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Yvon Repérant
Yvon Repérant is a French harpsichordist and organist, singing leader and musicologist. Yvon Repérant studied at the Schola Cantorum Basiliensis and the Conservatoire National Supérieur de Musique et de Danse, Paris. He was the lead continuo player for Les Arts Florissants from 1979, the date of the founding of the ensemble, till the famous 1987 production of Lully's '' Atys'' at the Opéra Comique. As continuo player he appeared on many of the first generation of baroque recordings, including ''Atys,'' Michel Lambert Michel Lambert (1610 – 29 June 1696) was a French singing master, theorbist and composer. Career Lambert was born at Champigny-sur-Veude, France. He received his musical education as an altar boy at the Chapel of Gaston d'Orléans, a brother of k ... '' Airs de cour'', M.-A. Charpentier ''Antiennes "O" de l'Avent,'' Monteverdi's '' Selva morale e spirituale'' etc. He also worked as artistic director in baroque opera productions, for René Jacobs and others, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichordist
A harpsichordist is a person who plays the harpsichord. Harpsichordists may play as soloists, as accompanists, as chamber musicians, or as members of an orchestra, or some combination of these roles. Solo harpsichordists may play unaccompanied sonatas for harpsichord or concertos accompanied by orchestra. Accompanist harpsichordists might accompany singers or instrumentalists (e.g., a violinist or Baroque flute player), either playing works written for a voice (or an instrument) and harpsichord or an orchestral reduction of the orchestra parts. Chamber musician harpsichordists could play in small groups of instrumentalists, such as a quartet or quintet. Baroque-style orchestras and opera pit orchestras typically have a harpsichordist to play the chords in the basso continuo part. History Many baroque composers played the harpsichord, including Johann Sebastian Bach, Domenico Scarlatti, George Frideric Handel, François Couperin and Jean-Philippe Rameau. At this time, it was com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organist
An organist is a musician who plays any type of organ (music), organ. An organist may play organ repertoire, solo organ works, play with an musical ensemble, ensemble or orchestra, or accompany one or more singers or instrumentalist, instrumental soloists. In addition, an organist may accompany congregational hymn-singing and play liturgy, liturgical music. Classical and church organists The majority of organists, amateur and professional, are principally involved in church music, playing in churches and cathedrals. The pipe organ still plays a large part in the leading of traditional western Christian worship, with roles including the accompaniment of hymns, choral anthems and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship services; nev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schola Cantorum Basiliensis
The Schola Cantorum Basiliensis (SCB) is a music academy and research institution located in Basel, Switzerland, that focuses on early music and historically informed performance. Faculty at the school have organized performing ensembles that have made notable recordings of early music. One of the more popular of these is the 1994 album ''Chill to the Chant''. History Paul Sacher founded the school in 1933. Influential faculty included August Wenzinger (cello and viola da gamba), Ina Lohr (violin), and Max Meili (vocal music). In 1954 the Schola merged with two other Basel music schools to form the City of Basel Music Academy. Faculty Among the school's other notable faculty members, past and present, are musicians from many countries. By nationality, they include: * Australia: keyboardist and conductor Geoffrey Lancaster * Belgium: countertenor and conductor René Jacobs * England: lutenist and ensemble leader Anthony Rooley; soprano Evelyn Tubb; viola da gambist Alison Crum * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatoire National Supérieur De Musique Et De Danse
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the CNSAD, Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture (France), Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Arts Florissants (ensemble)
Les Arts Florissants is a Baroque musical ensemble in residence at the Théâtre de Caen in Caen, France. The organization was founded by conductor William Christie in 1979. The ensemble derives its name from the 1685 opera '' Les Arts florissants'' by Marc-Antoine Charpentier. The organization consists of a chamber orchestra of period instruments and a small vocal ensemble. Current notable members include soprano Danielle de Niese and tenor Paul Agnew, who has served as assistant conductor since 2007. Jonathan Cohen is also on the conducting staff; Christie remains the organization's Artistic Director. Work Although not specifically a Baroque opera ensemble, it is within this field that Les Arts Florissants has achieved its greatest successes. The majority of the ensemble's performances are of period operas (both staged and in concert), many of which are available on CD on the Harmonia Mundi and Erato labels and on DVD. The group first drew international acclaim in the area o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous ''comédie-ballets'', including ''L'Amour médecin'', ''George Dandin ou le Mari confondu'', ''Monsieur de Pourceaugnac'', ''Psyché'' and his best known work, ''Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Franciscan friar ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atys (Lully)
