Zahn 533
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Zahn 533
"" (Oh God, how much heartache) is a German language, German hymn in 18 stanzas attributed to Martin Moller (1587). It is often catalogued as a paraphrase of the Latin "Jesu dulcis memoria", a medieval hymn attributed to Bernard of Clairvaux, but only a few lines refer directly to this song. Hymn tunes were composed for the hymn (Zahn number, Zahn Nos. 547–549), and it is also often sung to a tune composed for "Herr Jesu Christ, meins Lebens Licht" (Zahn No. 533). The anonymous hymn tune of "Herr Jesu Christ, meins Lebens Licht" first appeared in Wolflein Lochamer's ''Lochamer-Liederbuch'', printed in Nürnberg around 1455. In Leipzig in the 1720s, Johann Sebastian Bach composed settings of Lochamer's hymn based on four of his church cantatas and a sacred motet. Musical settings and harmonization Johann Sebastian Bach used the final three stanzas of "Ach Gott, wie manches Herzeleid" to conclude Schau, lieber Gott, wie meine Feind, BWV 153, ''Schau, lieber Gott, wie mei ...
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Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ...
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Church Cantata
A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Gottfried Heinrich Stölzel, Stölzel, Georg Philipp Telemann, Telemann, Christoph Graupner, Graupner and Johann Krieger, Krieger each wrote nearly or more than a thousand. The best known examples, however, are those of Johann Sebastian Bach, whose output stands out not by quantity but by the high level of expertise and craftmanship which they showcase. The bulk of extant cantatas were composed for occasions occurring in the liturgical calendar of the German Reformation era, including Passion cantatas for Good Friday, and most made reference to the content of the readings and to Lutheran hymns appropriate for the occasion. The chorale, melodies of such hymns often appeared in cantatas, for example as in the four-part harmony, four-part settings concluding Bach's works ...
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16th-century Hymns In German
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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Die Melodien Der Deutschen Evangelischen Kirchenlieder (Zahn, Johannes)
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a ''chorale harmonization''. Lutheran hymns Starting in 1523, Martin Luther began translating worship texts into German from the Latin. He composed melodies for some hymns himself, such as "Ein feste Burg ist unser Gott" ("A Mighty Fortress Is Our God"), and even a few harmonized settings. For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. For example, he fitted the melody of the hymn "Veni redemptor gentium" to three different texts, " Verleih uns Frieden gnädiglich", "Erhalt uns, Herr, bei deinem Wort", and "Nun komm, der Heiden Heiland". The first Lutheran hymns were published in 1524. These inclu ...
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Bertelsmann
Bertelsmann SE & Co. KGaA () is a German private multinational conglomerate corporation based in Gütersloh, North Rhine-Westphalia, Germany. It is one of the world's largest media conglomerates, and is also active in the service sector and education. Bertelsmann was founded as a publishing house by Carl Bertelsmann in 1835. After World War II, Bertelsmann, under the leadership of Reinhard Mohn, went from being a medium-sized enterprise to a major conglomerate, offering not only books but also television, radio, music, magazines and services. Its principal divisions include the RTL Group, Penguin Random House, BMG, Arvato, the Bertelsmann Printing Group, the Bertelsmann Education Group and Bertelsmann Investments. Bertelsmann is an unlisted and capital market-oriented company, which remains primarily controlled by the Mohn family. History 1835 to 1933 The nucleus of the corporation is the ''C. Bertelsmann Verlag'', a publishing house established on July 1, 1835 by ...
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O Jesu Christ, Meins Lebens Licht, BWV 118
''O Jesu Christ, meins Lebens Licht'' (O Jesus Christ, light of my life), BWV 118, is a sacred motet composed by Johann Sebastian Bach. It is known to have been performed at a funeral, and was possibly a generic work intended for funerals.(accessed via Highbeam Research, subscription required) When the work was first published in the nineteenth century it was called a cantata, perhaps because it has an instrumental accompaniment. While it is not an a cappella work, modern scholarship accepts it is a motet. History and text This work was written around 1736 or 1737, and so may have been premiered before the first known performance at the grave-side ceremony for Count on October 11, 1740. The Count was Governor of Leipzig and known to Bach who had presented a couple of congratulatory works to him. The fact that the accompaniment exists in two versions suggests that there was a subsequent revival of the work in the 1740s. The text is a 1610 hymn by Martin Behm. Music "O Je ...
