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Zeng-hou-yi Tomb
The Tomb of Marquis Yi of Zeng () is an archaeological site in Leigudun Community (), Nanjiao Subdistrict (), Zengdu District, Suizhou (during the Spring and Autumn period called Sui County), Hubei, China, dated sometime after 433 BC. The tomb contained the remains of Marquis Yi of Zeng (sometimes "Duke Yi"), and is one of a handful of ancient Chinese royal tombs to have been discovered intact and then excavated using modern archaeological methods. Zeng was a state during the Spring and Autumn period of China. The tomb was made around 433 BC, either at the end of the Spring and Autumn period or the start of the Warring States period. The tomb comes from the end of the thousand-year-long period of the burial of large sets of Chinese ritual bronzes in elite tombs, and is also unusual in containing large numbers of musical instruments, including the great set of bells for which it is most famous. Discovery and layout The People's Liberation Army accidentally discovered the tomb i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bianzhong
Bianzhong (Chinese:编钟) is an ancient Chinese musical instrument consisting of a set of bronze bells, played melodically. China is the earliest country to manufacture and use musical chimes. They are also called Chime Bells. These sets of chime bells were used as polyphonic musical instruments and some of these bells have been dated at between 2,000 to 3,600 years old. They were hung in a wooden frame and struck with a mallet. Using a wooden hammer and a rod to beat the bronze bell can make different pitch. Along with the stone chimes called ''bianqing'', they were an important instrument in China's ritual and court music going back to ancient times. Several sets of ''bianzhong'' were imported to the Korean court during the Song Dynasty. Pronounced in Korean as pyeonjong, the instrument became an important part in Korea's ritual and court music and is still in use. In Vietnam, the instrument, which was used in ceremonies in the court at Huế, is called biên chung. The instr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octaves
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of Fu Hao
The Tomb of Fu Hao () is an archaeological site at Yinxu, the ruins of the ancient Shang dynasty capital Yin, within the modern city of Anyang in Henan Province, China. Discovered in 1976 by Zheng Zhenxiang, it was identified as the final resting place of the queen and military general Fu Hao, who died about 1200 BCE and was likely the Lady Hao inscribed on oracle bones by king Wu Ding and one of his many wives. It is to date the only Shang royal tomb found intact with its contents and excavated by archaeologists. The excavation was conducted by the Anyang Working Team of the Archaeological Institute of the Chinese Academy of Social Sciences, and after extensive restoration the tomb was opened to the public in 1999. Discovery and contents In 1976 Zheng Zhenxiang and her archaeological team were probing the area around Yinxu with a long shovel, called a Luoyang shovel, and recovered some samples of red lacquer. The burial pit uncovered, officially titled tomb number 5, is a sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shang Dynasty
The Shang dynasty (), also known as the Yin dynasty (), was a Chinese royal dynasty founded by Tang of Shang (Cheng Tang) that ruled in the Yellow River valley in the second millennium BC, traditionally succeeding the Xia dynasty and followed by the Western Zhou dynasty. The classic account of the Shang comes from texts such as the '' Book of Documents'', '' Bamboo Annals'' and '' Records of the Grand Historian''. According to the traditional chronology based on calculations made approximately 2,000 years ago by Liu Xin, the Shang ruled from 1766 to 1122 BC, but according to the chronology based upon the "current text" of ''Bamboo Annals'', they ruled from 1556 to 1046 BC. Comparing the same text with dates of five-planet conjunctions, David Pankenier, supported by David Nivison, proposed dates of the establishment of the dynasty to 1554 BC. The Xia–Shang–Zhou Chronology Project dated the establishment to c. 1600 BC based on the carbon-14 dates of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheng (instrument)
The ( zh, c=笙) is a Chinese mouth-blown polyphonic free reed instrument consisting of vertical pipes. It is one of the oldest Chinese instruments, with images depicting its kind dating back to 1100 BCE, and there are original instruments from the Han dynasty that are preserved in museums today. Traditionally, the has been used as an accompaniment instrument for solo or performances. It is one of the main instruments in and some other forms of Chinese opera. Traditional small ensembles also make use of the , such as the wind and percussion ensembles in northern China. In the modern large Chinese orchestra, it is used for both melody and accompaniment. The has been used in the works of a few non-Chinese composers, including Unsuk Chin, Jukka Tiensuu, Lou Harrison, Tim Risher, Daníel Bjarnason, Guus Janssen and Christopher Adler. Some believe that Johann Wilde and Pere Amiot traveled to China and brought the first to Europe in 1740 and 1777 respectively, although th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flutes
