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Zero To Infinity
''Zero to Infinity'' (''02∞'') is the tenth studio album by Gong and the seventh album by the Daevid Allen version of the group, released in 2000. Like their 1992 album ''Shapeshifter'', it continues the Gong mythology, the central part of which was formed with the Radio Gnome Trilogy of albums, comprising Flying Teapot in 1973, followed by Angel's Egg, 1973, and You in 1974. Zero the Hero died on ''Shapeshifter''. ''Zero to Infinity'' sees his spirit enjoying a body-free and virtual existence. During the course of this he becomes an android spheroid Zeroid. With the help of a strange animal called a gongalope, he learns that all the wisdom of the world exists within him and practices Lafta yoga and tea making. At the end he becomes one with an Invisible Temple and has much fun. Track listing # "Foolefare" (Allen, Travis) − 0:42 # "Magdalene" (Allen, Howlett, Malherbe, Taylor) − 3:58 # "The Invisible Temple" (Allen, Howlett, Malherbe, Smyth, Taylor, Travis) − 11:35 # " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong (band)
Gong are a progressive rock band that incorporates elements of jazz and space rock into their musical style. The group was formed in Paris in 1967 by Australian musician Daevid Allen and English vocalist Gilli Smyth. Band members have included Didier Malherbe, Pip Pyle, Steve Hillage, Mike Howlett, Pierre Moerlen, Bill Laswell and Theo Travis. Others who have played on stage with Gong include Don Cherry, Chris Cutler, Bill Bruford, Brian Davison, Dave Stewart and Tatsuya Yoshida. Gong's 1970 debut album, ''Magick Brother'', featured a psychedelic pop sound. By the following year, the second album, ''Camembert Electrique'', featured the more psychedelic rock/space rock sound with which they would be most associated. Between 1973 and 1974, Gong released their best known work, the allegorical ''Radio Gnome Invisible'' trilogy, describing the adventures of Zero the Hero, the Good Witch Yoni and the Pot Head Pixies from the Planet Gong. In 1975, Allen and Smyth left the band, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Moerlen
Pierre Moerlen (23 October 1952, Colmar, Haut-Rhin – 3 May 2005, Sainte-Marie-aux-Mines, near Strasbourg) was a French drummer and percussionist, best known for his work with Gong and Mike Oldfield and as Pierre Moerlen's Gong. Biography Pierre Moerlen was born in Colmar (Haut-Rhin) on 23 October 1952, third of five children. His father was an organist and his mother was a music teacher. All five siblings learned music with their parents and all became musicians. Pierre's younger brother, Benoît Moerlen, is also a percussionist (he also worked with Gong and Mike Oldfield). Pierre left Colmar for Strasbourg to learn percussion with Jean Batigne, founder of Les Percussions de Strasbourg. He was also a member of two rock and rock-jazz bands, including Hasm Congélateur (with included future Magma guitarist Gabriel Federow), whose most notable performance was the opening slot at the Seloncourt Festival in September 1972, headlined by Ange, Genesis and Robert Wyatt's Matchin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Albums By British Artists
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong (band) Albums
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concept Albums
A concept album is an album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Sometimes the term is applied to albums considered to be of "uniform excellence" rather than an LP with an explicit musical or lyrical motif. There is no consensus among music critics as to the specific criteria for what a "concept album" is. The format originates with folk singer Woody Guthrie's ''Dust Bowl Ballads'' (1940) and was subsequently popularized by traditional pop/jazz singer Frank Sinatra's 1940s–50s string of albums, although the term is more often associated with rock music. In the 1960s several well-regarded concept albums were released by various rock bands, which eventually led to the invention of progressive rock and rock opera. Since then, many concept albums have been released across numerous musical genres. Definiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theremin
The theremin (; originally known as the ætherphone/etherphone, thereminophone or termenvox/thereminvox) is an electronic musical instrument controlled without physical contact by the performer (who is known as a thereminist). It is named after its inventor, Leon Theremin, who patented the device in 1928. The instrument's controlling section usually consists of two metal antenna (radio), antennas which sense the relative position of the thereminist's hands and control oscillation, oscillators for frequency with one hand, and amplitude (Loudness, volume) with the other. The electric signals from the theremin are amplifier, amplified and sent to a loudspeaker. The sound of the instrument is often associated with wikt:eerie, eerie situations. The theremin has been used in movie soundtracks such as Miklós Rózsa's ''Spellbound (1945 film), Spellbound'' and ''The Lost Weekend (film), The Lost Weekend'', Bernard Herrmann's ''The Day the Earth Stood Still (soundtrack), The Day the E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theo Travis
