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Zaia Giwargis
''Zaia'' was a Cirque du Soleil stage production based at The Venetian Macao on the Cotai Strip in Macau. The 90-minute show opened in August 2008, bringing together 75 high-calibre artists from around the world. ''Zaia'' was Cirque du Soleil's first resident show in Asia and was directed by Neilson Vignola and Gilles Maheu. The custom-built theater housing the performance was capable of seating 1,800 spectators at a time. ''Zaia'' presented a young girl's dream of journeying into space, discovering worlds populated by a panoply of otherworldly creatures. The title, ''Zaia'', came from a Greek name meaning "life". Due in part to the global financial crisis at the end of 2008 that contributed to low attendance, the show closed on 19 February 2012. Despite its closing, Venetian Macao resort owner Las Vegas Sands Corp. claimed, "Using Las Vegas as a benchmark, ''Zaia''’s 3 1/2-year run should be deemed successful and provide strong support for the argument that the future of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cirque Du Soleil
Cirque du Soleil (, ; "Circus of the Sun" or "Sun Circus") is a Canadian entertainment company and the largest contemporary circus producer in the world. Located in the inner-city area of Saint-Michel, it was founded in Baie-Saint-Paul on 16 June 1984 by former street performers Guy Laliberté and Gilles Ste-Croix. Originating as a performing troupe called ''Les Échassiers'' (; "The Stilt Walkers"), they toured Quebec in various forms between 1979 and 1983. Their initial financial hardship was relieved in 1983 by a government grant from the Canada Council for the Arts to perform as part of the 450th anniversary celebrations of Jacques Cartier's voyage to Canada. Their first official production ''Le Grand Tour du Cirque du Soleil'' was a success in 1984, and after securing a second year of funding, Laliberté hired Guy Caron from the National Circus School to recreate it as a "proper circus". Its theatrical, character-driven approach and the absence of performing animals help ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aerial Straps
Straps, also known as aerial straps, are a type of aerial apparatus on which various feats of strength and flexibility may be performed, often in the context of a circus performance. It is a cotton or nylon web apparatus that looks like two suspended ribbons. Wrapping the strap ends around hands and wrists, the performer performs holds, twists, rolls and manoeuvres, requiring extreme strength and precision similar to men’s rings in gymnastics. Straps are available in various configurations, including those with various types of loops at the ends and those without loops. A straps act usually includes held poses and postures done on the straps, dance moves performed on the floor away from the straps, partner acrobatics done on and off the straps, as well as having the straps pulled up and let down during the act. . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cirque Du Soleil Resident Shows
A (; from the Latin word ') is an amphitheatre-like valley formed by glacial erosion. Alternative names for this landform are corrie (from Scottish Gaelic , meaning a pot or cauldron) and (; ). A cirque may also be a similarly shaped landform arising from fluvial erosion. The concave shape of a glacial cirque is open on the downhill side, while the cupped section is generally steep. Cliff-like slopes, down which ice and glaciated debris combine and converge, form the three or more higher sides. The floor of the cirque ends up bowl-shaped, as it is the complex convergence zone of combining ice flows from multiple directions and their accompanying rock burdens. Hence, it experiences somewhat greater erosion forces and is most often overdeepened below the level of the cirque's low-side outlet (stage) and its down-slope (backstage) valley. If the cirque is subject to seasonal melting, the floor of the cirque most often forms a tarn (small lake) behind a dam, which marks the down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alegría (Cirque Du Soleil)
''Alegría'' is a Cirque du Soleil touring production, created in 1994 by director Franco Dragone and director of creation Gilles Ste-Croix. It takes its name from the Spanish word for "joy". Since April 1994 the show has been performed over 5000 times, and has been seen by over 14 million spectators in more than 250 cities around the world. Acts Acts in the show included: * aerial cube * contortion * fast track * fire * flying man * handbalancing * high bar * juggling * manipulation * power track * Russian bars * shoulder pole wire * slackwire * strong man * synchro trapeze * tightwire Costumes ''Alegría's'' costumes have a dichotomy relating to the Old Order and the New Order. The Old Order has costumes which are reminiscent of New York's Gilded Age as they are finely decorated with feathers, lace, and other adornments. The New Order, on the other hand, representing the youth of tomorrow, have the same rich hues as the old order, while the fabrics used are lighter and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mystère (Cirque Du Soleil)
''Mystère'' (my-steer) is one of six resident Cirque du Soleil shows in Las Vegas, Nevada. Held in a custom theatre at the Treasure Island Hotel and Casino, the show was first performed on 25 December 1993, making it the company's longest running show. As with many Cirque du Soleil productions, ''Mystère'' features a mixture of circus skills, dance, elaborate sets, opera, worldbeat music, and street theatre-style comedy. Featuring a musical score composed by René Dupéré and Benoît Jutras, the show was created under the direction of Franco Dragone. The word "mystère" comes from a French word meaning mystery. History The idea for ''Mystère'' started around 1990. It was originally planned for Caesars Palace with a theme based on Greek and Roman mythology. The plan, however, was scrapped by the casino executives, who thought the project would be too financially risky. ''Mystère'' was very different from the typical material they were used to in a Las Vegas show. According ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aerial Cradle