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Ach Gott, Wie Manches Herzeleid, BWV 58
(Ah God, how much heartbreak), 58, is a church cantata by Johann Sebastian Bach. He composed the dialogue cantata in Leipzig for the Sunday after New Year's Day. The text has been attributed to Christoph Birkmann by Christine Blanken of the Bach-Archiv Leipzig. He combined the topics of the readings, the gospel of the Flight into Egypt and teaching about the suffering of Christians from the First Epistle of Peter, in a structure of unusual symmetry with a duet as the first and last of the five movements. Both duets are dialogues of the Soul, represented by a soprano, and Jesus, sung by a bass as the (voice of Christ). Both duets are set as a chorale fantasia, combining a stanza from a hymn, sung by the soprano as the cantus firmus, with original poetry set in counterpoint. Both stanzas are sung to the same melody, but come from different hymns, Martin Moller's "", and Martin Behm's "". While the poet wrote the duets to fit the same music, Bach composed them in contrast, ...
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Epiphany (holiday)
Epiphany ( ), also known as Theophany in Eastern Christian traditions, is a Christian feast day that celebrates the revelation (theophany) of God incarnation (Christianity), incarnate as Jesus Christ. In Western Christianity, the feast commemorates principally (but not solely) the Biblical Magi, visit of the Magi to the Christ Child, and thus Jesus Christ's physical manifestation to the Gentiles. It is sometimes called Three Kings' Day, and in some traditions celebrated as Little Christmas. Moreover, the feast of the Epiphany, in some Christian denominations, denominations, also initiates the liturgical season of Epiphanytide. Eastern Christians, on the other hand, commemorate the baptism of Jesus in the Jordan River, seen as his manifestation to the world as the Son of God. The spot marked by Al-Maghtas in Jordan, adjacent to Qasr al-Yahud in the West Bank, is considered to be the original site of the baptism of Jesus and the ministry of John the Baptist. The traditional dat ...
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Chorale Cantata
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the Germany, German Baroque music, Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750. By far the most famous are by Johann Sebastian Bach, especially the Church cantata (Bach), cantatas composed in his Bach's second cantata cycle, second annual cycle of cantatas, started in Leipzig in 1724. Description The chorale cantata developed out of the chorale concerto, an earlier form much used by Samuel Scheidt in the early 17th century, which incorporated elements of the Venetian School (music), Venetian School, such as the concertato style, into the liturgical music of the Protestant Reformation. Later the chorale cantata developed into three general forms: * a form in which each verse (strophe) of the chora ...
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Ach Gott, Wie Manches Herzeleid, BWV 3
(Oh God, how much heartache), 3, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Second Sunday after Epiphany and first performed it on 14 January 1725. It is based on the hymn published by Martin Moller in 1587. Bach composed the cantata in his second year as ''Thomaskantor'' in Leipzig as part of cantata cycle of chorale cantatas, for the second Sunday after Epiphany. The work is based on a hymn without evident connection to the prescribed readings. It is a meditation on Jesus as a comforter in distress, based on a medieval model. An unknown librettist reworked the ideas of the 18 stanzas in six movements, retaining the words of stanzas 1, 2 and 18 as movements 1, 2 and 6. Similarly, Bach retained the choral melody in three movements, set as a chorale fantasia in the opening chorus with the bass singing the cantus firmus, as a four-part setting with interspersed recitatives in the second movement, and in the closing chorale ...
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Feast Of The Ascension
The Solemnity of the Ascension of Jesus Christ, also called Ascension Day, Ascension Thursday, or sometimes Holy Thursday, commemorates the Christian belief of the bodily Ascension of Jesus into heaven. It is one of the ecumenical (i.e., shared by multiple denominations) feasts of Christian churches, ranking with the feasts of the Passion and Pentecost. Following the account of that the risen Jesus appeared for 40 days prior to his Ascension, Ascension Day is traditionally celebrated on a Thursday, the fortieth day of Easter; although some Christian denominations have moved the observance to the following Sunday. The day of observance varies by ecclesiastical province in many Christian denominations, as with Methodists and Catholics, for example. History The observance of this feast is of great antiquity. Eusebius seems to hint at the celebration of it in the 4th century. At the beginning of the 5th century, Augustine of Hippo says that it is of Apostolic origin, and he speaks of ...
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Sie Werden Euch In Den Bann Tun, BWV 44
(They will put you under banishment), , is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Exaudi, the Sunday after Ascension, and first performed it on 21 May 1724. History and words Bach wrote the cantata in his first year in Leipzig for the Sunday Exaudi, the Sunday after Ascension. The prescribed readings for the Sunday were from the First Epistle of Peter, "serve each other" (), and from the second Farewell discourse in the Gospel of John, the promise of the Paraclete, the "Spirit of Truth", and the announcement of persecution (). The unknown poet begins with a quotation from the Gospel. One year later, poet Christiana Mariana von Ziegler would begin her cantata text for the same occasion, , with the same quotation, but other than that, the two works have little in common. The poet reflects the persecution of the Christians, confirmed by a chorale as movement 4, the first stanza of Martin Moller's "". In movement 5 the poet gives a reason, the A ...
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