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Zelmira
''Zelmira'' () is an opera in two acts by Gioachino Rossini to a libretto by Andrea Leone Tottola. Based on the French play, ''Zelmire'' by de Belloy, it was the last of the composer's Neapolitan operas. Stendhal called its music Teutonic, comparing it with ''La clemenza di Tito'' but remarking: "...while Mozart would probably, had he lived, have grown completely Italian, Rossini may well, by the end of his career, have become more German than Beethoven himself!" Performance history The first performance of ''Zelmira'' was in Naples at the Teatro di San Carlo on 16 February 1822. This was followed by a successful premiere in Vienna on 13 April 1822, as part of a three-month-long Rossini Festival for which Rossini wrote some additional music. Performances in several Italian cities were followed by the London premiere on 24 January 1824, with Rossini conducting and Isabella Colbran (now his wife) in the title role. It was seen in Paris in 1826. There was one presentation in the U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zelmira Tomb
''Zelmira'' () is an opera in two acts by Gioachino Rossini to a libretto by Andrea Leone Tottola. Based on the French play, ''Zelmire'' by Pierre-Laurent Buirette de Belloy, de Belloy, it was the last of the composer's Teatro di San Carlo, Neapolitan operas. Stendhal called its music Teutonic, comparing it with ''La clemenza di Tito'' but remarking: "...while Mozart would probably, had he lived, have grown completely Italian, Rossini may well, by the end of his career, have become more German than Beethoven himself!" Performance history The first performance of ''Zelmira'' was in Naples at the Teatro di San Carlo on 16 February 1822. This was followed by a successful premiere in Vienna on 13 April 1822, as part of a three-month-long Rossini Festival for which Rossini wrote some additional music. Performances in several Italian cities were followed by the London premiere on 24 January 1824, with Rossini conducting and Isabella Colbran (now his wife) in the title role. It was see ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kate Aldrich
Kate Aldrich (born October 31, 1973, Damariscotta, Maine) is an American mezzo-soprano. She has performed with the Metropolitan Opera, San Francisco Opera, Teatro Colón in Buenos Aires, the Hamburg State Opera, Teatro Regio (Turin), Rossini Opera Festival, Los Angeles Opera, Opéra de Montréal, the Deutsche Oper am Rhein in Düsseldorf, Teatro Nacional de São Carlos in Lisbon, National Theatre in Prague, and the New York City Opera. Her roles include Carmen, Antoine Mariotte's Salome, Octavian in ''Der Rosenkavalier'', Cesare and Sesto in ''Giulio Cesare'', Isabella in ''L'italiana in Algeri'', Rosina in ''Il barbiere di Siviglia'', Angelina in ''La Cenerentola'', Arsace in ''Semiramide'', Zelmira in ''Zelmira'', Fenena in ''Nabucco'', Preziosilla in ''La forza del destino'', Eboli in ''Don Carlos'', Dalila in ''Samson et Dalila'', Sesto in ''La clemenza di Tito'', Giulietta in ''Tales of Hoffmann'' and Dulcinée in ''Don Quichotte''. Aldrich rose to international fame in 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Diego Flórez
Juan Diego Flórez (born Juan Diego Flórez Salom, January 13, 1973) is a Peruvian operatic tenor, particularly known for his roles in bel canto operas. On June 4, 2007, he received his country's highest decoration, the ''Knight Grand Cross in the Order of the Sun of Peru''. Biography Early years Flórez was born in Lima, Peru in 1973, the son of María Teresa Salom and Rubén Flórez, a noted guitarist and singer of Peruvian popular and ''criolla'' music. In an interview in the Peruvian newspaper ''Ojo'', Flórez recounted his early days when his mother managed a pub with live music and he worked as a replacement singer whenever the main attraction called in sick. "It was a tremendous experience for me, since most of those who were regulars at the pub were of a certain age, so I had to be ready to sing anything from huaynos to Elvis Presley music and, in my mind, that served me a great deal because, in the final analysis, any music that is well structured—whether it is jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history" on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013 The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history" on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013 The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Leone Tottola
Andrea Leone Tottola (died 15 September 1831) was a prolific Italian librettist, best known for his work with Gaetano Donizetti and Gioachino Rossini. It is not known when or where he was born. He became the official poet to the royal theatres in Naples and agent for the impresario Domenico Barbaia, and started writing librettos in 1802. His libretto for ''Gabriella di Vergy'', originally set by Michele Carafa in 1816, was reworked by Donizetti in the 1820s and 1830s. He wrote six other librettos for Donizetti, including those for '' La zingara'' (1822), ''Alfredo il grande'' (1823), ''Il castello di Kenilworth'' (1829) and ''Imelda de' Lambertazzi'' (1830). For Rossini he wrote ''Mosè in Egitto'' (1818), ''Ermione'' (1819), ''La donna del lago'' (1819) and ''Zelmira'' (1822). For Vincenzo Bellini he wrote ''Adelson e Salvini'' (1825). Other composers who set Tottola's librettos to music included Giovanni Pacini (''Alessandro nelle Indie'' (1824) and others), Saverio Mercad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Laurent Buirette De Belloy
