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Zhenren
Zhenren () is a Chinese term that first appeared in the ''Zhuangzi'' meaning "Taoist spiritual master", roughly translatable as "Perfected Person". Religious Taoism mythologized ''zhenren'' to rank above ''xian'' "transcendent; immortal" in the celestial hierarchy, while Chinese Buddhism used it to translate ''Arahant'' "Enlightened One". Linguistics of ''Zhen'' The common Chinese word ''zhen'' "true; real; authentic" is linguistically unusual. It was originally written with an ideogram (one of the rarest types in Chinese character classification) depicting "spiritual transformation". It originated in the Taoist ''Tao Te Ching'' and does not appear in the early Confucian classics. Characters The archaic Chinese character was reduced into , which is the Traditional Chinese character, Simplified Chinese character, and Japanese Kanji. (Note the slight font variation between Chinese and Japanese : when enlarged, the Japanese character reveals separation between the central and low ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xian (Taoism)
''Xian'' () refers to a person or similar entity having a long life or being immortal. The concept of ''xian'' has different implications dependent upon the specific context: philosophical, religious, mythological, or other symbolic or cultural occurrence. The Chinese word ''xian'' is translatable into English as: * (''in Daoist philosophy and cosmology'') spiritually immortal; transcendent human; celestial being * (''in Daoist religion and pantheon'') physically immortal; immortal person; an immortal; saint * (''in Chinese alchemy'') alchemist; one who seeks the elixir of life; one who practices longevity techniques ** (''or by extension'') alchemical, dietary, or qigong methods for attaining immortality * (''in Chinese mythology'') wizard; magician; shaman; sorcerer * (''in popular Chinese literature'') genie; elf, fairy; nymph; (''xian jing'' is fairyland, faery) * (''based on the folk etymology for the character , a compound of the characters for ''person'' and ''mountain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arahant
In Buddhism, an ''arhat'' (Sanskrit: अर्हत्) or ''arahant'' (Pali: अरहन्त्, 𑀅𑀭𑀳𑀦𑁆𑀢𑁆) is one who has gained insight into the true nature of existence and has achieved ''Nirvana'' and liberated from the endless cycle of rebirth. Mahayana Buddhist traditions have used the term for people far advanced along the path of Enlightenment, but who may not have reached full Buddhahood. The understanding of the concept has changed over the centuries, and varies between different schools of Buddhism and different regions. A range of views on the attainment of arhats existed in the early Buddhist schools. The Sarvāstivāda, Kāśyapīya, Mahāsāṃghika, Ekavyāvahārika, Lokottaravāda, Bahuśrutīya, Prajñaptivāda, and Caitika schools all regarded arhats as imperfect in their attainments compared to buddhas.Sree Padma. Barber, Anthony W. ''Buddhism in the Krishna River Valley of Andhra''. 2008. p. 44Warder, A.K. ''Indian Buddhism'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huashu
The ''Huashu'' (), or The ''Book of Transformations'', is a 930 CE Daoist classic about ''neidan'' "internal alchemy", psychological subjectivity, and spiritual transformation. In the description of Poul Andersen, The ''Huashu'' is a unique philosophical work of the period of the Five Dynasties, which syncretizes elements of Taoist, Buddhist, and Confucian thought, and which has been noted in recent times for its scientific observations (for instance regarding optics and acoustics) and for its unusual emphasis on epistemological considerations. Its influence during the Song and subsequent dynasties was substantial, both within Taoist and Confucian metaphysics, and especially as foundation of alchemical thought. Authors Authorship of the ''Huashu'' is associated with three people. The Southern Tang (937–975 CE) chancellor Song Qiqiu 宋齊丘 first published it under his name, but evidence suggests he plagiarized the ''Huashu'' from its primary author Tan Qiao 譚峭, who later s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhuangzi (book)
The ''Zhuangzi'' (Chinese: , historically romanized ''Chuang Tzŭ'') is an ancient Chinese text from the late Warring States period (476221) which contains stories and anecdotes that exemplify the carefree nature of the ideal Taoist sage. Named for its traditional author, "Master Zhuang" (Zhuangzi), the ''Zhuangzi'' is one of the two foundational texts of Taoism, along with the ''Tao Te Ching''. The ''Zhuangzi'' consists of a large collection of anecdotes, allegories, parables, and fables, which are often humorous or irreverent. Its main themes are of spontaneity in action and of freedom from the human world and its conventions. The fables and anecdotes in the text attempt to illustrate the falseness of human distinctions between good and bad, large and small, life and death, and human and nature. While other ancient Chinese philosophers focused on moral and personal duty, Zhuangzi promoted carefree wandering and becoming one with "the Way" (''Dào'' ) by following nature. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xu Shen