The cradle (also known as aerial cradle or casting cradle) is a type of aerial circus act in which a performer hangs by his or her knees from a large rectangular frame and swings, tosses, and catches another performer. The aerialist being swung is referred to as a flyer, while the one doing the tossing and catching is referred to as a catcher or caster. The flyer usually starts and ends standing on the frame above the catcher. The flyer swings holding on to the catcher's hands, performs releases at the top of the swing, and is re-caught in mid-air. The frame can be static or swinging. A variant called the Russian cradle or Korean cradle has the catcher/caster standing, secured by a safety belt. This type of aerial performance has been used in many circuses, both in "big tops" and on stage, including by Cirque du Soleil and the Moscow State Circus. See also * Static trapeze Static trapeze, also known as fixed trapeze, is a type of circus art performed on the trapeze. In c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Globe
The rolling globe or walking globe is a circus skill in which a performer balances atop a large sphere. Various gymnastic or juggling stunts may be performed while the performer moves and controls the position of the ball with their feet and/or hands. Further reading * Lauriere, Ludovic. ''Petit traité d'équilibre sur boule''. TheBookEdition. Circus skills {{entertainment-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Pole
Chinese poles are vertical poles on which circus performers climb, slide down and hold poses. The poles are generally between in height and approximately in diameter. Some poles have a slightly larger pole that rotates around the static central pole using ball bearings. This rotating pole allows a performer to spin on the vertical axis, giving a performer the ability to incorporate rate of spin into a performance. Bringing the body closer into the pole causes the performer to spin faster. A few Chinese pole tricks have been incorporated with pole dancing techniques. The poles are sometimes covered with rubber to improve grip. However, the rubber can cause friction burns on parts of the Chinese pole artists' bodies. Acrobats often wear multiple layers of clothing to prevent such burns and bruises. The most famous trick is " the flag", where the artist hangs straight out from the pole with his or her hands. This requires a very strong upper body. A few people are able to do pushup ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rola Bola
A balance board is a device used as a circus skill, for recreation, balance training, athletic training, brain development, therapy, musical training and other kinds of personal development. It is a lever similar to a see-saw that the user usually stands on, usually with the left and right foot at opposite ends of the board. The user's body must stay balanced enough to keep the board's edges from touching the ground and to keep from falling off the board. A different challenge is presented by each of the five basic types of balance boards and their subtypes. Some of them can be attempted successfully by three-year-olds and elderly people, and some, because of their steepness and speed, are difficult and dangerous for professional athletes. In their design, what differentiates the five types (and their subtypes) is how unstable each of them is, i.e., in how many and in which of the three dimensions of space each board turns and/or sways and how freely its fulcrum conta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teeterboard
The teeterboard or Korean plank is an acrobatic apparatus that resembles a playground seesaw. The strongest teeterboards are made of oak (usually 9 feet in length). The board is divided in the middle by a fulcrum made of welded steel. At each end of the board is a square padded area, where a performer stands on an incline before being catapulted into the air. The well-trained flyer performs various aerial somersaults, landing on padded mats, a human pyramid, a specialized landing chair, stilts, or even a Russian bar. The teeterboard is operated by a team of flyers, catchers, spotters and pushers. Some members of the team perform more than one acrobatic role. In the early 1960s the finest teeterboard acts, trained in the Eastern Bloc countries, performed with Ringling Brothers and Barnum & Bailey Circus. Korean-style teeterboard called Neolttwigi is a form of teeterboard where two performers jump vertically in place, landing back on the apparatus instead of dismounting onto a land ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trampoline
A trampoline is a device consisting of a piece of taut, strong fabric stretched between a steel frame using many coiled spring (device), springs. Not all trampolines have springs, as the Springfree Trampoline uses glass-reinforced plastic rods. People bounce on trampolines for recreational and competitive purposes. The fabric that users bounce on (commonly known as the "bounce mat" or "trampoline bed") is not elastic itself; the elasticity is provided by the springs that connect it to the frame, which store potential energy. History Early trampoline-like devices A game similar to trampolining was developed by the Inuit, who would toss blanket dancers into the air on a walrus skin one at a time (see Nalukataq) during a spring celebration of whale harvest. There is also some evidence of people in Europe having been tossed into the air by a number of people holding a blanket. Mak in the Wakefield Mystery Play ''The Second Shepherds' Play'', and Sancho Panza in ''Don Quixote' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fire Staff
A fire staff is a staff constructed out of wood or metal with Kevlar wick added to one or both ends. Fire staffs are used for fire performance. Manipulation There are two predominant styles for manipulating a fire staff: rotational and contact. In rotational fire staff manipulation, the performer's hands are used to manipulate the motion and rotation of the staff. Contact fire staff is a technique whereby the performer rolls the staff over parts of the arms, legs and body. Both techniques can be used in a performance. Another technique is staff juggling, in which three staffs are thrown and caught. Construction Fire staffs can vary in length, weight, balance, and wick arrangements. A staff can range anywhere from a half-metre in length to two or more metres. Fire staffs contrast from fire knives in that their centre of balance rests in the middle of their length. The most common wick arrangement for a fire staff is two wicks of equal size and thickness on either end of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