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paixiao
The ''paixiao'' (traditional: 排簫; simplified: 排箫; pinyin: ''páixiāo''; also pái xiāo) is a Chinese wind instrument, a form of pan flute. A major difference between the Chinese Paixiao and the panpipes used in European and South American traditions, is that at the top of the Chinese instrument the pipe holes are each cut angled or with notches. This allows for bending the pitch in similar capacity to the dongxiao down a minor second. This allows Chinese paixiao to be fully chromatic without loss in timbre, even though the included pipes are tuned diatonically.The method of blowing ''so'' is to hold the head of the frame with both hands, with the mouthpiece facing the front, place the lower lip on the mouthpiece, and find and blow each tube according to the pitch. In Korea, an instrument called the ''so'' (hangul: 소; hanja: 簫) was derived from the ''paixiao'' and used in ritual music. The ''so'' is made up of 16 bamboo tubes, so each sound is played in one tube. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan Flute
A pan flute (also known as panpipes or syrinx) is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length (and occasionally girth). Multiple varieties of pan flutes have been popular as folk instruments. The pipes are typically made from bamboo, Arundo donax, giant cane, or local reeds. Other materials include wood, plastic, metal and ivory. Name The pan flute is named after Pan (god), Pan, the List of Greek mythological figures, Greek god of nature and shepherds often depicted with such an instrument. The pan flute has become widely associated with the character Peter Pan created by Sir James Matthew Barrie, whose name was inspired by the god Pan. In Greek mythology, Syrinx (Σύριγξ) was a forest nymph. In her attempt to escape the affection of god Pan (a creature half goat and half man), she was transformed into a water-reed or calamos (cane-reed). Then, Pan cut several reeds, placed them in paralle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhu (string Instrument)
The ''zhu'' ( 筑; pinyin: zhù (Mainland); zhú (Taiwan)) was an ancient Chinese string instrument. Though rarely used, three very old specimens in varying degrees of preservation survive. One with five strings, dating to approximately 433 BC, was discovered in the Tomb of Marquis Yi of Zeng, in the Hubei province of central China. It first became popular during the Warring States period, when its most famous player was Gao Jianli, a citizen of the state of Yan who attracted the attention and played for Qin Shi Huang, the first emperor of China. The instrument remained popular through the Sui and Tang dynasties, and was lost during the Song Dynasty. Little is known about the instrument but it is believed to have been a zither with a rectangular wooden body, with silk or gut strings that were played with a slender stick. Although ancient sources state that the instrument was struck (implying that the stick was bounced on the string in the manner of a hammered dulcimer in order ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guqin
The ''guqin'' (; ) is a plucked seven-string Chinese musical instrument. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his ''qin'' or '' se'' without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The ''guqin'' is not to be confused with the '' guzheng'', another Chinese long stringed instrument also without frets, but with moveable bridges under each string. Traditionally, the instrument was simply referred to as the "''qin''" (琴) but by the twentieth century the term had come to be applied to many other musical instruments as well: the ''yangqin'' hammered dulcimer, the ''huqin'' family of bowed string instruments, and the Western piano (''gangqin'' (钢琴) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Se (instrument)
The ''se'' () is an ancient plucked zither of Chinese origin. It varied in size and construction, but generally had 25–50 strings with moveable bridges and a range of up to five octaves. It was one of the most important stringed instruments in China, along with the ''qin''. The ''se'' gradually faded out of use, having evolved into the similar ''zheng''. Modern versions of the ''se'' often resemble the ''zheng'', and attempts have been made to revive the instrument. History According to legend, the ''se'' was created by the god Fuxi. It is said that the word for music, ''yue'' ( 樂), is composed of the characters ''si'' for silk (絲) and ''mu'' for wood (木), and that it is a representation of the instrument. Historical accounts of the ''se'' begin in the Western Zhou period (1045–771 BC), and was a popular instrument during the Spring and Autumn period (771-476 BC). Together with the ''qin'', it is mentioned in the ''Guan Ju'', the famous first poem from the ''Classic of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
