Zang (bell)
   HOME
*



picture info

Zang (bell)
Zang (Persian: زنگ) means bell in Persian, for both large bells and small. The term has historically been applied to a number of ringing metal musical instruments, including large bells with clappers worn by elephants, smaller 3-9 inch bells worn on camels, horses, donkeys and cattle, 2-3 inch sheep bells, and tiny bells tied to the legs of hawks. It also applies to clusters of small bells worn by musicians and dancers, sewn onto cloth bracelets and anklets, or laced on a long string to be wrapped around the waist or hung as a necklace. Additionally, the name in many forms has been applied to cymbals, especially small finger cymbals (Persian: sanj angshati سنج انگشتی) used by dancers, known worldwide today as zills, but also to some larger cymbals including the Iranian '' sanj'' or Iraqi ''zanj''. That cymbals and bells have been differentiated in Persian can be seen in the Shahnameh which refers to both instruments together: His elephant-attendants' crowns of g ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Firdausi
Abul-Qâsem Ferdowsi Tusi ( fa, ; 940 – 1019/1025 CE), also Firdawsi or Ferdowsi (), was a Persian poet and the author of '' Shahnameh'' ("Book of Kings"), which is one of the world's longest epic poems created by a single poet, and the greatest epic of Persian-speaking countries. Ferdowsi is celebrated as one of the most influential figures of Persian literature and one of the greatest in the history of literature. Name Except for his kunya ( – ) and his laqab ( – ''Ferdowsī'', meaning ' paradisic'), nothing is known with any certainty about his full name. From an early period on, he has been referred to by different additional names and titles, the most common one being / ("philosopher"). Based on this, his full name is given in Persian sources as / . Due to the non-standardized transliteration from Persian into English, different spellings of his name are used in English works, including ''Firdawsi'', ''Firdusi'', ''Firdosi'', ''Firdausi'', etc. The ''Encyc ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Naqareh
The ''naqareh'', ''naqqāra'', ''nagara'' or ''nagada'' is a Middle Eastern drum with a rounded back and a hide head, usually played in pairs. It is thus a membranophone of the kettle drum variety. The term ''naqqāra'' (), also ''naqqarat'', ''naqqarah'', ''naqqåre'', ''nakkare'', ''nagora'' comes from the Arabic verb ''naqr-'' that means "to strike, beat". The instrument was also adopted in Europe following the Crusades, and known as the naccaire or naker. Construction The rounded section of a naqqara is made of baked clay, while the flat side consists of treated skin fastened around the rim with string which is tightened over the back of the bow Playing This percussion instrument is often played in pairs, where one ''naqqara'' will produce low pitch beats called ''nar'' and the other for the high pitch beats. The instruments are beaten with short wooden sticks bent outward at the upper ends called ''damka''. Varieties Iraq and the other Arab countries ''Naqqārāt'' is t ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Elathalam
Elathalam, or Ilathalam, is a metallic musical instrument which resembles a miniature pair of cymbals. This instrument from Kerala in southern India is completely made out of bronze and has two pieces in it. Elathalam is played by keeping one part of the cymbal in left hand banging the other cymbal to the one in left hand. Even though this instrument is small by size, it does have more thickness than the common cymbal, and thus gives a distinct chime. Elathalam is never a lead instrument but is used in a number of ethnic Kerala percussion ensembles like Panchavadyam, Chenda melam, Thayambaka and Kailaya vathiyam besides by second singer on a Kathakali stage beside providing the beat in Kuzhal Pattu and Kombu Pattu. Masters of Elathalam Leading elathalam masters of the present day include:Cheriyath Thanku Marar, Chelakkara Unnikrishnan, Maniyamparambil Mani, Kothachira Sekharan Nair, Chengamanad Paramu Nair, Pallavur Raghava Pisharody, Chelakkara Jayan, Pookottur Sasidharan ( ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Mehterhâne
Ottoman military bands are the oldest recorded military marching band in the world. Though they are often known by the word ''Mehter'' ( ota, مهتر, plural: مهتران ''mehterân''; from "senior" in Persian) in West Europe, that word, properly speaking, refers only to a single musician in the band. In Ottoman, the band was generally known as ''mehterân'' (مهتران seniors), though those bands used in the retinue of a vizier or prince were generally known as ''mehterhane'' (Persian: مهترخانه, meaning "house of seniors"), the band as a whole is often termed ''mehter bölüğü'' ("''mehter'' company roop), ''mehter takımı'' ("''mehter'' platoon"). In West Europe, the band's music is also often called Janissary music because the janissaries formed the core of the bands. History Such military bands as the ''mehter''s, were not definitively mentioned until the 13th century. It is believed that the first "mehter" was sent to Osman I by the Seljuk Sultan Alaeddin ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Santur