''Atys'' ('' Attis'') is a 1675 ''tragédie en musique'' — described in a 1708 revival as a ''tragédie mise en musique'' and today considered a ''tragédie lyrique'', a French form of opera — in a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault after Ovid's '' Fasti''. It was premiered for the royal court on 10 January the following year by Lully's Académie Royale de Musique (Paris Opera) at the Château de Saint-Germain-en-Laye. The first public performance took place in April 1676 at the Théâtre du Palais-Royal. Although ''Atys'' was met with indifference by Paris audiences, it became known as "the king's opera" because of Louis XIV's fondness for it; it was repeated for him in 1678, 1682 and 1708. Roles Plot and music outline The French style of opera, established in the 1670s by Lully, was in five acts with a prologue. Prologue Lully's prologues normally served to comment on current events at the court of Louis XIV in a way tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Lambert
Michel Lambert (1610 – 29 June 1696) was a French singing master, theorbist and composer. Career Lambert was born at Champigny-sur-Veude, France. He received his musical education as an altar boy at the Chapel of Gaston d'Orléans, a brother of king Louis XIII. He studied also with Pierre de Nyert in Paris. Since 1636, he was known as a singing teacher. In 1641, he married singer Gabrielle Dupuis who died suddenly a year later. Their daughter Madeleine (1643–1720) married Jean-Baptiste Lully in 1662. After his marriage, Lambert's career became closely linked to his sister-in-law and famous singer Hilaire Dupuis (1625–1709). In 1651, he appears as a ballet dancer at the court of Louis XIV. Beginning in 1656, his reputation as a composer was established and his compositions were regularly printed by Ballard. They consist mainly of airs on poems of Benserade and Quinault. He was the most prolific composer of airs in the second half of the 17th century. In 1661, he succeeded Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Airs De Cour
The ''air de cour'' was a popular type of secular vocal music in France in the late Renaissance and early Baroque period, from about 1570 until around 1650. From approximately 1610 to 1635, during the reign of Louis XIII, this was the predominant form of secular vocal composition in France, especially in the royal court. Features The first use of the term ''air de cour'' was in Adrian Le Roy's ''Airs de cour miz sur le luth'' (Book on Court Tunes for the Luth), a collection of music published in 1571. The earliest examples of the form are for solo voice accompanied by lute;Buelow, 2004, p. 156 towards the end of the 16th century, four or five voices are common, sometimes accompanied (or instrumental accompaniment may have been optional); and by the mid-17th century, most ''airs de cour'' were again for solo voice with accompaniment. Beginning in 1608, ''airs de cour'' were often taken from ''ballets de cour'', a form of ballet which was quickly becoming popular at the French cour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Selva Morale E Spirituale
''Selva morale e spirituale'' ( SV 252–288) is the short title of a collection of sacred music by the Italian composer Claudio Monteverdi, published in Venice in 1640 and 1641. The title translates to "Moral and Spiritual Forest". The full title is: "Selva / Morale e Spirituale / di Clavdio Monteverde / Maestro di Capella della Serenissima / Republica Di Venetia / Dedicata / alla Sacra Cesarea Maesta dell' Imperatrice / Eleonora / Gonzaga / Con Licenza de Superiori & Priuilegio. / In Venetia M DC X X X X / Appresso Bartolomeo Magni". History ''Selva morale e spirituale'' was Monteverdi's "most significant anthology of liturgical works since the Vespers in 1610". The collection of various works in different instrumentation was published in Venice in 1640 and 1641. While the 1610 publication summarizes Monteverdi's sacred works written for Vincenzo Gonzaga, Duke of Mantua, ''Selva morale e spirituale'' presents works composed at San Marco, Venice, where Monteverdi had served ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Jacobs
René Jacobs (born 30 October 1946) is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera. Biography Countertenor Born in Ghent, Jacobs began his musical career as a boy chorister at the Cathedral. Later he studied classical philology at the University of Ghent while continuing to sing in Brussels and in The Hague. The Kuijken brothers, Gustav Leonhardt and Alfred Deller all encouraged him to pursue a career as a countertenor, and he quickly became known as one of the best of his time. He recorded a large amount of less-known Baroque music by such composers as Antonio Cesti, d'India, Ferrari, Marenzio, Lambert, Guédron, William Lawes and others. He also sang in much-acclaimed recordings of the major works of Bach (such as the ''St Matthew Passion'' led by Gustav Leonhardt and Philippe Herreweghe). Conductor In 1977, he founded the ensemble Concerto Vocale. As a conductor, Jacobs r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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