Pierre-Laurent Buirette de Belloy or Dormont De Belloy (17 November 17275 March 1775) was a French dramatist and actor. Life He was born at Saint-Flour, Cantal, and was educated by his uncle, a distinguished advocate in Paris, for the bar. To escape from a profession he disliked he joined a troupe of comedians playing in the courts of the northern sovereigns. In 1758 the performance of his ''Titus'', which had already been produced in Saint Petersburg, was postponed through his uncle's exertions; and when it did appear, a hostile cabal procured its failure, and it was not until after his guardians death that de Belloy returned to Paris with ''Zelmire'' (1762), a fantastic drama which met with great success, latter becoming an opera by Rossini. This was followed in 1765 by the patriotic play, ''Le Siège de Calais''. The humiliations undergone by France in the Seven Years' War assured a good reception for a play in which the devotion of Frenchmen redeemed disaster. The popular enth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michele Benedetti (bass)
Michele Benedetti (17 October 1778 – after 1828 ) was an Italian bass particularly associated with Rossini roles. Career Benedetti was born in Loreto. He sang in the world première of Giuseppe Farinelli's '' Calliroe'' in 1808 and at the Italian première of Spontini's La vestale in 1811, both in Naples, where his career was based. He created several Rossini roles in Naples, notably: Elmiro in ''Otello'', Idraote in ''Armida'', the title role in ''Mosè in Egitto'', Ircano in ''Ricciardo e Zoraide'', Fenicio in ''Ermione'', Douglas in ''La donna del lago'', Leucippo in ''Zelmira''. For Donizetti, he created the roles of Atkins in ''Alfredo il grande'' (1823) and the King in ''Gianni di Calais'' (1828), and for Bellini in 1826 the role of Clemente in '' Bianca e Gernando''. He also sang in Paris and London, and appeared in premières of operas by Mayr, Pacini, and Mercadante. Stendhal Marie-Henri Beyle (; 23 January 1783 – 23 March 1842), better known by his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni David
Giovanni David (15 September 1790 in Naples – 1864 in Saint Petersburg) was an Italian tenor particularly known for his roles in Rossini operas. Overview David (also known as Davide) was the son of the tenor Giacomo David, with whom he studied. He made his operatic début in Siena in 1808 in ''Adelaide de Guesclino'' by Johann Simon Mayr. He is notable for the principal roles written for him by Gioachino Rossini, mostly for Domenico Barbaia's theatres in Naples: *Narciso in ''Il turco in Italia'' (1814) *Rodrigo in '' Otello'' (1816) *Ricciardo in ''Ricciardo e Zoraide'' (1818) *Oreste in ''Ermione'' (1819) *Uberto ( James IV of Scotland) in ''La donna del lago'' (1819) *Ilo in ''Zelmira'' (1822) He also created the roles of Fernando in the revised version of Bellini's ''Bianca e Fernando'' (1828) and Leicester in Donizetti's ''Il castello di Kenilworth'' (1829). David was noted for his vocal range of almost 3 octaves in performance (up to b′&prime). However, accordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Nozzari
Andrea Nozzari (27 February 1776 – 12 December 1832) was an Italian tenor. Nozzari was born in Vertova and studied in Bergamo and Rome. He is notable for the principal roles written for him by Gioachino Rossini and mostly premiered in Domenico Barbaia's theatres in Naples. These were: *Leicester in ''Elisabetta, regina d'Inghilterra'' (1815) *Otello in ''Otello'' (1816) *Rinaldo in ''Armida'' (1817) *Osiride in ''Mosè in Egitto'' (1818) *Agorante in ''Ricciardo e Zoraide'' (1818) *Pirro in ''Ermione'' (1819) *Rodrigo in ''La donna del lago'' (1819) *Paolo Erisso in ''Maometto II'' (1820) *Antenore in ''Zelmira'' (1822) He also premièred the title roles in Giovanni Pacini's ''Alessandro nelle Indie'' (1824) and Donizetti's ''Alfredo il grande'', and roles in operas by Michele Carafa, Manuel García, Johann Simon Mayr, Saverio Mercadante, Nicola Antonio Manfroce and Stefano Pavesi. Nozzari's voice had a baritonal quality, and his intense acting was much valued by com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calathea
''Calathea'' is a genus of flowering plants belonging to the family Marantaceae. They are commonly called calatheas or (like their relatives) prayer plants. About 200 species formerly assigned to ''Calathea'' are now in the genus ''Goeppertia''. Calathea currently contains around 60 species. Native to the tropical Americas, many of the species are popular as pot plants due to their decorative leaves and, in some species, colorful inflorescences. The young leaves and bracts can retain pools of water called phytotelmata, that provide habitat for many invertebrates.Jalinsky, J., T.A. Radocy, R. Wertenberger, & C.S. Chaboo. 2014. Insect diversity in phytotelmata habitats of two host plants, Heliconia stricta Huber (Heliconiaceae) and Calathea lutea Schult (Marantaceae) in the south-east Amazon of Peru. Journal of the Kansas Entomological Society 87(3): 299–311. Description Foliage Calathea leaves are often large and colorfully patterned. The leaves are often variegated with brig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
