book '' Menace'' #5 (July 1953), which was published by Atlas Comics, a forerunner to Marvel. The character later became well known for starring in the black-and-white horror-comic magazine series ''Tales of the Zombie'' (1973–1975), usually in stories by Steve Gerber and Pablo Marcos. Publication history Marvel Comics editor-in-chief Roy Thomas plucked the character Simon Garth, the Zombie, from a pre-Comics Code horror tale in '' Menace'' #5 (July 1953), published by Marvel forerunner Atlas Comics, and brought the character into modern-day continuity in ''Tales of the Zombie'' #1 (August 1973). The initial modern story, co-scripted by Thomas and Steve Gerber and drawn by John Buscema and Tom Palmer, was a 12-page ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tales Of The Zombie
''Tales of the Zombie'' was an American black-and-white horror comics magazine published by Magazine Management, a corporate sibling of Marvel Comics. The series ran 10 issues and one '' Super Annual'' from 1973 to 1975, many featuring stories of the Zombie (Simon Garth) by writer Steve Gerber and artist Pablo Marcos. A magazine rather than a comic book, it did not fall under the purview of the comics industry's self-censorship Comics Code Authority, allowing the title to feature stronger content — such as moderate profanity, partial nudity, and more graphic violence — than the color comics of the time. Publication history Copyrighted as simply ''Zombie'' and commonly known by its trademarked cover title, ''Tales of the Zombie'', the magazine ran 10 issues cover dated 1973 - March 1975. With sister titles including ''Dracula Lives!'', '' Monsters Unleashed!'' and ''Vampire Tales'', it was published by Marvel Comics' parent company, Magazine Management, and related corporations, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Fiction
Horror is a genre of fiction which is intended to frighten, scare, or disgust. Horror is often divided into the sub-genres of psychological horror and supernatural horror, which is in the realm of speculative fiction. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society. Prevalent elements of the genre include ghosts, demons, vampires, werewolves, ghouls, the Devil, witches, monsters, extraterrestrials, dystopian and post-apocalyptic worlds, serial killers, cannibalism, cults, dark magic, satanism, the macabre, gore and torture. History Before 1000 The horror genre has ancient origins, with roots in folklore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Age Of Comic Books
The Golden Age of Comic Books describes an era of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created and many well-known characters were introduced, including Superman, Batman, Robin, Captain Marvel, Captain America, and Wonder Woman. Etymology The first recorded use of the term "Golden Age" was by Richard A. Lupoff in an article, "Re-Birth", published in issue one of the fanzine ''Comic Art'' in April 1960. History An event cited by many as marking the beginning of the Golden Age was the 1938 debut of Superman in ''Action Comics'' #1, published by Detective Comics (predecessor of DC Comics). Superman's popularity helped make comic books a major arm of publishing, which led rival companies to create superheroes of their own to emulate Superman's success. World War II Between 1939 and 1941 Detective Comics and its sister company, All-American Publications, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inker
The inker (sometimes credited as the finisher or embellisher) is one of the two line artists in traditional comic book production. The penciller creates a drawing, the inker outlines, interprets, finalizes, retraces this drawing by using a pencil, pen or a brush. Inking was necessary in the traditional printing process as presses could not reproduce pencilled drawings. "Inking" of text is usually handled by another specialist, the letterer, the application of colors by the colorist. As the last hand in the production chain before the colorist, the inker has the final word on the look of the page, and can help control a story's mood, pace, and readability. Workflow While inking can involve tracing pencil lines in a literal sense, it also requires interpreting the pencils, giving proper weight to the lines, correcting mistakes, and making other creative choices. The look of a penciler's final art can vary enormously depending on the inker. A pencil drawing can have an infinite n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Wilson (comics)
Ron Wilson (born February 16) is an American comics artist known for his work on comic books starring the Marvel Comics character The Thing, including the titles '' Marvel Two-in-One'' and '' The Thing''. Wilson spent eleven years, from 1975 to 1986, chronicling The Thing's adventures through different comic titles. He co-created the '' Wolfpack'' characters with writer Larry Hama. Early life Ron Wilson was born in Brooklyn, New York and grew up in the Canarsie neighborhood. Career Wilson entered the comics industry in the early 1970s at Marvel Comics where he produced both cover illustrations and interior artwork. He was the regular artist on '' Marvel Two-in-One'' from 1975–1978 and again from 1980–1983; while additionally working on titles such as '' Black Goliath'', '' Power Man'', '' The Hulk!'' and ''Captain Britain''. In the 1980s, after the cancellation of ''Marvel Two-in-One'', Wilson teamed with writer John Byrne on ''The Thing'' (1983–1986). In 1983 he plotte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pencilers
A penciller (or penciler) is an artist who works on the creation of comic books, graphic novels, and similar visual art forms, with a focus on the initial pencil illustrations, usually in collaboration with other artists, who provide inks, colors and lettering in the book, under the supervision of an editor. In the American comic book industry, the penciller is the first step in rendering the story in visual form, and may require several steps of feedback with the writer. These artists are concerned with layout (positions and vantages on scenes) to showcase steps in the plot. Tools and materials A penciller works in pencil. Beyond this basic description, however, different artists choose to use a wide variety of different tools. While many artists use traditional wood pencils, others prefer mechanical pencils or drafting leads. Pencillers may use any lead hardness they wish, although many artists use a harder lead (like a 2H) to make light lines for initial sketches, then turn to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Claremont