The santur (also ''santūr'', ''santour'', ''santoor'') ( fa, سنتور), is a hammered dulcimer of Iranian origins.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻUmmāl al-Markazīyya. History The santur was invented and developed in the area of Iran and Mesopotamia. "The earliest sign of it comes from Assyrian and Babylonian stone carvings (669 B.C.); it shows the instrument being played while hanging from the player's neck" (35). This instrument was traded and traveled to different parts of the Middle East. Each country customized and designed its own versions to adapt to their musical scales and tunings. The original santur was made with wood and stones and strung with goat intestines. The Mesopotamian santur has been claimed to be the father of the harp, the Chinese yangqin, the harpsichord, the qanun, the cimbalom, and the American and European hammered dulcimers. Name The name 'santur' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Chang (instrument)
The chang ( fa, چنگ; ; tr, çeng; ar, al-ǧank, italic=yes (''ṣanǧ''); Georgian: ჩანგი ''changi'') is a Persian musical instrument, a vertical angular harp. It was very popular and used widely during the times of ancient Persia, especially during the Sasanian Dynasty where it was often played in the shahs' court. It was also played until the 19th century in the Ottoman Empire but has since disappeared from Turkish folk music. History The chang first appears in paintings and wall art in Persia in about 4000 BCE. In these paintings and mosaics, the chang went from the original arched harp to an angular harp in the early 1900s BCE, with vertical or horizontal sound boxes. From the Hellenistic period (~300 BCE) and through beginning of Common Era (~1 CE), the chang changed shape to be less of a handheld instrument and more of a large, standing harp, and subsequently gained in popularity. Sassanian courts were enamored with the Hellen ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Persian Miniature
A Persian miniature ( Persian: نگارگری ایرانی ''negârgari Irâni'') is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a '' muraqqa''. The techniques are broadly comparable to the Western Medieval and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern expon ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Zill
Zills or zils (from Turkish 'cymbals'), also called finger cymbals, are small metallic cymbals used in belly dancing and similar performances. They are called () in Egypt. They are similar to Tibetan tingsha bells. In Western music, several pairs can be set in a frame to make a tambourine. Names in other languages include ''nuqaisāt'' (after the ''naqus'') in Arabic and used among Berbers, ''ṣunnūj ṣaghīra'' in Arabic, ''Zang-e sarangoshti'' (Persian, possibly related to the '' zang''), sanj angshati (سنج انگشتی) (Persian, related to Sanj), ''çeng'' in Turkish, ''p'eng chung'' in Chinese. History Zills, or finger cymbals, are part of a family of musical instruments known as ''clappers''. Clappers are musical instruments made of wood, bone, metal, and other substances that are played by being struck against each other. Clappers come in pairs and are often held in the hands, fastened together, or strapped to the performer's fingers. The clapper family also i ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. Th ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Jingle (percussion)
In percussion, a jingle is one of a cluster of small bells, shaken or tapped on the palm of the player's hand. The small metal discs arranged around the frame of a tambourine are also called "jingles". In the Hornbostel–Sachs instrument-classification system, they are described as " shaken idiophones". Jingles were often found in ancient times as harness ornaments suspended from the trappings of horses, mules, and camels . That term is referenced in Bob Dylan's hit song, " Mr. Tambourine Man". It is an onomatopoeic term, often used together with ''jangle''. An example of that usage is found in the Frank Loesser song "Jingle Jangle Jingle". See also * Jingle bell A jingle bell or sleigh bell is a type of bell which produces a distinctive 'jingle' sound, especially in large numbers. They find use in many areas as a percussion instrument, including the classic sleigh bell sound and morris dancing. T ... References * Bells (percussion) Early musical instruments ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]