Theo Travis (born 7 July 1964 in Birmingham, England) is a British saxophonist, flautist and composer. He is best known for being a member of Soft Machine which he joined in 2006 while the group was still using the "Legacy" suffix and for being a member of Gong from 1999 to 2010. Biography Travis received his degree in music from the University of Manchester specialising in the works of Shostakovich. He has made eleven solo albums, mostly as a band leader working in the field of jazz, composing and arranging most of the material. However, 2003's ''Slow Life'', on which he is the sole performer, is an ambient album employing loops which prefigures his later work with Travis & Fripp. He has made about the same number of albums again credited to himself and one (or occasionally more) other collaborator(s), including John Foxx and, as half of Travis & Fripp with Robert Fripp. On his albums as band leader, Travis has played with numerous other jazz musicians. These have included, on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilli Smyth
Gillian Mary Smyth (1 June 1933 – 22 August 2016) was an English musician who performed with the bands Gong, Mother Gong, and Planet Gong and released several solo albums and albums in collaboration with other members of Gong. In Gong, she often performed under the name Shakti Yoni, contributing poems and "space whispers". Biography Smyth was born in London. She studied at King's College London, (the liner notes for Voiceprint's 'Mother Gong' CD suggests 'London University') where she gained notoriety as the outspoken sub-editor of "Kings News", a college magazine. After a brief spell teaching at the Sorbonne (Paris) (where she became bilingual), she began doing performance poetry with well-known English jazz-rock group Soft Machine, founded by her partner and long-time collaborator, Daevid Allen, in 1968. She co-founded Gong with Allen, an outfit that included musicians such as Steve Hillage, Pierre Moerlen and Didier Malherbe. All of the songs on the albums '' Magic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duduk
The duduk ( ; hy, դուդուկ ) or tsiranapogh ( hy, ծիրանափող, meaning “apricot-made wind instrument”), is an ancient Armenian double reed woodwind instrument made of apricot wood. It is indigenous to Armenia. Variations of the Armenian duduk appear throughout the Caucasus and the Middle East, including Azerbaijan, Georgia, Russia, Turkey, and Iran. Duduk, Balaban, and Mey are almost identical, except for historical and geographical differences. It is commonly played in pairs: while the first player plays the melody, the second plays a steady drone called ''dum'', and the sound of the two instruments together creates a richer, more haunting sound. The unflattened reed and cylindrical body produce a sound closer to the English horn than the oboe or bassoon. Unlike other double reed instruments like the oboe or shawm, the duduk has a very large reed proportional to its size. UNESCO proclaimed the Armenian duduk and its music as a Masterpiece of the Intangib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Didier Malherbe
Didier Malherbe (born January 22, 1943 in Paris), is a French jazz, rock and world music musician, known as a member of the bands Gong and Hadouk, as well as a poet. His first instrument was a saxophone, but he also plays flutes, alto clarinet, ocarina, Laotian Khen, Bawu flute, Hulusi and many other wind instruments. Since 1995, duduk has been his preferred instrument. Before Gong (1960–69) Didier Malherbe began playing saxophone at age 13 after hearing Charlie Parker's "Bloomdido", a title he later would adopt as his nickname. After two years of formal training on saxophone he began to participate in jam sessions at various Paris jazz clubs alongside the likes of Alby Cullaz, Eddy Louiss, Jacques Thollot ... He then moved away from jazz. "I had grown puzzled about bebop because of so many rules. Then free jazz arrived, which got rid of all the rules... I decided I'd rather look elsewhere". In 1962, after hearing the first Ravi Shankar album, he travelled to India, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daevid Allen
Christopher David Allen (13 January 1938 – 13 March 2015), known professionally as Daevid Allen, sometimes credited as Divided Alien, was an Australian musician. He was co-founder of the psychedelic rock groups Soft Machine (in the UK, 1966) and Gong (in France, 1967).McFarlane, 1999, Biography Early years In 1960, inspired by the Beat Generation writers he had discovered while working in a Melbourne bookshop, Allen travelled to Paris, where he stayed at the Beat Hotel, moving into a room recently vacated by Allen Ginsberg and Peter Orlovsky. While selling the '' International Herald Tribune'' around Le Chat Qui Pêche and the Latin Quarter, he met Terry Riley and also gained free access to the jazz clubs in the area. In 1961 Allen travelled to England and rented a room at Lydden, near Dover, where he soon began to look for work as a musician. He first replied to a newspaper advertisement for a guitar player to join Dover-based group the Rolling Stones (no connection w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