Christopher S. Claremont (; born November 25, 1950) is a British-born American comic book writer and novelist, known for his 17-year stint on ''Uncanny X-Men'' from 1975 to 1991, far longer than that of any other writer,Claremont, Chris. ''Marvel Age Special: X-Men Anniversary Magazine'' vol. 1, #1 (Sept. 1993). during which he is credited with developing strong female characters as well as introducing complex literary themes into superhero narratives, turning the once underachieving comic into one of Marvel's most popular series. During his tenure at Marvel, Claremont co-created numerous X-Men characters, such as Rogue, Psylocke (Betsy Braddock), Kitty Pryde/Shadowcat, Phoenix, The Brood, Lockheed, Shi'ar, Shi'ar Imperial Guard, Mystique, Destiny, Selene, Reverend William Stryker, Lady Mastermind, Emma Frost, Tessa, Siryn, Jubilee, Rachel Summers, Madelyne Pryor, Moira MacTaggert, Lilandra, Shadow King, Cannonball, Warpath, Mirage, Wolfsbane, Karma, Cypher, Sabretooth, E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Isabella
Tony Isabella (born December 22, 1951) is an American comic book writer, editor, actor, artist and critic, known as the creator and writer of Marvel Comics' Black Goliath; DC Comics' first major African-American superhero, Black Lightning; and as a columnist and critic for the ''Comics Buyer's Guide''. Biography Early life and influences Tony Isabella was born in Cleveland, Ohio. He discovered comics at the age of four, when his mother began bringing him I. W. Publications titles she bought at Woolworth. Early influences from the comic book world included Stan Lee, Jack Kirby, Roy Thomas, Robert Kanigher, and Len Wein; Isabella was also influenced by writers such as William Shakespeare, Harlan Ellison, Ed McBain, Neil Simon, Mel Brooks, Lester Dent, Dave Barry, Max Allan Collins, Don Pendleton, and Studs Terkel. As a teenager, Isabella had many letters published in comic book letter columns, primarily in the pages of Marvel titles. He was active in comics fandom as well, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfredo Alcala
Alfredo P. Alcala (August 23, 1925 – April 4, 2000) was a Filipino comics artist, born in Talisay, Negros Occidental in the Philippines. Alcala was an established illustrator whose works appeared in the ''Alcala Komix Magazine''. His 1963 creation '' Voltar'' introduced him to an international audience, particularly in the United States. Alcala garnered awards in science fiction during the early part of the 1970s. Biography Alfredo Alcala's lifelong interest in comic books began in childhood. He dropped out of school in his early teens to pursue a career in art, initially as a sign painter and commercial artist. Subsequently he took employment in an ironworker's shop, designing lamps and household furniture, as well as a church pulpit. During the Japanese occupation of the Philippines in World War II he drew revealing pictures of their gear and position for the American forces. Inspired by the work of Lou Fine and other cartoonists, Alcala commenced his comic book career i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doug Moench
Douglas Moench (; born February 23, 1948) is an American comic book writer notable for his ''Batman'' work and as the creator of Moon Knight, Deathlok, Black Mask, ''Electric Warrior'' and ''Six from Sirius''. He is also known for his critically acclaimed eight year run on '' Master of Kung Fu''. Early life Born in Chicago, Illinois, Moench has written novels, short stories, newspaper feature articles, weekly newspaper comic strips, film screenplays and teleplays. His first published work was ''My Dog Sandy'', a comic strip printed in his elementary school newspaper. Moench had a fan letter printed in The Amazing Spider-Man issue #17 (Oct. 1964) in which he praised the art of Steve Ditko. He began his professional writing career with scripts for ''Eerie'' #29 and ''Vampirella'' #7 (both cover dated September 1970) and articles for the ''Chicago Sun-Times''. In 1973, he moved to New York City. Career Moench began working for Marvel Comics in 1973, with his first story for the com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Comics Database
The Grand Comics Database (GCD) is an Internet-based project to build a database of comic book information through user contributions. The GCD project catalogues information on creator credits, story details, reprints, and other information useful to the comic book reader, comic collector, fan, and scholar. The GCD is a 501(c)(3) nonprofit organization incorporated in Arkansas. History One of the earliest published catalogues of comic books appeared in the 1960s, when Dr. Jerry Bails and Howard Keltner put together some projects to catalogue the comic books of the "Golden Age." These efforts were Dr. Bails' ''The Collector's Guide to the First Heroic Age of Comics'', and ''Howard Keltner's Index to Golden Age Comic Books'', and their collaboration on ''The Authoritative Index to DC Comics.'' The next big step in organizing data about comic books was Robert Overstreet's ''Overstreet Comic Book Price Guide'', which is still being published. This guide is sometimes referred to as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comics Code
The Comics Code Authority (CCA) was formed in 1954 by the Comics Magazine Association of America as an alternative to government regulation. The CCA allowed the comic publishers to self-regulate the content of comic books in the United States. The code was voluntary; there was no law requiring its use, although some advertisers and retailers looked to it for reassurance. Some publishers including Dell, Western, and Classics Illustrated never used it. Its code, commonly called "the Comics Code", lasted until the early 21st century. The CC formation followed a moral panic centered around a series of Senate hearings and the publication of psychiatrist Fredric Wertham's book ''Seduction of the Innocent''. Members submitted comics to the CCA, which screened them for adherence to its code, then authorized the use of their seal on the cover if the book was found to be in compliance. At the height of its influence, it was a ''de facto'' censor for the entire U.S. comic book industry. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
