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Zack Whyte
Zack Whyte (sometimes spelled Zach Whyte) (1898 – March 10, 1967) was an American jazz bandleader, best known for leading the territory band the Chocolate Beau Brummels. Biography Whyte was born in 1898 in Richmond, Kentucky. He studied at Wilberforce University, where he played banjo with Horace Henderson and arranged pieces for him. He led his own Cincinnati-based bands from the early 1920s, and put together the Chocolate Beau Brummels late in the decade. This ensemble recorded for Gennett, Supertone, and Champion in 1929, amounting to about ten tunes. Some of the recordings were released under the names "Eddie Walker & His Band" and "Smoke Jackson & His Red Onions". Whyte died on March 10, 1967 in Kentucky. Legacy Among those who played in Whyte's bands were Herman Chittison, Jerry Blake, Truck Parham, Sy Oliver, Roy Eldridge, Vic Dickenson, and Al Sears. Whyte's entire discography was reissued to CD on a Jazz Oracle compilation, ''Richmond Rarities 1927-31''. References *Z ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Truck Parham
Charles Valdez "Truck" Parham (January 25, 1911 – June 5, 2002) was an American jazz double-bassist. Parham was born in Chicago and was first a professional sportsman: he was a boxer and played football with the Chicago Negro All Stars. He played drums before settling on bass, and studied under Walter Page. He was part of Zack Whyte's band in 1932-34, playing primarily in Cincinnati, but was mostly a singer and valet for the band, the latter activity giving rise to his nickname. After returning to Chicago, he played with Zutty Singleton, Roy Eldridge (1936–38), Art Tatum, and Bob Shoffner in the 1930s. In 1940 he joined Earl Hines's orchestra, where he remained for two years; in 1942 he was hired by Jimmie Lunceford and played with him until 1947. Parham continued to play revival gigs with Muggsy Spanier (1950–55), Herbie Fields (1956–57), Hines again, and Louie Bellson. He spent much of the 1960s working with Art Hodes, and played in numerous Dixieland jazz groups late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gennett Records Artists
Gennett (pronounced "jennett") was an American record company and label in Richmond, Indiana, United States, which flourished in the 1920s. Gennett produced some of the earliest recordings by Louis Armstrong, King Oliver, Bix Beiderbecke, and Hoagy Carmichael. Its roster also included Jelly Roll Morton, Blind Lemon Jefferson, Charley Patton, and Gene Autry. History Gennett Records was founded in Richmond, Indiana, by the Starr Piano Company. It released its first records in October 1917. The company was named for its managers: Harry, Fred and Clarence Gennett. The company had produced early recordings under the Starr Records label. The early issues were vertically cut in the gramophone record grooves, using the hill-and-dale method of a U-shaped groove and sapphire ball stylus, but they switched to the lateral cut method in April 1919. Gennett set up recording studios in New York City and later, in 1921, set up a second studio on the grounds of the piano factory in Richmond unde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Jazz Bandleaders
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Oracle
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Sears
Albert Omega Sears (February 21, 1910 – March 23, 1990) was an American jazz tenor saxophonist and bandleader, sometimes credited as Big Al Sears. Sears was born in Macomb, Illinois, United States. His first major gig came in 1928 when he replaced Johnny Hodges in Chick Webb's ensemble. Following this he played with Elmer Snowden (1931–32), then led his own groups between 1933 and 1941. In the early 1940s he was with Andy Kirk (1941–42) and Lionel Hampton (1943-44) before he became a member of Duke Ellington's Orchestra in 1944, replacing Ben Webster. He remained with Ellington until 1949, when first Jimmy Forrest and then Paul Gonsalves took over his chair. He played with Johnny Hodges in 1951–52 and recorded the tune "Castle Rock" with him; the tune became a hit but was released under Hodges's name. Sears was in Alan Freed's band when Freed did live shows, being introduced as "Big Al Sears." He played as a studio musician on R&B albums in the 1950s and recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vic Dickenson