Xu Shen ( CE) was a Chinese calligrapher, philologist, politician, and writer of the Eastern Han Dynasty (25-189). He was born in the Zhaoling district of Run'an prefecture (today known as Luohe in Henan Province). During his own lifetime, Xu was recognized as a preeminent scholar of the Five Classics. He was the author of ''Shuowen Jiezi'',''Daijisen'' entry "Xu Shen" (''Kyo Shin'' in Japanese). Shogakukan.'' Kanjigen'' entry "Xu Shen" (''Kyo Shin'' in Japanese). Gakken, 2006. which was the first comprehensive dictionary of Chinese characters, as well as the first to organize entries by radical. This work continues to provide scholars with information on the development and historical usage of Chinese characters. Xu Shen completed his first draft in 100 CE but, waited until 121 CE before having his son present the work to the Emperor An of Han. Life Xu was a student of the scholar-official Jia Kui (30-101). Under Jia, he established himself as a master in his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radical (Chinese Character)
A Chinese radical () or indexing component is a graphical component of a Chinese character under which the character is traditionally listed in a Chinese dictionary. This component is often a semantic indicator similar to a morpheme, though sometimes it may be a phonetic component or even an artificially extracted portion of the character. In some cases the original semantic or phonological connection has become obscure, owing to changes in character meaning or pronunciation over time. The English term "radical" is based on an analogy between the structure of characters and inflection of words in European languages. Radicals are also sometimes called "classifiers", but this name is more commonly applied to grammatical classifiers (measure words). History In the earliest Chinese dictionaries, such as the '' Erya'' (3rd century BC), characters were grouped together in broad semantic categories. Because the vast majority of characters are phono-semantic compounds (), comb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonetic
Phonetics is a branch of linguistics that studies how humans produce and perceive sounds, or in the case of sign languages, the equivalent aspects of sign. Linguists who specialize in studying the physical properties of speech are phoneticians. The field of phonetics is traditionally divided into three sub-disciplines based on the research questions involved such as how humans plan and execute movements to produce speech (articulatory phonetics), how various movements affect the properties of the resulting sound (acoustic phonetics), or how humans convert sound waves to linguistic information (auditory phonetics). Traditionally, the minimal linguistic unit of phonetics is the phone—a speech sound in a language which differs from the phonological unit of phoneme; the phoneme is an abstract categorization of phones. Phonetics deals with two aspects of human speech: production—the ways humans make sounds—and perception—the way speech is understood. The communicative modali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qilin
The qilin (; ) is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or passing of a sage or illustrious ruler. Qilin are a specific type of the mythological family of one-horned beasts. The qilin also appears in the mythologies of other cultures, such as Japanese and Korean mythology, where it is known as the kirin, and Vietnamese mythology, where it is known as the kỳ lân. Origins Earliest mention of this mythical horned beast is in the poem included in the Classic of Poetry (11th - 7th c. BCE). ''Spring and Autumn Annals'' mentioned that a ''lin'' () was captured in the 14th year of Duke Ai of Lu () (481 CE); '' Zuo Zhuan'' credited Confucius with identifying the ''lin'' as such. The bisyllabic form ''qilin'' ( ~ ), which carries the same generic meaning as ''lin'' alone, is attested in works dated to the Warring States period (475 - 221 BCE). Q''i'' denotes the male and ''lin'' denotes the fem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Dragon
The Chinese dragon, also known as ''loong'', ''long'' or ''lung'', is a legendary creature in Chinese mythology, Chinese folklore, and Chinese culture at large. Chinese dragons have many Outline of life forms, animal-like forms such as Bixi (mythology), turtles and Chiwen, fish, but are most commonly depicted as snake-like with four legs. Academicians have identified four reliable theories on the origin of the Chinese dragon: snakes, Chinese alligators, thunder and nature worship. They traditionally symbolize potent and wikt:auspicious, auspicious powers, particularly control over water, rainfall, typhoons, and floods. The dragon is also a symbol of power, strength, and good luck for people who are worthy of it in East Asian cultural sphere, East Asian culture. During the days of Imperial China, the Emperor of China usually used the dragon as a symbol of his imperial strength and power. In Chinese culture, excellent and outstanding people are compared to a dragon, while incapable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