Victor Dickenson (August 6, 1906 – November 16, 1984) was an American jazz trombonist. His career began in the 1920s and continued through musical partnerships with Count Basie (1940–41), Sidney Bechet (1941), and Earl Hines. Life and career Born in Xenia, Ohio, in 1906, Dickenson wanted to be a plasterer like his father, but he abandoned the idea after injuring himself by falling off a ladder.John S. Wilson"Vic Dickenson, a trombonist with Basie band in 40's, dies" ''The New York Times'', November 18, 1984. He studied organ from 1922, then changed to performing trombone with local bands. He made his recording debut in December 1930 as a vocalist with Luis Russell's band. He joined Blanche Calloway's orchestra in the early 1930s. He led his own groups both on the east and west coast between 1947 and the mid-1950s. From then he was a session man. He appeared on the television program ''The Sound of Jazz'' in 1957 with Count Basie, Coleman Hawkins, Roy Eldridge, Gerry Mullig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Eldridge
David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop. Biography Early life Eldridge was born on the North Side of Pittsburgh, Pennsylvania on January 30, 1911, to parents Alexander, a wagon teamster, and Blanche, a gifted pianist with a talent for reproducing music by ear, a trait that Eldridge claimed to have inherited from her. Eldridge began playing the piano at the age of five; he claims to have been able to play coherent blues licks at even this young age. The young Eldridge looked up to his older brother, Joe Eldridge (born Joseph Eldridge, 1908, North Side of Pittsburgh, Pennsylvania, di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sy Oliver
Melvin James "Sy" Oliver (December 17, 1910 – May 28, 1988) was an American jazz arranger, trumpeter, composer, singer and bandleader. Life Sy Oliver was born in Battle Creek, Michigan, United States. His mother was a piano teacher, and his father was a multi-instrumentalist, who demonstrated saxophones at a time when instrument was seldom played other than by marching bands. Oliver left home at 17 to play with Zack Whyte and his Chocolate Beau Brummels and later with Alphonse Trent. He sang and played trumpet with these bands, becoming known for his "growling" horn playing. He also began arranging with them. He continued singing for the next 17 years, making many recordings when he was with Jimmie Lunceford and with his own band. With Lunceford, from 1933 to 1939, he recorded more than two dozen vocals. From 1949 to 1951, he recorded more than a dozen with his band. With Tommy Dorsey, he recorded very few vocals. In 1941, he sang with Jo Stafford, on his own compositions " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Blake
Jerry Blake (January 23, 1908 – December 31, 1961) was an American jazz alto saxophonist and clarinetist. Early life Blake was born "Jacinto Chabania" in Gary, Indiana and grew up in Nashville, Tennessee. He played violin before switching to reeds. Career In 1924, Blake toured with the Sells Floto Circus, but was left stranded in Chicago. He later joined Al Wynn's band, played with Bobby Lee and Charlie Turner, and toured Europe in 1928 and 1929 as a member of Sam Wooding's ensemble. In the 1930s, he played in the U.S. with Chick Webb, Zack Whyte, and Don Redman (1933–34) before returning to Europe to play with Willie Lewis in 1934 and 1935. Once more in the United States, he spent time playing with Claude Hopkins, Fletcher Henderson (1936–38), and Cab Calloway Gillespie, Dizzy (2009''To Be, Or Not... to Bop'', page 108. University of Minnesota PressAt Google Books. Retrieved 18 May 2013. (1938–42); he served as Calloway's musical director for part of that period. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Territory Band
Territory bands were dance bands that crisscrossed specific regions of the United States from the 1920s through the 1960s. Beginning in the 1920s, the bands typically had 8 to 12 musicians. These bands typically played one-nighters, six or seven nights a week at venues like VFW halls, Elks Lodges, Lions Clubs, hotel ballrooms, and the like. Francis Davis, jazz critic for ''The Village Voice'', likened territory bands to "the Top 40 cover bands (of the 1970s and 1980s) of their day, typically relying on stock arrangements of other ensembles' hits." He said, "many historians give much credit to territory bands for popularizing modern ballroom dancing that began during the World War I era with the influence of Vernon and Irene Castle." Territory bands helped disseminate popular music—which included swing, jazz, sweet dance music, or any combination thereof—bringing it to remote gin mills and dance halls that were otherwise ignored by national booking agents representing ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
